Results
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£27.00Auld Lang Syne (Brass Band - Score and Parts) - Wilkinson, Keith M.
It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.
Estimated dispatch 7-14 working days
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£44.95
Music For A Joyful Occasion (Revisited) (Brass Band - Score and Parts) - Downie, Kenneth
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£22.50
Music For A Joyful Occasion (Revisited) (Brass Band - Score only) - Downie, Kenneth
This music was originally written to mark the 24th anniversary of The Salvation Army's Canadian Staff Band and was performed by the band, under the direction of the composer, in January 1993. The inspiration was the theme chorus of the International Corps Cadet rally held in London in 1956; 'Jesus, I love you, I love you with tender care'. The mood of the music is often high-spirited and humorous and frequently calls for a sense of bravura although there are some tender moments too. This new edition was produced for The International Staff Band, omitting the singing and trombone quartet but containing new material in the same high-spirited style of the original.
Estimated dispatch 7-14 working days
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£44.95Princethorpe Variations (Brass Band - Score and Parts) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£22.50
Princethorpe Variations (Brass Band - Score only) - Downie, Kenneth
Colourful harmony, rhythmic flair and melodic invention are the hallmarks of this excellent set of variations by Kenneth Downie, based on the well known church tune, Princethorpe.This major work demonstrates the well-known characteristics of the composer: colourful harmony, rhythmic flair and melodic invention, all encapsulated in scoring which is engulfing both to players and listeners alike. Following a presentation of the theme there are five variations culminating in what can be described as either a finale or coda.Theme. The composer shows his originality in the harmonic sense of this introduction. Perhaps it could be suggested that over-indulgence of rubato may be a temptation to be avoided.Sections A to F. Relentless rhythmic drive is of paramount importance in this first variation. Conscientious observance of dynamics is of course an essential requirement in conveying the exciting quality of the music; there are moments of sudden contrast of which all will need to be aware. Moving between the time-signatures of 5/4 and 6/4 these sections are built from strong easily-identifiable fragments of the theme. These is a significant increase in temp at letter F which will further the exciting impact of the music.Sections G & H. In a pastorale style this short, gentle variation affords a contrast in style between the previous and succeeding ones. The gentle undulating character of the melodic lines is governed by the Allegretto grazioso directive.Sections I to M. Commencing two bars before letter I the music is now exuberant and the tempo and style is that of a march in compound time. In this exhilarating movement there are moments of contrast and indeed of delicacy which are a foil to the more energetic moments. Rhythmic control will be essential to maintain a consistent tempo. As elsewhere in the work, the percussion section will contribute much to the success of the performance there are bars where this section alone is heard and there are important entries for glockenspiel.Sections N & O. With emotional content this Adagio variation has the first two notes of the melody as its melodic impetus. Apart from just over two bars at O (where there is an interpolatory phrase from Cornets and Trombones), the melodic line is entrusted to the plaintive sounds of the horn section. Cornets and Trombones provide a change of tone colour at the beginning of section O. Under a poco rall, this very expressive variation is concluded; there is an important link supplied by Eb Bass.Sections P & Q. A lively march-tempo is launched immediately and these sections are in the nature of an introduction to the final variations. There is a quickening of pace at Q which assists the generation of excitement which should be an essential part of the performance. Solo Cornets introduce a melodic line at Q which anticipates the compound time of the following section.Sections R & S. The Solo Cornet theme of the previous section is now a contrapuntal line accompanying the theme tune. With an elongation of the notes in the melody, the conductor will need to call on the sustaining powers of the band and at no time should the interesting accompanying lines be allowed to detract from the sonorous presentation of the basic theme.Sections T, U & V. Following a poco rit, the finale begins at letter T with the directive, molto vivace. There is much detail to be rehearsed, not least being the dynamic contrasts which are encountered. As throughout the work, the listener should have no difficulty in identifying the thematic sources of the composer's music.
Estimated dispatch 7-14 working days
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£119.99Landscapes (Brass Band - Score and Parts) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£44.99Landscapes (Brass Band - Score only) - Moren, Bertrand
Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.
Estimated dispatch 7-14 working days
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£68.99Homage (Brass Band - Score and Parts) - Van der Roost, Jan
In the most literal sense: a piece for an occasion. The actual occasion was Jan de Haan's twentieth anniversary as a conductor of the top Dutch brass band, "Soli Deo Gloria" (Leeuwarden). To mark the occasion, the band commissioned the Belgian composer Jan Van der Roost to create a surprise piece: without knowledge of the person being celebrated, a suitable source of inspiration was sought for. After some thought the chorale-theme from Camille Saint-Sans organ symphony was chosen, a piece with which Jan de Haan has a special bond. Apart from this chorale, Homage is also based on the names of notes taken from 'Jan de Haan' and 'Soli Deo Gloria', resulting in the tone row: DEGAH. Both elements are combined together and form a grand climax towards the end of the piece when the whole band unites in the Saint Sans' theme.Duration: 5:30
Estimated dispatch 7-14 working days
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£119.99Stonehenge (Brass Band - Score and Parts) - Van der Roost, Jan
This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a special atmosphere by imitating a choir of monks and druids. A fantastic major concert work for advanced bands.Duration: 15:00
Estimated dispatch 7-14 working days
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£59.99Centennial Prelude (Brass Band - Score and Parts) - Van der Roost, Jan
This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed! It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introduction reoccurs. Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.Duration: 3:30
Estimated dispatch 7-14 working days
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