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£16.00Three Haworth Impressions (Brass Band - Score only)
A wonderful three movement suite which conjures up fabulous musical imagery of the lands of northern England. Well worth including as a concert item in your next programme, but this great original composition should really should be set again as a test-piece soon - rewarding musically for audience and bandsmen alike.Includes:TOP WITHENS - A GENERAL EVOCATION OF THE ATMOSPHERE OF WUTHERING HEIGHTS The sinister opening motif symbolises the influence of the evil Heathcliffe, Soon this motif experiences several changes of character in order to portray emotions other than those of hatred and jealousy. The overall mood is, however, one of gloom and foreboding.THE THREE BELLS This is a reference to the pseudonyms adopted by Ann, Charlotte and Emily Bronte. The music begins with three "bell"-notes; Ab for Acton Bell, Cb for Currer Bell and Eb for Ellis Bell, and these three notes form the basis of a wistful waltz tune. Again the mood is rather sombre -- save for a brighter middle section -- and the opening motif from "Top Withens" is to be heard, again symbolising the frustrations and ill-fortune by which their lives were plagued.THE WORTH VALLEY RAILWAY The Brontes were not the only people in Haworth and not all is desperation and gloom. The third impression is a celebration of the victory of the people of Haworth in their fight to retain their railway. The nine-eight rhythm of a slow train is prominent, and our once-sombre motif is transformed into a triumphant fanfare.Duration: 12.00Please note that there are only 3 solo cornet parts included in this set
Estimated dispatch 7-14 working days
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£70.00
Macbeth - Peter Meechan
Commissioned by the Scottish Brass Band Association for the 2007 Scottish Open Championship, Macbeth takes itsa inspiration from the Shakespeare play of the same name. Character portraits (Of the three witches as well as Macbeth himself), abstractions (The lament), and scenes (Macbethas final battle with Macduff) make up the nine sections of the piece.i: WitchesThe prophecies of the three witches are an integral part of the play, and in this opening section, these mysterious characters are represented by three different sections of music that introduces the listener to the musical material of the piece.ii: DaggerMacbethas aIs this a dagger I see before theea speech, where an imaginary dagger leads him to contemplate the pending murder, builds in intensity before the bell tolls at itsa conclusion - a sign from Lady Macbeth that Duncan is now alone.iii: General MacbethA character portrait of Macbeth - a fearless General who has led his armies to defeat foes from all over Europe. His ambition and flair that make him such a great General are also the characteristics that lead to his eventual downfall.iv: Contemplations of Lady MacbethAlone and mad, Lady Macbeth ponders all that has gone, before taking her own life.v: LamentAlthough the play tells of Macbeth not feeling the pain of his wifeas death, this lament ponders not only her death, but the tale as a whole.vi: Tomorrow and tomorrow and tomorrowIt is in this final soliloquy that we see the ultimate tragedy of Macbeth - the realisation that his life is ultimately worthless.vii: A spell still castThis acts as an prologue to section eight, restating the original awitchesa music, before heading into Macbethas final battle.viii: Final BattleMacbethas final battle, where he locks swords with Macduff.ix: Not of woman bornMacbethas realisation that the witches have misled him comes all too late, as Macduff beheads Macbeth, fulfilling the last prophecy.
Estimated dispatch 12-14 working days
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£54.95Road to Run (Brass Band - Score and Parts)
The piece starts with a simple rhythmic pulse which is the basis of the entire work. This cell provides a platform for the piece to grow and develop starting with the first theme played by the euphoniums, all the way through to the conclusion performed in full gusto by the whole ensemble. The various motifs introduced throughout the opening of the piece are passed between the ensemble before the introduction of the three soloists.The central section of the piece features the Solo Trombone, Cornet and Euphonium as they take turns to play a jazz fusion solo whilst having some musical interplay with each other at the front of the stage. After this solo passage, the music then features the various sections within the ensemble, which pays homage to Weather Reports' famous "Birdland". In a jazz fused cannon, each new independent musical phrase is performed by the various sections standing. Starting with the Horns then Solo Cornets, Back Row and Flugal and finally the Baritones and Trombones.Once the different sections of the ensemble are featured, the piece then moves into the final stages. This section sees a reprieve of the opening material heard at the beginning, but further developed with the various melodic motifs passed around the ensemble. The ending builds on this material towards a rousing conclusion."Road to Run" is an up tempo, high energy concert work that has that 'feel-good factor' from start to finish. The idea behind the title is based on the feel and structure of the piece which takes the listener on a musical journey. And at 150 beats per minute - you could put it in your headphones and find your own 'Road to Run'.
