Results
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£25.00THREE ANCIENT CUSTOMS (Brass Band Score) - Cole, R Huw
2012 National Championships Finals - Third Section. Huw Cole's three-movement work depicts the customs of Wales and the West of England. The traditions are couched in the movements titles: Cwrw Bach; Mari Lwyd; Wassail. The finale offers a grand climax in the festive spirit of a wassail, before transforming into a sea shanty in homage to Gloucester's dependence on the River Severn.
Estimated dispatch 7-14 working days
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£59.95
THREE ANCIENT CUSTOMS (Brass Band Set - Score and Parts) - Cole, R Huw
2012 National Championships Finals - Third Section. Huw Cole's three-movement work depicts the customs of Wales and the West of England. The traditions are couched in the movements titles: Cwrw Bach; Mari Lwyd; Wassail. The finale offers a grand climax in the festive spirit of a wassail, before transforming into a sea shanty in homage to Gloucester's dependence on the River Severn.
Estimated dispatch 7-14 working days
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£37.95Whirlwind Polka - Jules Levy
Jules Levy was one of the most prominent cornet soloists of his day and wrote this polka to show off his triple-tongueing technique. Bill Geldard's arrangement captures the spirit of Levy's time allowing present-day soloists to show off their skills.
Estimated dispatch 5-7 working days
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£147.99A Tale as Yet Untold (Brass Band - Score and Parts)
2013 Butlins Championship Section. Score and Parts.A Tale as Yet Untold was commissioned by the Cory Band for the European Brass Band Championships in Linz, Austria, 2010, and their winning performance gave them a hattrick of victories at the competition. The theme of this impressive work, which is set in three movements, is one that recurs again and again throughout the music of Philip Sparke, the power of the human spirit to overcome adversity and how the beauty of music can help in this respect.Grade: AdvancedDuration 14:00
Estimated dispatch 7-14 working days
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£50.00Judd: Romans 8
Based on the eighth chapter of Romans, this music was composed as a companion to a series of bible studies at the 1985 British National School of Music. The tunes of four songs are presented, each supporting the ideas of the chapter; 'This joyful Eastertide' 'We are born of the Spirit' 'Lord of all hopefulness' and 'In the Cross of Christ I glory'
Estimated dispatch 7-14 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£64.99Olympus - Philip Harper
Selected as the test-piece for the 3rd Section Regional contests of the National Brass Band Championships 2012The music begins with a depiction of the exciting Opening Ceremony where noisy fanfares and sudden swells add to the cosmopolitan flag-waving clamour. Without a break the music leads to The Chariot Race, a fast compound-time gallop withthundering hooves in the basses and percussion, and a heroic melody introduced by the tenor horns. Chariot racing was the main equestrian event in the Ancient Greek Games, which were founded in memory of King Oenomaus. In the Greek legend he suffereddefeat in a chariot race to his son-in-law and Zeus' grandson, Pelops, but much of the music is bitter-sweet to symbolise the fact that Pelops had to cheat to win drawing parallels with some of the issues still facing modern-day athletics. A slow, mystical passage follows, describing The Temple of Zeus at Olympia. The statue of Zeus, who was honoured throughout the Ancient Games' history, was housed inside the temple and was one of the Seven Wonders of the Ancient World. Themusic depicts this period of the dawn of one of mankind's most ancient civilisations and there is a series of solo passages above a drone. The next section is called The Olympic Flame and a broad and lyrical anthem-like melody develops slowly in the euphoniums, which gradually ascends until the horns can take it over before passing upwards again to the cornets (Higher). The musicbursts into bright life at the lighting of the flame and the regular rhythmic pattern which has been established goes through an accelerando (Faster). The final section is called The Olympic Truce and aims to capture the cooperative spirit of the ancient practice of ending wars for the duration of the games. The anthem-like melody makes an affirmatory return (Stronger) and the work ends asit began with a blaze of colour and a real sense of optimism and global celebration. "Citius, Altius, Fortius" (Faster, Higher, Stonger)NOTES ON PERFORMANCEPercussion requirements: 1 to 3 players (3 Timpani, Snare Drum, Tenor Drum, Cymbals, Glockenspiel, Triangle)
Estimated dispatch 5-14 working days
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£89.99
Festive Impressions - Oliver Waespi
This brilliant opening work with the sub-heading Cinematographic Overture" is guaranteed to make a great impression on your audience. The piece starts with solemn brass-band motifs, followed by melodic movements in the quiet middle part that leads to a rich climax. At the end of this refreshing work, there is a reprise of the brass bands which reflects the spirit of this music very well. After all, this is the intention of this work which was written specially for the Musikverein Henggart" to celebrate their 75th anniversary.
Estimated dispatch 5-14 working days
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£32.95Finale from Leading Edge (Brass Band - Score and Parts) - Wiffin, Rob
This finale from the suite Leading Edge is particularly well-suited to brass band. The drums lead into the energetic, dance-like theme that announces the Finale. Although the use of minor keys persists in this movement, the atmosphere is energetic and vivacious. A number of themes are considered before the flugelhorn introduces the theme that will go through a number of guises before emerging later in triumphant form in the whole band. The foregoing tension is banished and the music ends in a spirit of positive affirmation.Duration: 4.15
Estimated dispatch 7-14 working days
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