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  • £44.95

    TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score only) - Gregson, Edward

    Brass Band Score onlyThis work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins

    Estimated dispatch 7-14 working days
  • £152.99

    Hymn of the Highlands, Suite from (Brass Band - Score and Parts) - Sparke, Philip

    Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00

    Estimated dispatch 7-14 working days

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  • £54.95

    Cornish Pastiche (Brass Band - Score and Parts) - Wiffin, Rob

    A three movement suite depicting aspects of Cornish life and culture.The first movement, Sea Shanties, uses two contrasting call-and-response melodies. The second of these is playful in nature and appears in a number of guises, some more discordant than others, reflecting the crew's use of the shanty to let the captain know what they thought of him! Having passed by, the ship disappears into the sea mist. Laments were traditionally reserved for occasions of the death of a member of the clan. In forming the melody for Celtic Lament I had in mind the type of sorrowful song that would suite the elegiac nature of such an occasion.The last movement of the suite attempts to catch the spirit of the Furry Dance, the ancient dance that heralds the coming of spring. It resembles a farandole but is probably better described as an unashamed romp.My intention was to make Cornish Pastiche readily accessible to both players and listeners. The language is unashamedly tonal but is treated with some harmonic twists to add occasional piquancy. The technical demands on the players are meant to be moderate but conductors and players are asked to observe the different layers, especially in the Basse Dance, and not overload the texture with over-zealous weight on the melodic line.- Rob WiffinDuration: 11.15

    Estimated dispatch 7-14 working days

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  • £72.99

    Pagan Songs (Brass Band - Score and Parts) - Crausaz, Etienne

    Written in three movements without a break, this work was inspired by melodies of a popular nature. The first movement features two opposing modal melodies: one is very bright and lively, the other dark and tuneful. Various motifs are developed to offer highly contrasting musical events. The second movement is very peaceful, with a melody resembling a lullaby. To conclude the piece, the last movement delivers a festive dance with a swing feel. Commissioned by the Swiss Music Association, this very accessible work is mostly intended for small ensembles or those with mixed instrumentation. The duration and conception of this piece makes it ideal for competitions and concerts alike.Duration: 7.00

    Estimated dispatch 7-14 working days

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  • £104.99

    The Baltic Way (Brass Band - Score and Parts) - De Haan, Jan

    In 1989, the demonstration named the Baltic Way also known as the Baltic Chain-- was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and--in rhythmic terms--contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautika giesm ' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £59.95

    Sinfonietta - Saints and Devils (Brass Band - Score and Parts) - Wiffin, Rob

    Saints and Devils is a challenging three movement work:Dance with the Devil (4.30)A Glimpse of Paradise (4.45)Reyes Magos (3.45)I wrote it when I was living in Spain where the Catholic culture is still much more prevalent than in the UK. The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene.The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight - 'Oh I have slipped the surly bonds of Earth ............ Put out my hand, and touched the face of God'- with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. In Spain, January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity. Saints and Devils is technically and expressively demanding but is written within the realms of tonal language.- Rob WiffinDuration: 13.00

    Estimated dispatch 7-14 working days

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  • £73.00

    Bass Trombone Concerto (Bass Trombone Solo with Brass Band - Score and Parts) - Wood, Gareth

    Written in 2006 for Roger Argente, Gareth Wood brings his considerable experience of writing for brass, and brass bands in particular, to an instrument not often blessed with opportunities for solo exposure. It is scored for soloist accompanied by traditional brass band line-up, including timpani and two percussion, and follows the standard three-movement pattern. In the first movement, the soloist launches straight into the musical argument with a low-lying repeated quaver figure punctuated by the band. A lyrical second subject in the high register is also entrusted to the soloist, and the movement comes to a thrilling conclusion. The slow movement opens softly with the percussion, and a mournful bass line sets the mood for a thoughtful long melody. It reaches a powerful climax, which subsides to a return of the opening mood. In the march-like finale, the soloist is pitted against a number of solo instruments from the band and a driving ostinato carries the momentum through to the blazing ending. Duration: 13.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £72.99

    Cityscapes (Brass Band - Score and Parts) - De Haan, Jan

    For Cityscapes, the composer used the metropolis of New York, the largest city of the United States, as a source of inspiration. The first movement mirrors the skyline of the 'Big Apple'. In movement two, Central Park is introduced and in the closing movement of this triptych, the ever-sparkling Manhattan, known for its many skyscrapers, and its financial centre Wall Street, is the focal point. Not only are the busy city traffic and the chaotic hustle and bustle expressed in the music, but also the impressive buildings, including the famous Empire State Building. Let the magic of New York shine with this dramatic item for brass band.Duration: 8:45

    Estimated dispatch 7-14 working days

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  • £18.99

    GRACES OF LOVE (Le Gratie d'Amore) (Brass Band Extra Score) - Waespi, Oliver

    2015 National Championships Finals Testpiece - Third Section - Extra Score only. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days

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  • £118.99

    GRACES OF LOVE (Le Gratie d'Amore) (Brass Band Set) - Waespi, Oliver

    2015 National Championships Finals Testpiece - Third Section. The Graces of Love (Le Gratie d'Amore) is the title of a book published in 1602 by Cesare Negri, the famous dance master of the Milan court in the Renaissance. It contains numerous dance tunes and precise descriptions of courtly dances. It also includes the tune Il bianco fior (The White Flower) on which the first movement of the present piece is based. A vigorous dance in three-four, it leads to an acceleration and a sudden shift to an even meter towards the end. The second movement, calm and contemplative in character, features the tune Vaghe bellezze ... (Veiled Beauty ...). Widely spaced melodic parts surround two solos during which the tune is varied and developed. Finally, the third movement contains a saltarello with a hypnotic rhythm, ending the work with flair and gusto. Duration: 11:30

    Estimated dispatch 7-14 working days

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