Results
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£134.99Mirage (Brass Band - Score and Parts) - De Haan, Jan
A Symphonic Portrait inspired by the saga of The Flying Dutchman.The composition Mirage takes inspiration from the legendary ghost ship "The Flying Dutchman", a story deeply rooted in maritime folklore. Cursed to wander the oceans forever, the ship often looms like a mirage on the horizon - a mysterious apparition in which reality and illusion blend intangibly.In Mirage the music tries to bring this mystical appearance to life. The piece begins with an atmosphere of mystery and wonder, creating the illusion of a mirage. The listener is taken to the vast sea, where the boundaries between the real and the unreal blur and the ghostly silhouette of the ship gradually becomes visible. Suddenly the tone changes. Powerful rhythms and stormy harmonies follow, expressing the ship's battle against the raging forces of nature. After this intense section, in which the musicians are pushed to their limits, the tranquility of the sea returns. The recurring mirages inspired the composer to create a lyrical middle section, in which various soloists tell their stories within this legend. In the final part, the sails are hoisted again, and the three-master continues its endless journey.Duration: 15.00
Estimated dispatch 7-14 working days
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£129.99Genetic Code (Brass Band - Score and Parts) - Doss, Thomas
The source of inspiration for this composition was the so-called 'genetic code'. Something which is universal, as almost all organisms on our planet use the same code for their genetic information and therefore speak the same 'language', as it were. The fact that plants, animals, and humans are all subject to the universality of this code fascinates the composer time and time again. Thus, he has chosen a musical motif for this phenomenon, which has been woven through the various musical passages of this work like a genetic thread.Genetic Code was commissioned by the Swiss Brass Band Association to celebrate the 50th anniversary of the Swiss Brass Band Championships, in 2025, and to be the compulsory piece in the Excellence Division that same year.Duration: 13.30
Estimated dispatch 7-14 working days
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£15.00Symphony in Two Movements (Brass Band - Study Score) - Gregson, Edward
Selected as the Championship Section test piece for the National Brass Band Championships of Great Britain 2025This work was jointly commissioned by the National Youth Brass Band of Great Britain (NYBBGB) and the National Youth Brass Band of Wales (NYBBW), the latter with funding from T Cerdd (Music Centre Wales), to celebrate their 60th and 30th anniversaries respectively. The first performances were given at Cadogan Hall, London, in April 2012, by the NYBBGB, conducted by Bramwell Tovey; and at the Great Hall, Aberystwyth University, in July 2012, by the NYBBW, conducted by Nicholas Childs.When I was approached about a joint commission to write a new work to celebrate the anniversaries of these two outstanding youth bands I was delighted to accept, and decided to respond by writing a work apposite for the magnitude of these special occasions, namely a 'symphony for brass'.Through a long journey of writing music for brass band, which commenced with Connotations (1977), and continued with Dances and Arias (1984), Of Men and Mountains (1991), The Trumpets of the Angels (2000) and Rococo Variations (2008), I arrived at what I regard as the most important work of the cycle to date, combining as it does serious musical intent with considerable technical demands. It is perhaps my most abstract work for brass band, avoiding any programmatic content.The symphony lasts for some 19 minutes and is structured in two linked movements. The form is based on that used by Beethoven in his final piano sonata (Op.111), which is in two movements only: a compact sonata-form allegro, followed by a more expansive theme and four variations. Prokofiev also adopted this model in his 2nd Symphony of 1925.The opening Toccata of this Symphony is highly dramatic but compact, whilst still retaining the 'traditional' structural elements of exposition, development and recapitulation; indeed, it also has the 'traditional' element of a contrasting second subject - a gentle, lyrical modal melody first heard on solo cornets.In contrast, the longer and more substantial second movement Variations is built around a theme and four variations. The slowly unfolding chorale-like theme accumulates both added note harmony and increasing instrumentation, whilst the four variations which follow are