Results
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£3.95On the Face Too! (Part D: Trombone BC)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Part D: Trombone TC)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Part D: Tuba BC)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£3.95On the Face Too! (Percussion)
On the Face Too! is to the secondary school brass teacher as On the Face! is to the primary: namely a collection of pieces for intermediate brass ensemble in various jazz and popular styles, aiming to give a ready supply of material for concerts and assemblies, which nevertheless still allows for the developing technique of the young players to whom it is addressed.Generally speaking, the technical difficulty of the material here goes no further than grade 4 or 5 (even the first trumpet part never goes higher than a written G), though some pieces will offer considerable rhythmic challenges.
Estimated dispatch 7-14 working days
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£6.95Eight Quartets (Brass Quartet - Score and Parts)
Written for 2 Cornets, Eb Horn and Euphonium TC. Includes: Gavotte; Bourree; Gigue (Berenice); Minuet (Don Giovanni); March (Occasional Oratorio); Minuet in G; It was Lover and His Lass; Canon.
Estimated dispatch 7-14 working days
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£84.95In League with Extraordinary Gentlemen (Euphonium Solo with Brass Band)
Concerto for EuphoniumIn League with Extraordinary Gentlemen combines two of composer Peter Graham's life interests - composition and 19th century popular fiction. Each of the concerto's three movements takes its musical inspiration from extraordinary characters who have transcended the original genre and have subsequently found mass audiences through film, television and comic book adaptations.The first movement follows a traditional sonata form outline with one slight modification. The order of themes in the recapitulation is reversed, mirroring a plot climax in the H.G. Wells novella The Time Machine (where the protagonist, known only as The Time Traveller, puts his machine into reverse bringing the story back full circle).The Adventure of the Final Problem is the title of a short story published in The Memoirs of Sherlock Holmes by Arthur Conan Doyle. This is an account of the great detective's final struggle with his long-time adversary Professor Moriarty at the Reichenbach Falls in Switzerland. The music takes the form of a slowed down lndler (a Swiss/Austrian folk dance) and various acoustic and electronic echo effects call to mind the alpine landscape. The final bars pose a question paralleling that of Conan Doyle in the story - have we really seen the last of Sherlock Holmes?The final movement, The Great Race, (available separately) follows Phileas Fogg on the last stage of his epic journey "Around the World in Eighty Days" (from the novel by Jules Verne). The moto perpetuo nature of the music gives full rein to the soloist's technical virtuosity. As the work draws to a conclusion, the frantic scramble by Fogg to meet his deadline at the Reform Club in Pall Mall, London, is echoed by the soloist's increasingly demanding ascending figuration, set against the background of Big Ben clock chimes.In League with Extraordinary Gentlemen was first performed in the brass band version by David Thornton and the Black Dyke Band, conductor Nicholas Childs, at the RNCM Concert Hall Manchester on January 30, 2009.
Estimated dispatch 7-14 working days
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£4.99First Things First - Let's Play (Elementary Course) Bb/Eb Edition
Let's Play (Elementary Course) provides an exciting and challenging early introduction to brass playing. Intentionally, using just the first 5 noes (C-G), the course allows and encourages the important early development of a brass player's most vital commodity, the lips!Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you willlearn how to hold the instrument and how to breath properly!learn how to buzz your lips and how to use your tongue to start notesmeet lots of well known tunes, but using just 5 notes (C, D, E, F & G)learn many of the rhythm patterns possible in 4/4 timeimprove your listening skills as you play along with the downloadable tracks.
Estimated dispatch 7-14 working days
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£45.00First Things First - Let's Play (Elementary Course) Bb/Eb Edition (Pack of 10)
Let's Play (Elementary Course) provides an exciting and challenging early introduction to brass playing. Intentionally, using just the first 5 noes (C-G), the course allows and encourages the important early development of a brass player's most vital commodity, the lips!Includes link to downloadable resources including backing and demonstration tracks, online course assessment sheets and personalised course certificates.In this book you willlearn how to hold the instrument and how to breath properly!learn how to buzz your lips and how to use your tongue to start notesmeet lots of well known tunes, but using just 5 notes (C, D, E, F & G)learn many of the rhythm patterns possible in 4/4 timeimprove your listening skills as you play along with the downloadable tracks.
Estimated dispatch 7-14 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£34.95Pastorale from "Concerto di Natale"
A delightful lilting dance from Corelli's Concerto Grosso in G minor, op. 6, no. 8
Estimated dispatch 7-14 working days