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  • £40.00

    The Moon has Raised her Lamp (Brass Band - Score and Parts)

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    Estimated dispatch 7-14 working days
  • £40.00

    The Moon has Raised her Lamp Above - Benedict, J

    Cornet and Euphonium DuetIncludes a full band set (no score)

    In stock: Estimated dispatch 1-3 days

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  • £55.00

    Tell me its not true

    Blood Brothers is a musical with book, lyrics, and music by Willy Russell. The story is a contemporary nature versus nurture plot, revolving around fraternal twins Mickey and Eddie, who were separated at birth and one raised in a wealthy family while the other raised in a poor family. The twins' different backgrounds take them to opposite ends of the social spectrum, one becoming a councillor and the other unemployed and in prison. They both fall in love with the same girl, causing a tear in their friendship and leading to the tragic death of both brothers. The iconic anthem from Willy Russell's world wide musical theatre hit "Blood Brothers". Arranged by Adam DJ Taylor this arrangement is with the kind permission of Willy Russell. Willy made the following comment on this arrangement "Please pass on my warmest congratulations to Adam I think he has done a superb job with this arrangement"

    Estimated dispatch 5-7 working days
  • £90.30

    Bansull i advent - Trygve Hoff

    The composer and musician Trygve Hoff was born and raised at Rognan in Nordland and gained a lot of inspiration for his texts from the North Norwegian culture. He is a composer and copywriter of many of our most popular songs. "Ei hand a holde i" and "Har en drom" with music by Svein Gundersen and especially his own "North Norwegian Christmas Psalm" are famous songs in Norway. "Lullaby in advent" may not be among his most famous songs, but it's a beautiful and thoughtful melody that will fit well with any Christmas concert. Hoff himself varied with musical styles on this song. This arrangement is written as a jazz-version with swing feel.

    Estimated dispatch 5-14 working days

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  • £69.99

    Willow Pattern - Philip Harper

    Composed in 2009 for Nicholas Childs and the Black Dyke BandThis piece tells the Willow Pattern legend through music. Several leitmotifs are used both for the different characters and also for some of the important emotions in the tale. Additionally, Knoon-se's part is mainly played by the flugel horn, Changby the euphonium, the Mandarin by the Eb Bass and the Duke Ta-jin by the trombone. The Willow Pattern LegendOnce, in ancient China, there lived a wealthy and powerful Mandarin who had a beautiful daughter, Knoon-se. She had fallen in love with Chang, a humble accountant, which angered her father who imprisoned her in the Pavilion by the river with only theexotic birds for company. She learnt that the Mandarin planned to marry her to the pompous Duke Ta-jin and that the wedding would take place on the day the blossom fell from the willow tree, so she sent Chang a message: "Gather thy blossom, ere it bestolen". The Duke arrived by sea amid great fanfare when the tree was heavy with bud, and nights of magnificent banquets followed. After one such occasion when the Mandarin slept, Chang crept over the crooked fence and tiptoed into the Pavilion to rescueKnoon-se, but as they escaped the alarm was raised. They fled over the bridge with the Mandarin close on their heels brandishing his whip.They managed to escape by boat to a secluded island where they lived happily for a time. Meanwhile, the Mandarin learned of their refuge and, intent on revenge, he ordered his soldiers to kill them. As Knoon-se and Chang slept at night, the men setfire to the pagoda in which they lived and the lovers perished in the flames. However, the Gods, moved by the lovers' plight, transformed their souls into two turtle-doves which rose from the charred remains, soaring above the Earth, symbolising eternal happiness. Willow Pattern is dedicated to the memory of Jean Harper who passed away as I was completing the piece and who was a great collector of porcelain and china-ware. NOTES ON PERFORMANCEMute Requirements:Metal mutes soprano cornet, repiano cornet, 2nd cornets, 3rd cornets (6 in total) Cup mutes all cornets and trombones (10 + 3) Harmon mutes soprano cornet, solo cornets, repiano cornet (6) Percussion Requirements:There are two parts for percussion on the score. The minimum requirements are as follows: 2 players - Timpani, 2 Large tom toms, 2 Wood Blocks, Triangle, Sleigh Bells, Whip, Clash Cymbals, Suspended Cymbal, Hi-hat, Glockenspiel, Xylophone, Tam tam (or susp. cym.) For performances with extra resources, and to achieve closer authenticity, the full requirements are as follows: 3 players - Timpani, 3 Taiko Drums played with thick wooden sticks (or Large tom toms), 2 Wood Blocks, Triangle, Chinese Bells (or Sleigh Bells), Whip, Clash Cymbals, Chinese Cymbals (small clash cymbals approx 12"), Suspended Cymbal, Glockenspiel,Xylophone, Tam tam

    Estimated dispatch 5-14 working days
  • £89.95

    Revelation (Score and Parts)

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated dispatch 7-14 working days
  • £44.95

    Revelation (Score Only)

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated dispatch 7-14 working days
  • £38.00

    The Green Glens of Antrim

    Arranged by Edward Kennedy This was created by Ed as a reminder of lazy Sunday afternoons near to where he was raised

    Estimated dispatch 5-7 working days
  • £89.95

    BLOCH-Party - Jonathan Bates

    DIFFICULTY: Champ. DURATION: 18'00". . 'BLOCH-Party' is music inspired by and attributed to the Swiss-born composer Ernest Bloch and was composed for the own-choice section of the 2022 Swiss National Brass Band Championships held in the Stravniski Auditorium, Montreux on the banks of Lake Geneva. Bloch was born and raised in Geneva itself to Jewish parents in 1880 before emigrating permanently to the United States in 1916. His Jewish heritage never ledft him though, and much of his writing and titling of works remained heavily influenced by his upbringing. This work is divided into 5 through-composed sections, culminating in a rip-roaring multi-metre dance inspired by traditional Yiddish and Klezmer rhythms and harmonies.

    In stock: Estimated dispatch 1-3 days
  • £29.95

    Casper's Lament (for Brass Band) - Jonathan Bates

    'Casper's Lament' was composed for the Foden's Band's appearance at the 2021 Brass in Concert Championships held at The Sage, gateshead. The music is inspired by the lesser known side to 'Casper the Friendly Ghost'; a "good ghost" who much to the annoyance of his uncles chooses to help people rather than scare them. Despite the uplifting and joyful narrative to the 'Casper' stories, there is a much more tragic back story of how he come to be. Casper's mother passed away during his birth leaving him to be raised solely by his extremely devoted father until the age of 12 when having begged his father for a sled to play in the snow Casper contracted pneumonia from playing out in the cold for too long and passed away shortly after. Throughout Casper's childhood years, the pair were inseparable. So much so, that after his tragically young death, Casper simply could not leave his father to be alone in the mortal world and as a result he stuck around as the ghost we love come to know and love through the many books, series and films over the years. . .

    In stock: Estimated dispatch 1-3 days