by turn mercurial (fast, starting with all the instruments muted), march-like (menacing, with short rhythmic articulations underpinning an extended atonal melody), serene (a series of 'romances' for solo instruments alongside echoes of the chorale) with an emerging theme eventually bursting into a climax of passionate intent; whilst the final variation is a dynamic scherzo (concertante-like in its series of rapid-fire solos, duets, trios and quartets) with the music gradually incorporating elements of the main ideas from the first movement, thus acting as a recapitulation for the whole work. It reaches its peroration with a return to the very opening of the symphony, now in the 'home' tonality of F, and thus creating a truly symphonic dimension to the music.Most of the melodic material of the symphony is derived from the opening eleven-note 'row', which contains various intervallic sets, and although the work is not serially conceived it does use some typical quasi-serial procedures, such as canons, inversions, and retrogrades. The symphony uses somewhat limited percussion, in line with a 'classical' approach to the sound world of the brass band, alongside a use of multi-divisi instrumentation, whereby each player has an individual part rather than the traditional doubling within certain sections of the band.- Edward GregsonDuration: 19.00
Estimated dispatch 7-14 working days
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£28.95Hopak (Brass Band - Score and Parts) - Wiffin, Rob
An extended fanfare/opener, A New Beginning is a joyous and exuberant outburst, an affirmation of the eternal hope of the human spirit. It starts and ends with the drama and splendour of a simple fanfare and the sections in between are full of energy, drive and purpose.The musical language is typically American in style with its typical feel of openness, space and grandeur. There are plenty of big moments but players and conductors are asked to pay careful attention to the various layers to prevent it all being performed at full volume.Duration: 4.30
Estimated dispatch 7-14 working days
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£28.95A New Beginning (Brass Band - Score and Parts) - Wiffin, Rob
An extended fanfare/opener, A New Beginning is a joyous and exuberant outburst, an affirmation of the eternal hope of the human spirit. It starts and ends with the drama and splendour of a simple fanfare and the sections in between are full of energy, drive and purpose.The musical language is typically American in style with its typical feel of openness, space and grandeur. There are plenty of big moments but players and conductors are asked to pay careful attention to the various layers to prevent it all being performed at full volume.Duration: 4.30
Estimated dispatch 7-14 working days
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£102.99Sinfonietta No.1 (Brass Band - Score and Parts) - Jeanbourquin, Marc
Sinfonietta No.1 won first prize in the 2023 Composition Competition organized by the Swiss Brass Band Association. Various melodic themes and rhythmic motifs develop throughout the work. They combine with the numerous dynamic effects to bring a certain unity, from the beginning to the end of this competition piece. The technical and melodic difficulties allow the different soloists to show their virtuosity and musical prowess over five uninterrupted parts. After a first slow and misterioso part, there is a contrast with the following energico sequence based on an ostinato, creating both a progression and a tension, to drive everything towards the third part mesto (sad), then lento, where some cadenzas and numerous dissonances can be heard. The energico transition announces the fifth part, a ternary and fast con fuoco. This last part will lead the audience to a final apotheosis.Duration: 10.30
Estimated dispatch 7-14 working days
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£67.50Columbus (Brass Band - Score and Parts) - Deleruyelle, Thierry
Columbus is a brilliant and dynamic overture for brass band, with a soft and melodious central passage. In addition to the many American towns that hold the name, Columbus is a European space laboratory that is part of the International Space Station. Launched in 2008 by the American space shuttle Atlantis, it makes it possible to carry out continuous scientific experiments in fundamental physics, life sciences, fluid physics, etc. Several hundred experiments take place within Columbus every year. Commissioned by the Brass Band Bourgueillois, this piece celebrates the 10th anniversary of the launch of the band at the instigation of its conductor, Michal Auclert. The ensemble brings together musicians from the various wind bands of the Bourgueillois region and beyond. Thus, just like the space laboratory that inspired this work, the Brass Band Bourgueillois also serves as a laboratory, albeit a musical one, within a territory that is discovering this ensemble and its original repertoire.Duration: 5.15
