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£20.00Christmas Concerto
DescriptionThis arrangement of Corelli's famous "Christmas Concerto" features soprano cornet, two solo cornets and solo euphonium. Arcangelo Corelli was one of the first masters of the baroque period, a skilled violinist much admired by fellow composers like Bach and Handel. He was born in Fusignano, near Ferrara in Northern Italy in 1653. He studied in nearby Bologna where he became an extremely competent violinist. By the 1670s he was working in Rome and building a reputation as a composer at the important and powerful Papal court. By the late 1600s he was widely famous all over Europe, regularly invited to important courts and palaces. Although he had a huge influence on the virtuoso writing of later composers, his writing for string instruments was designed to be playable by average, often amateur players.His set of Concerti Grossi known as Opus 6 was not published in his lifetime. We think they were written around 1690, and they were first published in Amsterdam in 1714, a year after Corelli's death. A 'Concerto Grosso' is a concerto for a group of soloists (the "concertino" group) accompanied by an ensemble (the "ripieno" group) and was an important form in the Baroque era. Handel's very successful examples were modelled on Corelli's example. Number 8 from the Opus 6 set was commissioned by the Venetian Cardinal Pietro Ottoboni and bears the inscriptionFatto per la notte di Natale('made for the night of Christmas'). It was used as part of the soundtrack for the 2003 film 'Master and Commander: The Far Side of the World".Performance Notes.In this arrangement the 'Concertino' group are the soprano cornet, solo cornets 1 & 2 and the solo euphonium. If logistics allow they should stand either at the front of or some distance away from the band. There is no percussion in this arrangement. All tutti cornets will require cup mutes.Duration approximately 3'15".You can listen to a preview while following the score below:
Estimated dispatch 7-14 working days
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£29.95
Darkwood (Score Only)
Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan's first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band's exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign - Danger Global Warming Project and the band's collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil - a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms - an exciting new work for Grimethorpe Colliery Band's Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.
Estimated dispatch 7-14 working days
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£29.95St. Andrew's Variations (Score Only)
This piece, written for the East Anglian Brass Band Festival in 1998, takes the form of eight variations and a finale, loosely based on the descending third motif heard in the initial theme. It was initially composed for junior band, and expanded and rescored for full band in 2006. There is no significance in the title, other than the fact it was written by a Scotsman to be played in the St Andrew's Hall, in Norwich!Alan Fernie was born and brought up in the Scots mining village of Newtongrange. From the age of 13 he learned to play the trombone both at school and with the local brass band, going on to study music in Glasgow and London. After a short period working as an orchestral musician, Alan moved into instrumental education, spending over 20 years teaching brass in schools all over the East of Scotland. It was during this time that he began to conduct and he has since directed bands at all levels, winning many awards. He first wrote for brass whilst still a student, and his music is now played, recorded and published throughout the world.In 2009, Alan was honoured with the "President's Award" from the Scottish Brass Band Association for services to banding. He is also proud to be associated as composer in residence with the acclaimed charity "Brass for Africa", with whom he spent two months recently teaching in Kampala, Uganda. Living in the Scottish Borders, Alan now works as a freelance musician, finding time to write, teach, conduct, judge, perform and act as compere throughout the UK and beyond.
Estimated dispatch 7-14 working days
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£29.95
The Land of the Long White Cloud (Score Only)
Dating from 1979, The Land of the Long White Cloud (Aotearoa) was Philip Sparke's first test-piece. It was commissioned by the New Zealand Brass Band Association for their 1980 National Championships (their centenary year) and set for the European Brass Band Championships, the same year, at the Royal Albert Hall in London. Aotearoa was the name given to New Zealand by its Polynesian settlers whose first sight of the islands was a long, flat cloud lying low over the land. The work has no specific programme although many have seen pictures of the surging ocean in the opening bars. A faster dance-like section leads to a slow, haunting solo for soprano cornet; this is taken up by the whole band before earlier material returns. The dance-like tune is, this time, given a fugal treatment and the opening bars return to close the work.Philip Sparke was born in London and studied composition, trumpet and piano at the Royal College of Music, where he gained an ARCM. It was at the College that his interest in bands arose. He played in the College wind orchestra and also formed a brass band among the students, writing several works for both ensembles.At that time, his first published works appeared - Concert Prelude (brass band) and Gaudium (wind band). A growing interest in his music led to several commissions, his first major one being this featured piece for the Centennial Brass Band Championships in New Zealand - The Land of the Long White Cloud. He has written for brass band championships in New Zealand, Switzerland, Holland, Australia and the UK, including three times for the National Finals at the Royal Albert Hall.In September 2000, he was awarded the Iles Medal of the Worshipful Company of Musicians for his services to brass bands and in 2005 Music of the Spheres won the National Band Association/William D. Revelli Memorial Band Composition Contest. In 2011, he received the BUMA International Brass Award for his contribution to brass music.His conducting and adjudicating activities have taken him to most European countries, Scandinavia, Australia, New Zealand, Japan, Taiwan, South Korea, Canada and the USA. In May 2000, he took the major step of becoming a full-time composer by founding his own publishing company, Anglo Music Press. The company is devoted to publishing his brass band, concert band, fanfare band and instrumental publications as well as recordings dedicated to his latest works.
