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  • £33.43

    King Lily of the Valley (Euphonium & Baritone Feature w/Brass Band) Espen Haukas

    Based on a poem by Gustaf Froding, King Lily of the Valley is a poetic and regal musical tribute to the delicate flower that, in Froding's verse, appears as a young king surrounded by both sorrow and beauty.Originally composed by David Wikander and arranged for male choir (TTBB) by Rasmus Krigstrom, this evocative work has been masterfully reimagined for brass band by Norwegian arranger and composer Espen Wallacher Haukas and created for Bjorsvik Brass's performance at Siddis Brass 2025.The brass band version retains the choral character and emotional depth of the original, weaving lush harmonies and lyrical phrasing into a rich soundscape. A deeply expressive addition to any brass band repertoire - blending Nordic choral tradition with the grandeur and warmth of the brass band sound.Scoring: Standard brass band instrumentation.(Note: Solo Cornets are marked TACET, providing a welcome opportunity for rest in longer programmes.)To view a rolling score video of the work please visit https://www.youtube.com/watch?v=AK5YPW4t3OoDuration: Approx. 3.30 minutesDifficulty Level: 3rd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:1st Baritone Bb1st Euphonium Bb2nd Baritone Bb2nd Euphonium BbSoprano Cornet EbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Trombone Bb2nd Trombone BbBass TromboneBass EbBass BbTimpaniPercussion 1-2

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  • £33.43

    Expectans Expectavi (Brass Band) Charles Wood trs. Jonathan Corry

    Written as an elegy in memory of his son Patrick and the poet Charles Hamilton Sorley - both killed in World War I - this choral anthem is regarded as the high-water mark of Irish composer Charles Wood's romantic Anglican church music. This arrangement by Jonathan Corry transcribes the work for full brass band, translating Wood's vocal counterpoint and warm harmonic colors into the brass medium.Wood set his piece to the final two stanzas of Sorley's (1895-1915) poem:This sanctuary of my soulUnwitting I keep white and whole,Unlatched and lit, if Thou should'st careTo enter or to tarry there.With parted lips and outstretched handsAnd listening ears Thy servant stands,Call Thou early, call Thou late,To Thy great service dedicate.The Latin title translates to 'I have been waiting and waiting.' The text contrasts the busyness of external life with a hidden, illuminated sanctuary kept ready within the soul.As a teacher of counterpoint and fugue at Cambridge, Wood taught notable pupils including Ralph Vaughan Williams, Arthur Bliss, Nicholas Gatty, Cecil Armstrong Gibbs, and W. Denis Browne - several of whom went on to compose prominent original repertoire for the brass band movement.To view a video of 1st Old Boys Brass Band performing the work please visit www.youtube.com/watch?v=Rx7nNGh7DjcDuration: approx. 3.30 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass Bb(Percussion tacet)

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  • £33.43

    Fawkes (Brass Band) Fendall Hill

    Bring explosive drama and striking historical resonance to your ensemble's repertoire with Fawkes by Fendall Hill.Dedicated to Alan Gifford and Sovereign Brass, this compelling work delves into the dark intrigue of November 5, 1605 - the fateful night Guy Fawkes and his conspirators plotted to obliterate the foundation of English royal and political power. While the 36 barrels of gunpowder hidden beneath Parliament never detonated, the looming spectre of what could have been remains one of history's most lingering images. Had a single fuse been lit, the trajectory of future empires and superpowers would have changed forever.Rather than commemorating a physical blast, Fawkes celebrates this iconic 'non-explosive event' with breathtaking musical pyrotechnics.Key Features & Musical HighlightsDramatic Narrative: Captures the suspense, secret plotting, and shadowy tension leading up to the discovery beneath the House of Lords.Virtuosic Display: Packed with fiery technical runs, powerful brass fanfare, and rapid artful passagework designed to emulate brilliant fireworks.Latent Historical Tremors: Features haunting, driving rhythmic motifs that symbolize the sheer kinetic potential of 36 barrels of gunpowder waiting in the dark.Concert Opener or Finale: An exhilarating showpiece guaranteed to captivate audiences and showcase the dynamic range, power, and precision of your ensemble.To view a video of the work featuring Wellington Brass please visit www.youtube.com/watch?v=4fZZzuVrPjgDuration: Approx. 4-5 minutes (adjust based on score specifics)Difficulty Level: 2nd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

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  • £48.30

    Peace in Our Time (Brass Band) Andrew Wainwright

    Commissioned by Armonico Consort to mark the 85th anniversary of the Coventry Blitz, Peace in Our Time is a profoundly moving reflection on humanity's enduring quest for reconciliation amidst turmoil. Originally scored for choir, orchestra, and organ, this masterful brass band transcription beautifully captures the emotional weight of John Oxenham's evocative poetry and the timeless plea of Psalm 122.The work opens in hushed reverence, where distant muted cornets, a dark bass pedal, and a fragile, militaristic snare drum set a shadowed, contemplative scene. Out of this delicate landscape emerges a poignant cornet solo that yields to the expressive voice of the solo flugel horn, carrying the opening text with quiet conviction before introducing the solemn reminder: "O pray for peace, peace in Jerusalem."As the piece progresses, the setting turns darker and more restless. Harmonic tension builds through rich brass textures to reflect the fears, divisions, and heavy costs of historical and modern conflict.From this emotional turbulence rises a bold, ceremonial fanfare that marks a dramatic turning point, ushering in a glorious, expansive setting of the poem's final verse. Yet rather than ending in simple triumph, the music gently recedes into a serene and tender stillness. The final bars leave performers and audiences alike with a quiet, lingering echo - a persistent hope for peace that resonates just as deeply today as it did 85 years ago.This substantial work is an extraordinary addition to any brass band library, serving as an ideal centerpiece for Remembrance Sunday, historical commemorations, church services or serious concert programming.To view a multimedia presentation of the piece with audio please visit www.youtube.com/watch?v=Y2BKI_GCegwThe multimedia presentation is available on request withe purchase of this work - please email [email protected] to receive a link to download it.To view a video performance of the original work for choir, orchestra and organ please visit www.youtube.com/watch?v=m6o6PJJVKCoDuration: approx. 8.45 minutesDifficulty Level: 2nd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