Estimated dispatch 7-14 working days
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£55.00Mr Shilkret's Maggot (Brass Band - Score and Parts) - Holst, Gustav - Hindmarsh, Paul
This short piece was composed in 1932 during a visit Gustav Holst was making to the USA. He was invited by the band leader Nathaniel Shilkret to contribute to a series of piece for concert jazz band based on a folk song. Rather than using a traditional tune, Holst invented one of his own in folk song style and therefore the piece was not performed. Holst considered various titles for the piece including Mr. Shilkret's Dump, Folly and Maggot. On the manuscript he described it as a Jazz Band Piece. When the composer's daughter Imogen re-scored the piece for the English Chamber Orchestra to record under her direction in 1967, she changed decided to use the title Capriccio.Her re-orchestration involved removing the saxophone quartet, adding cor anglais and a second bassoon and changing cornet parts to trumpets. She retained the harp, extensive percussion, piano and celesta. My brass band version is based on the composer's manuscript, held at the British Library. It retains the composer's cornet parts, re-voices the woodwinds and strings, and places keyboards and harp onto glockenspiel, marimba, vibraphone and xylophone.I have selected the title Mr. Shilkret's Maggot for my scoring of Jazz Band Piece, which was first performed by The Cory Band, conducted by Philip Harper, at the Royal Northern College of Music Brass Band Festival, 29 January 2017.- Paul HindmarshDuration: 5.30
Estimated dispatch 7-14 working days
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£124.95Hyperlink (Brass Band - Score and Parts) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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£44.95
Hyperlink (Brass Band - Score only) - Graham, Peter
Hyperlink was commissioned by the National Youth Brass Band of Great Britain (funded by Arts Council England and the Department for Education) for its 70th Anniversary Year. Since the anniversary coincided with other significant celebrations in 2022 (including the Royal Albert Hall/Ralph Vaughan Williams 150th and the Platinum Jubilee of Elizabeth II) it was requested that these also be recognised in some way.Where better to begin this challenging brief but with a computer search for the NYBBGB founder Dr Denis Wright (coincidently born in Kensington, home of the RAH). The subsequent rabbit warren of hyperlinks led me to structure the work through a series of associations:Movement I - The Voice of Jupiter. Alongside the discovery that Denis Wright had been a church organist was the realisation that while the RAH has hosted thousands of musical events the fabric of the building actually incorporates a musical instrument, the famous Henry Wills organ (aka The Voice of Jupiter). Organ and J S Bach are synonymous (e.g. Toccata in D min) and so both become fundamental to the content of the movement. An opening 7 note quote from the Toccata leads to a mammoth sound cluster, as if every note on the huge RAH organ is sustained. The material which follows is based upon the notes BACH (in German notation). The notes are manipulated in various ways in a 12 tone matrix; reversed, inverted and so on. Other techniques employed in the movement are ones of which Bach was master, including ground bass and fugue.Movement II - Remember Me. The lives of Salvationist composer Ray Steadman-Allen (born 1922) and Ralph Vaughan Williams are remembered here, with RSA in musical notation and fragments of RVWs famous Tuba Concerto providing the source material. While writing the movement my father passed away and to close his funeral service the family chose the uplifting Robert Lowry hymn They'll sing a welcome home. It seemed fitting to conclude the movement with a reflective setting of the chorus, the repeated phrase 'Welcome, welcome home' eventually disappearing into the ether.Movement III - Vivat. The finale takes the form of a short fantasy upon Hubert Parry's marvellous coronation anthem I Was Glad, truly a celebratory note with which to conclude. The first performance of Hyperlink was given by the NYBBGB conducted by Martyn Brabbins at the Royal College of Music, London on August 6th 2022.- Peter Graham
Estimated dispatch 7-14 working days
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