Results
-
£70.00General Series Band Journal April 2017 Numbers 2166-2169
Festival March - Faith on track (Andrew Blyth)Originally written for the Peterborough Citadel Band where the composer is the Bandmaster. This march features 'This train is bound for Glory' and 'The Gospel Train' in reference to the association with the City of Peterborough and its strong links with the Railway. Also found is the song 'Share your faith' which speaks of the evangelistic nature of the Corps and its people.Flashpoint (Martin Cordner)Written for The Melbourne Staff Band and featured at the Boundless Congress in 2015, the 'John Williams type' main theme is supplemented with an exciting setting of the song 'I'll stand for Christ'.Wells (Sam Creamer)A simple hymn tune arrangement based on the title of the work.All your anxiety (Brian Hogg)The tune 'All your anxiety' has been given a developed and thoughtful setting by Australian Salvationist Brian Hogg.
Estimated dispatch 7-14 working days
-
£60.00General Series Band Journal December 2014 Numbers 2138 - 2141
No. 2138 Song Arrangement - Praise his holy name! (Dean Jones)Dr Keith Hampton's song has been popular with choral groups for the best part of two decades. In this arrangement for band, Dean Jones has kept close to the original vocal version.No. 2139(1) Prelude on 'Hereford' (Norman Bearcroft)The beautiful tune of Hereford was written in 1872 by Samuel Sebastian Wesley and is often associated with the words of his grandfather, Charles Wesley; 'O thou who camest from above'.No. 2139(2) The Lord bless you and keep you (arr. Paul Sharman)Nik and Emma Pears have written this lovely setting of familiar words, which has been arranged as a benediction for band by Paul Sharman.No. 2140 Now I belong to Jesus (Steven Ponsford)This beautiful, descriptive arrangement of the well-loved song has an imaginatively extended ending, with long notes and rich harmonies, to give the impression of time stretching out into eternity.No. 2141 My name is written there! (Kenneth Downie)This setting of General Albert Orsborn's lovely song was inspired by a Corps retreat based on the theme 'The Calvary track'. The music provides a fitting commentary on the lyrics of the song.
Estimated dispatch 7-14 working days
-
£44.95Judd: Lyric Variations
This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. It subsequently became the title track of the solo CD recorded by the same forces. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale! A piano accompaniment version is included in The Derick Kane Euphonium Album.
Estimated dispatch 7-14 working days
-
£30.001941 March - John Williams
From the film '1941'. Being true to the original, Alan Morrison's arrangement of this march for brass band ensures the effects and atmosphere of the original title track from the film 1941 are maintained to their full potential.It's a challenging march, but the rewards are great and it makes for an enthralling concert opener.
Estimated dispatch 7-14 working days
-
£40.00Don't Stop Me Now (Score and Parts)
This prize-winning arrangement of the Queen track from the 1978 album Jazz begins with a deliciously harmonized flugel solo before exploding into life. The song is one of Queen's most popular and, with Philip Harper's usual recipe of no nonsense scorin
Estimated dispatch 7-14 working days
-
£55.00Barcelona
In 1987, Montserrat Caball met with Freddie Mercury to discuss the production of a new song for the forthcoming 1992 Olympics to be held in Barcelona. From this meeting both agreed to produce an album titled: "Barcelona" - the title track of the same name which would be the iconic track used as the theme for the 1992 Olympics. The song had it's first performance in May 1987 at the Ibiza Festival and then again in 1988 at the open air La Nit festival in Barcelona. This would be Freddie Mercury's last live performance. In 1991 Mercury died - one year before the Olympics. The track was broadcast at the start of the international broadcast of the 1992 Olympics ceremony. In 1999 at the UEFA Champions League Final held in Barcelona, Montserrat Caball performed 'Barcelona' live together with a recording of Freddie Mercury and his image which appeared on the stadium's electronic screen.
Estimated dispatch 5-7 working days
-
£34.95New Dawn, A - Christopher Bond
A New Dawn (2013) was commissioned by and written for British tenor horn virtuoso Owen Farr in late 2013, to provide the title track of his new CD album. With a specific brief, the work was to include a bold ear-catching 'fanfare-esque' opening to bring maximum impact to the opening of the album, before settling in a rhythmic groove which allows the new tempo and reduced texture to settle before the entry of the tenor horn, who's initial four bar motif is what forms the basis of much of the work. Following this, structurally, the work follows with a set of variations, carefully demonstrating the capabilities of the instrument and indeed the player. Bar 90 sees the return of the bold opening gestures, this time followed with a harmonic transformation, before a recapitulation at bar 120 which sees a return to the original tenor horn material and an increase in intensity, volume and virtuosity through to the close. A New Dawn was premiered by Owen Farr and the Cornwall Youth Brass Band on 30th December 2013, and was recorded by Owen and the Cory Band in March 2014, featuring as the title track on his CD release of the same name.
Estimated dispatch 5-10 working days
-
£40.00
Dial M for Midnight - Matthew Hall
Dial M for Midnight is a jazz-based solo for aspiring and accomplished cornet players alike. Technically not particularly demanding yet quite complicated rhythmically, Dial M allows players young and old to stand up and show off their skills in a work which has it's roots in Latin America but travels through the late night smoke-filled jazz clubs along the way. Commissioned by Jim Hayes for his debut CD recording, Dial M is the title track. Nicknamed Jimmy Midnight, Jim Hayes has established himself as one of the leading cornet players in the world playing within the Scottish Co-Op Band. Dial M is a take on Jim's persona and his love of jazz, the culmination of which ends up as a witty pastiche signature track of all things James Bond to Perry Mason.
Estimated dispatch 5-7 days
-
£39.95Panic on Pudding Lane - Jonathan Bates
DURATION: 5 minutes. DIFFICULTY: Championship. Panic on Pudding Lane was composed for the 2016 RNCM Festival of Brass, for the Black Dyke Band and Prof. Nicholas Childs. The work was composed to mark the 350th anniversary of the Great Fire of London in 1666. Following the frantic panicking, and hustle and bustle of the emergency service vehicles, a moment of reflection and tranquility is found in the core of the work, with a feature for Soprano Cornet and Flugelhorn in a section that almost pleads and mourns over the damage and devastation which surrounds them, as they stand amongst the burning rubble and debris (enhanced by a CD sound effect backing track). Whilst this section proves to be the calming point of the piece, the chaos and destruction is still never far from the ear, with distant echoes of sirens in the background towards the section's close. . Panic once again returns as the piece builds to a chaotic and driving close, with a huge sweeping recapitulation of the 'London's Burning' motif taking the lead before a wild,dischordant and frenzied finale brings the work to it's end. .
In stock: Estimated dispatch 1-3 days
-
£34.99Submerged... (Cornet Concerto No.2) - Jonathan Bates
'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .
In stock: Estimated dispatch 1-3 days