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  • £37.15

    Gothique Fantasy - On a theme by Boellmann (Brass Band Score) Andrew Wainwright

    This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. It is also the title track of the 2026 CD by Black Dyke Band, featuring the music of Andrew Wainwright. Please note this PDF download is for the full score. The full set can be purchased here.Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building.Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece.Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme.A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear.A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral.A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet.Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again!To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aUDuration: 15.00 minutes approx.Difficulty Level: Championship SectionSheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-4

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  • £29.72

    How Shall I Woo Thee (Cornet Solo with Brass Band) Coleridge-Taylor arr.Bushnell

    The 7 African Romances, Op. 17 for voice and piano has words by Paul Laurence Dunbar and music by Samuel Coleridge-Taylor. Published in 1897, it comprises of 7 songs, "An African Love Song", "A Prayer", "A Starry Night", "Dawn", "Ballad", "Over the Hills" and "How Shall I Woo Thee?", of which the last is arranged here.This arrangement was requested by Besses o' th' Barn Band for the The Samuel Coleridge-Taylor Festival held in Liverpool on 11 October 2025. The song is wonderfully lilting with moments to indulge in the music.This arrangement is for the UK-style brass band and either solo B-flat cornet, solo E-flat soprano cornet or soprano singer. It also has alternative parts for horns in F and bass-clef lower brass.A recording of the original song can be found here: https://www.youtube.com/watch?v=tglGpaBsWOoDuration: Approx. 3.10 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Cornet Soloist BbSoprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

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  • £33.43

    Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell

    Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original.A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3Duration: Approx. 3.10 minutesDifficulty Level: 1st Section +This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion - Triangle, Cymbal & Bass Drum

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  • £37.15

    In the Bleak Midwinter (Euphonium Solo with Brass Band) Holst arr. Wainwright

    Crafted especially for Philip Broome (euphonium soloist with "The President's Own" United States Marine Band) and the Dallas Brass Band, this stunning arrangement by Andrew Wainwright was premiered at the 2024 Christmas with The Salvation Army concert in Dallas, Texas.Originally written for the Elgin Symphony Orchestra, Wainwright's setting has been beautifully adapted for euphonium solo and brass band. Featuring ethereal textures, shimmering harmonies, and a gently contemplative tone, this arrangement brings new life to Gustav Holst's classic setting of Christina Rossetti's In the Bleak Midwinter.Ideal for Christmas performances or sacred concerts, this piece showcases the euphonium's lyrical expressiveness while painting a vivid musical portrait of snowy landscapes and the quiet awe of the nativity.To view a video of Philip Broome and Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=waUkONoMPjcDifficulty Level: 3rd Section +PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Euphonium Soloist BbSoprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass Trombone2nd Euphonium BbBass EbBass BbTimpaniPercussion 1-3

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  • £33.43

    O Little Town (St Louis) (Brass Band) Redner arr. Fendall Hill

    This arrangement of O Little Town of Bethlehem is based on the beloved carol text by Phillips Brooks (1835-1893), set to the familiar St. Louis tune composed by Lewis Redner in 1868. Originally written for a Christmas Sunday school service, the melody famously came to Redner in a dream the night before it was needed - an origin story that mirrors the spontaneous inspiration behind this brass band setting.Fendall Hill's arrangement was prepared for Sovereign Brass (Wednesbury, England) and included in their 2023 Christmas CD. Lyrical and reverent, this version captures the timeless beauty of the carol while offering a fresh voice for modern brass ensembles.To view a rolling score video featuring Sovereign Brass's CD recording please visit: https://www.youtube.com/watch?v=HaMTVQl57ugDifficulty Level: 4th Section +PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-2

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  • £33.43

    Both Sides, Now (Brass Band) Joni Mitchell arr. Andrew Wainwright

    Joni Mitchell's Both Sides, Now is a timeless reflection on the shifting landscapes of life, love, and self-understanding. First released in 1969, this iconic song has become a signature of Mitchell's extraordinary songwriting, capturing the delicate interplay between youthful innocence and hard-earned wisdom. With its poignant lyrics and haunting melody, Both Sides, Now continues to resonate across generations.This evocative brass band arrangement by Andrew Wainwright was commissioned by the Fountain City Brass Band for its 2023 tour of England, including a performance at the prestigious Brass in Concert Championships.Featuring prominent solos for baritone and flugel horn, the arrangement makes full use of their lyrical warmth and tonal richness. BrookWright is delighted to be able to now make this arrangement available to brass bands.To view an excerpt of Fountain City Brass Band performing the work please visit www.youtube.com/watch?v=OYaoF_b9wHoDuration: approx. 3.30 minutesDifficulty Level: 4th Section +This PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3

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