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£225.00
Prillar&Halling - for Solo Clarinet and Wind Band - Stig Nordhagen
"Prillar" has it's origin from Norwegian folklorist music. It's a way of calling and singing the cattle home from the fields. Halling is a wellknown folk dance from the valleys in the eastern part of Norway.In this work, the clarinet use the prillar to get the other musicians to join in.The melodic material in Prillar and Halling hasn't got all the sound of Norwegian folklore exclusively. You can also hear folkloric music from other nations. The idea is to show the similarities between these and also the small differences there are between folkloristic elements from a large area. The piece also contains the folk tune "Adam in paradise", from south of Norway. At the end, the tunes are stacked on top of each other, and the similarities of origin turns out.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£50.90BLOW THE WIND SOUTHERLY (Trombone Solo with Brass Band) - Newsome, Roy
Grade: Medium.
Estimated dispatch 7-14 working days
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£21.50THE WIND BENEATH MY WINGS (Solo Trombone TC/BRASS Band)
There is also a Brass Band version only.
Estimated dispatch 7-14 working days
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£122.10Den store dagen - Benny Borg - Bjørn Morten Kjærnes
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements Hjorring Brass Band (DK) came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on very consciously.If you have heard the Wind Band version, you can notice that both keys and modulation are different in the Brass Band arrangement to sound better for this instrumentation.Regarding instrumentation, Flugelhorn, Solo Horn and Euphonium have important roles, in addition to Solo Cornet.It is also possible to use a vocal soloist, but then you have to soften the melody voices, especially, where small variations in the melody have been made for the wind instruments.
Estimated dispatch 5-14 working days
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£140.80Concertino For Tuba - Carlos Marques
At last here we have an interesting and quite playable solo concert for the tuba, a too often undervalued wind instrument. This concerto was written for and dedicated to the Portuguese tuba player Adelio Carneiro. Composer Carlos Marques who wrote already some successful pieces for Molenaar Edition such as 'Cassiopeia' and 'Transit of Venus' warrants an accessible and excellent wind band orchestration.
Estimated dispatch 5-14 working days
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£60.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and powerto this piece, making it sound even more broad and grand.
Estimated dispatch 5-14 working days
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£50.00Firefly - Simon Dobson
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempoconcert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION:1 EflatSop. Cornet, Solo Cornets (4), Bflat Rep. Cornet (1), 2nd Bflat, Cornets (2), 3rd Bflat Cornets (2);Flugel horn, Solo Eflat Horn, 1st Eflat Horn, 2nd Eflat Horn; 1st Bflat Bar., 1 2nd Bflat Bar., 1st Trombone, 2ndTrombone, Bass Trombone; Bflat Euphoniums (2); Eflat Tubas (2); Bflat Tubas (2); 2 percussion
Estimated dispatch 5-14 working days
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£102.60Milonga del Angel - Astor Piazzolla - Sverre Stakston Olsrud
This arrangement was made after hearing Astor Piazzolla's 1986 recording of his own work written in 1965.The original instrumentation of bandoneon, violin and string bass is here arranged for three wind soloists with Concert Band.The Eb Cornet is the main soloist (filling the bandoneon role), while the trombone and Solo Bb Cornet shares the violin part as a kind of flirting undertone to the Eb Cornet.It's not possible to make a 100% correct notation of the solo parts, so it's recommended to listen to the record album "Zero Hour" from 1986 to get the best impression of the work.Enjoy "Milonga Del Angel" and imagine a small, dark cafe in Buenos Aires!
Estimated dispatch 5-14 working days
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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£59.99Flowerdale From 'Hymn Of The Highlands' - Philip Sparke
Flowerdale is a forest in Wester Ross, Scotland, which is well-known for it's beautiful waterfall. This piece, for solo Soprano Cornet, is one of the movements from Philip Sparke's epic suite Hymn of the Highlands. It depicts the tall trees swaying gently in the wind with the serenity of the area being reflected by the subtle accompaniment of the band. Let your soprano player bloom into colour with this exquisite solo. A real show stopper.
Estimated dispatch 5-14 working days
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