Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 214 matches for your search. Order by

Results

  • £14.95

    To Win The World (Cornet And Trombone Double Trio with Brass Band - Score only)

    This double trio (three cornets and three trombones) was written for the National Capital Band of The Salvation Army in memory of Colonel William Maltby and is based on his own chorus, 'Keep on marching with a fighting faith'. Each solo part is of equal importance so six competent soloists will be required in order to make the piece sparkle!

    Estimated dispatch 7-14 working days
  • £34.95

    Travelling Along (Euphonium Solo with Brass Band - Score and Parts)

    This cheerful and energetic solo includes two Salvation Army songs, 'Travel along in the sunshine' and 'Sunshine', the composer having emigrated from the UK to 'sunny' California. (Look out for musical quotes from 'California, here I come')! The solo was written for himself to play during a return visit to the UK hence the witty quote from 'Raindrops keep falling on my head'.

    Estimated dispatch 7-14 working days
  • £17.50

    Travelling Along (Euphonium Solo with Brass Band - Score only)

    This cheerful and energetic solo includes two Salvation Army songs, 'Travel along in the sunshine' and 'Sunshine', the composer having emigrated from the UK to 'sunny' California. (Look out for musical quotes from 'California, here I come')! The solo was written for himself to play during a return visit to the UK hence the witty quote from 'Raindrops keep falling on my head'.

    Estimated dispatch 7-14 working days
  • £34.95

    Tucker (Cornet Solo with Brass Band - Score and Parts)

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated dispatch 7-14 working days
  • £17.50

    Tucker (Cornet Solo with Brass Band - Score only)

    Originally published in the Festival Series in 1933 and written by the master of solo writing, Erik Leidzen, this has become, in Salvation Army circles, a 'standard' for all aspiring cornetists, exploring the full range of the instrument from bottom F# to top D.

    Estimated dispatch 7-14 working days
  • £64.95

    The Pilgrim's Progress (Brass Band - Score and Parts) - Newton, Rodney

    Drawing inspiration from John Bunyan's Christian allegory, 'The Pilgrim's Progress' and Eric Ball's setting of Bunyan's 'Pilgrim's Hymn', Rodney Newton has expertly crafted a set of variations, each outlining a chapter in the Pilgrim's journey to the Celestial City.The work was written in 2003 (Eric Ball's centenary year) for Bandmaster Stephen Cobb and The International Staff Band of The Salvation Army to whom it is dedicated.Suitable for 2nd Section Bands and aboveDuration: 14.00

    Estimated dispatch 7-14 working days
  • £42.95

    OVERTURE FOR BRASS (Brass Band) - Turrin, Joseph

    1st Uk Performance 4th June 2011 New York Staff Band, Salvation Army. Recorded on Polyphonic QPRL234D Master Brass Vol.22

    Estimated dispatch 7-14 working days
  • £35.55

    The Risen King (Brass Band) Getty & Townend arr. Andrew Wainwright

    VIEW SCORE PDF This scintillating work will be an ideal opener to your band's concert programme. Written at the request of Bandmaster Christopher Ward and the Eastern Michigan Divisional Band of The Salvation Army (USA), it was premiered at the 2019 Autumn Praise Festival in Rochester, Michigan which featured the Eastern Michigan Divisional Band and Choir, and the Chicago Staff Band. The piece is based on the popular modern hymn by Keith and Kristin Getty and Stuart Townend, Come People of the Risen King. To view a video of the New York Staff Band performing the work please visit: https://www.youtube.com/watch?v=o1w7qY2dyvY&t=3s Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days
  • £107.95

    Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction

    Estimated dispatch 7-14 working days

     PDF View Music

  • £49.95

    Cornet Concerto (Brass Band - Score only) - Gregson, Edward

    The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00

    Estimated dispatch 7-14 working days

     PDF View Music