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£30.00
O Little Town of Bethlehem
Based on an 1868 text written by Phillips Brooks and the hymn Forest Green (a tune collected by Ralph Vaughan Williams and first published in the 1906 English Hymnal) O Little Town of Bethlehem is perhaps one of the most widely recognised of all Christmas Carols. This arrangement resets the music as a beautiful Tenor Horn solo within the framework of a graceful and flowing waltz. Also available to
In Stock: Estimated dispatch 1-3 working days
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£29.95Ghost of Christmas Present, The - Jonathan Bates
DURATION: 3'00". DIFFICULTY: 3rd+. Composed for Strata Brass in 2020 as part of their COVID-19 induced, virtually recorded 'A Christmas Carol' (a new suite for brass bandlasting around 30 minutes in total), 'The Ghost of Christmas Present' is a sorrowful and reflective solo for Tenor Horn depicting the visions shown by the Ghost of Christmas Present to Scrooge as he sleeps on Christmas eve. Lonely, cold and disliked, Scrooge begins to see how he is viewed by others and realises how he must change his ways. .
In Stock: Estimated dispatch 1-3 working days
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£86.00
The Promised Land (Bra) - Max Stannard
The Promised Land was written in response to a request by Jonathan Parton to create a piece for Lancaster University Brass Band which would allow the band to show off a range of soloists. The piece was recorded by County Brass a Lancaster. There are solos for Flugel Horn, Tenor Horn, Trombone, Euphonium, E flat Bass and Solo Cornet. The piece then builds to a rousing conclusion involving the full band. The melody which inspired this piece is an American folk song called, I'm Bound for the Promised Land.
Estimated dispatch 7-14 working days
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£30.00Centennial Prelude (Georgia French) - Brass Band Sheet Music Full Score & Parts - LM675
COMPOSER: Georgia FrenchComposed for the ODBBA Centenary Concert and performed at the concert on 11th June 2023A brand new composition from the pen of Georgia French and makes a great opener for your next concert. A carillion of cornets open the piece leading to a mix of trombone and tenor horn providing the tune with a delightful overlay from solo cornet.Fanfares and effects appear from all sections leading a to a brilliant ff endingLM675 - ISMN - 9790570006892
In Stock: Estimated dispatch 3-5 working days
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£24.95Troldhaugen - Jonathan Bates
Troldhaugen was composed especially for Rosie Hughes, Flowers Band's Principal Horn and 2013 Player of the Year. This luscious solo for Tenor Horn, incorporates snapshots of 'Morning' from Edvard Grieg's 'Peer Gynt' as a basis for the work's melodic material,...
Estimated dispatch 5-7 working days
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£115.60Stjernen og Rosa - John Philip Haqnnevik
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.
Estimated dispatch 5-14 working days
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£59.99Aria - Philip Sparke
Aria was commissioned by and written for the remarkable Tenor Horn player, Sheona White. The work opens with an accompanied recitative, which leads to a change of key where the main melody is presented. This, in turn, serves as an introduction to another melodic idea, marked calmato. The band takes up this theme and then takes centre stage with a passionate repeat of the main theme, which is completed by the soloist. A Cornet then plays the calmato theme against which the soloist plays a counter melody. This leads to a return of the opening recitative which brings the work to a peaceful close. A fantastic new addition to the solo repertoire for this much neglectedsolo instrument.
Estimated dispatch 5-14 working days
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£39.95Harlem Nocturne
While an arranger with the Ray Noble Orchestra in 1939, Earle Hagen composed the unforgettably sultry "Harlem Nocturne" which has lived on and on through various guises and performers. Here is published a version by that well know British trombonist and arranger, Bill Geldard, for solo tenor trombone and brass band.
Estimated dispatch 5-14 working days
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£152.99Suite From Hymn of the Highlands - Philip Sparke
Complete score and full set of parts for Philip Sparke's Suite From Hymn To The Highlands for Brass Band. This work draws three expressive musical pictures of the Scottish highlands. The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody. The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section. The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.
Estimated dispatch 5-14 working days
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£94.90Stjernen og Rosa (The Star and a Rose) (Brass Band - Score and Parts) - Hannevik, John Philip
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist. After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style. An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics. Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the Latin text for Adeste Fideles: Stella duce, Magi, Christum adorantes. The Rose is of course from the lyrics in the chorale Lo, how a Rose.Duration: 10.30
Estimated dispatch 7-14 working days
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