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal March 2013 Numbers 1235 - 1238
No. 1235 March - Lord of the future (Erik Silfverberg)The title of this short, lively march is connected to the tune 'With Christ into the future' which appears in its second half.No. 1236 Selection - The peace of the Lord (Terry Camsey)This selection seeks to portray the peace that is found in Jesus, both in its style and the tunes used; 'Peace, peace, sweet peace', 'O the peace' and 'Brahms' Lullaby'.No. 1237 Horn Solo - St Bees variations (Ray Steadman-Allen)St Bees is a simple melody and this treatment is compatible with its character. Florid and meditative passages conclude with a brisk finale.No. 1238 Song Arrangement - Stand up for Jesus (Noel Jones)The old well-known gospel song appears here in a swing style.
Estimated dispatch 7-14 working days
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£70.00A Fairycocktale - J. de Vlieger/Erik Janssen
Stories, illustrated in a musical way have always been a common feature in entertainment music. Many orchestras considered them welcome additions to their repertoirelist: it allowed the musicians a little time to relax while the audience could focus their attention on matters other than music (however competently performed).In Snowhooderella several fairy tales are mixed up and this may explain the title: SNOWwhite, Little Red Riding HOOD, CindERELLA. The relationship between fairytale, cocktail and the Grimm brothers needs no further explanation. As you may see now, the title is not just nonsense; it has a certain meaning.
Estimated dispatch 10-14 working days
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£30.00Flanfayre - Stephen Deazley
I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley
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£39.95Harlequin (Score and Parts) - Bruce Broughton
Harlequin is the most popular of the comic servant characters from the Italian commedia dell'arte who, although a slow thinker, was acrobatic and nimble - he would never perform a simple action when the addition of a cartwheel or backflip would spice up the movement! These characteristics are aptly portrayed musically in Bruce Broughton's mini concert overture. Originally published for brass band in 1984, this popular work coveys all the hustle, bustle, and agility of the character in a finely crafted musical structure. Ideal as a concert opener or encore it is sure to delight audiences and provide players with an exciting new addition to their repertory. Duration: 2:30
Estimated dispatch 7-9 working days
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£44.00
Nar jeg blir 66 - Udo Jurgens & Wolfgang de Hofer - Idar Torskangerpoll
This song is famous in Norway through recordings and performances by Wenche Myhre. She recorded the song for the first time in 1983 and it has been a part of her repertoire ever since.It is composed by Austrian composer and artist Udo Jurgens who has recorded the song himself. The lyrics is by German lyricist Wolfgang Hofer.This arrangement present the song in a swinging shuffle-style with opportunities to "open up" for solos and improvisations.
Publisher Closed for Holidays. Est Delivery 13-14th Aug
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Duet For Two Cats - G. Rossini - Len Jenkins
"Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.
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£58.00Balkan Gipsies - Paul Voet
Gipsies are wizards with the fiddle. Eastern European folk musicians and gipsies are using a lot of brass in their music. Their brass ensembles are very impressive, so the link to brassbands is quickly made. Based on the folk theme of Manea Tsigailor all cornets join the theme in an up tempo 7/8 bar. Gathered around a campfire gipsies are telling stories and making music. When the lower brass is telling their story all others clap hands. All of a sudden a cornet soloist appears. When we return to the basic theme the story ends with some dazzling bars.
Estimated dispatch 10-14 working days
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