Estimated dispatch 7-14 working days
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£82.30Julepastorale - Arild Sandvold
Arild Sandvold (1895 - 1984) began his studies at the Music Conservatory in Kristiania (Oslo) in 1906, in piano and organ as well as music theory. After his debut as organist and pianist, he had his debut as orchestral conductor in 1924. At the same time he also had two periods of studies in Leipzig. In addition to studies in piano and organ, he received tutoring in composition. He was a teacher at the Oslo Music Conservatory and organist and a cathedral cantor in Oslo for more than 50 years. Sandvold brought both Baroque and Romantic organ works to a wider audience. He wrote a number of works for organ, in addition to music for choir and orchestra. The polyfony of the lateBaroque and the harmony of the Romantic period serve as the basis of his musical style. "A Christmas Pastorale" arranged with thoughts about the brass bands possibility for sound and colour, and should be a nice piece to do on concerts in the Christmas time.
Estimated dispatch 5-14 working days
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£102.60Generalstabens Honnormarsj - Oscar Borg
This march was written in 1919 by Norways own March King Oscar Borg (1851-1930).He was born in the town of Halden in the southeast of Norway and received his education at the Royal Academy in Stockholm, Sweden.Upon his return to Halden he became a driving force in the towns musical life in several respects. He conducted choirs, amateur bands and played the organ in church.Borg was also the conductor of 1. Brigades Musikkorps (today The Norwegian Wind Ensemble) from 1881 to 1918.His significance for the Norwegian military bands and their repertoire is unquestionable.He wrote over 60 marches and he played several instruments; the violin, flute, cornet and the organ.This arrangement was written for Askoy Brass Band in 2021.Svein H. Giske
Estimated dispatch 5-14 working days
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£103.00
Fest - Polonaise - Johan Svendsen - Kjell Olav Martinsen
Johan Svendsen (1840 - 1911) was the first great Norwegian symphonic composer, as well as one of the leading conductors of his time. Next to Edv. Grieg, he was the most prominent figure in Norwegian music life at the end of the 1800's. Although he came from humble beginnings in Chistiania (now Oslo), he was to become a cosmopolitan who felt at home all over Europa. Svendsen spent most of his adult life abroad, living in Copenhagen for 25 years as maestro for the Royal Theatre Orchestra. Nonetheless he retained contact with Norway troughout these years and was a frequent and popular guest in his native country. He wrote his Festival Polonaise for a ball in 1873. This polonaise in a big ABA style
Estimated dispatch 12-14 working days
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£84.95Force of Nature (Euphonium Solo with Brass Band - Score and Parts) - Graham, Peter
Concerto for EuphoniumIn his writings, Ernest Hemingway defined the American hero for a generation.He created a new type of fictional character - a "man's man" - a hard drinking pugilist who enjoyed bullfights, big game hunting, deep-sea fishing and other "macho" pursuits. In many respects Hemingway was the living embodiment of his creation, though his somewhat idealised life ended in suicide on July 2nd 1961 and the chapter on this Force of Nature came to a close. The concerto reflects upon moments in this extraordinary life.Matador - the traditions of the Spanish bullfight fascinated Hemingway. He wrote frequently on the subject, going beyond the superficial and exploring at a deeper level the nature of fear and courage. This flamenco-inspired music equally contrasts moments of uncertainty and resolve.Wayfarer (Reflections on Poor Wayfaring Stranger) - the tensions of Hemingway's early life in the midwest suburb of Oak Park (a town he reputedly described as "narrow-minded") fuelled his wanderlust. At the age of 18 he arrived at the Italian Front, serving as an ambulance driver. Within days he was seriously wounded and the horrors of war put paid to adolescent illusions of immortality.Pilar - Hemingway's beloved boat Pilar could cut through the waves off the coast of Cuba at sixteen knots full-out. The music conjures up the thrill of the chase as the great fish hoves into view.Duration: 14.00
Estimated dispatch 7-14 working days
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£43.00La Perla Negra (Brass Band - Score and Parts) - Skinner, Colin
For this brooding piece the composer has used the following storyline. "A sad elderly man sits alone in a bar whilst an accordionist plays a slow tango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomes more and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in the girls arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearl left behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and vibrato fuelled section, but we soon return to the opening material for a slow fade-out" Composer Colin Skinner wrote this piece especially for Superbrass' debut CD, Under the Spell of Spain. Duration: 6.30. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£42.95Dunlaps Creek (Brass Band - Score and Parts)
Robert Bernat was commissioned in 1976by Elgar Howarth to write his first brassband composition, Dunlaps Creek, forGrimethorpe Colliery Band. He chose to usean old hymn tune of the same name usuallyassociated with the words We walk by faithand not by sight. Composing Dunlaps Creekinspired Bernat to learn more about brassbands and in 1978 he moved to Sheffieldfor about a year. He was so impressed bywhat he saw in terms of musical virtuosityand accessibility that he made his mind upto establish a brass band movement in theUS and in 1981 the River City Brass Bandgave its debut performance. Bernat servedas the bands conductor, artistic director andpresident until his death in 1994.
Estimated dispatch 7-14 working days
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