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£29.50Hushabye Mountain - R & R Sherman - Jonathan Bates
Originally arranged for Owen Farr, Hushabye Mountain is a well-loved and cherished song by the renowned Sherman Brothers from the 1968 motion picture, Chitty Chitty Bang Bang. The work is undoubtedly one of the most popular songs from the show. The song acts as an idyllic lullaby, sang by Caracatus Potts as he sends his children to sleep. This arrangement, as a tenor horn solo by Fodens Band's Principal horn Jonathan Bates, features the tuned percussion throughout, and sets the melody initially over a music-box-like idea, before more dreamy and tranquil soundscapes enter.
In Stock: Estimated dispatch 1-3 working days
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£29.50Make You Feel My Love - Bob Dylan - Gavin Somerset
With a melody that sits beautifully for the tenor horn, this song was written by Bob Dylan and first released by the singer, Billy Joel. In 2008, Adele released this version on her debut album which gained phenomenal success worldwide and featured appearances on the X-Factor and Britain's Got Talent, as well as featuring countless times in films and across TV networks. This arrangement of the gorgeous melody allows the soloist the freedom to express themselves with careful scoring beneath in this delicate work. A stunning solo that belongs in every horn player's repertoire.
In Stock: Estimated dispatch 1-3 working days
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£29.50Only You - Vincent Clarke - Andrew Keegan
Originally beginning life as a joke item, this track was to feature on Kylie Minogue's 2015 Christmas album. James Corden & Kylie Minogue have been good friends since hosting the BRIT awards in 2009 and upon completing the recording, record producers took a liking to it and elevated the song to single status. The piece makes a great cornet/horn duet and although was initially released for a Christmas album, it is not a Christmas song. Light accompaniments and a simple, beautiful melody ensure this new duet will be a hit with players and audiences alike. *Soprano Cornet solo part included as an extra to perform as a Soprano/Horn Duet.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Con Brio - Mike Lyons
A brand new piece, jolly and lively all the way thought. Composed in 7/8 time most of the way though, giving the players something to think about, and the audience something to enjoy. There is chance for the players to re-gain their composure during a lovely little flugel solo (thankfully, in the more common A time!). The band then join in and the fun returns, getting faster and faster before another break into the Lento, where the trombones and solo horn feature. However the rousing ending isn't far away!!! A stunning work, good fun, and enjoyable by all.
In Stock: Estimated dispatch 1-3 working days
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£29.50Mama - Kotecha - Johnathan Bates
"Mama" was the first original song that was performed by the male operatic group, Il Divo. Put together by Simon Cowell, his search for 4 young singers took over 2 years before the group was finally put together. Performing lyrical songs in their operatic style worldwide and achieving number 1 hits here in the UK, Johnathan Bates has now arranged this moving number as a Eb Horn solo (would also work as a soprano solo). A heart-warming melody and a perfect addition to any bands repertoire.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Arioso - J.S Bach - Steven Hague
A modern brass band arrangement of the "Arioso" from J.S. Bach's Cantata No. 156 arranged by Steven Hague, with a nice feature for the horn section, and tuneful duets from the two solo cornets.
In Stock: Estimated dispatch 1-3 working days
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£152.99Hymn of the Highlands, Suite from (Brass Band - Score and Parts) - Sparke, Philip
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, contains solo passages for horn and baritone and features a fascinating bagpipe melody.The second movement, Alladale, is a trio for tenor horn, flugel horn and baritone with an accompaniment featuring the percussion section.The final movement, Dundonnell,features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days
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£120.00Dark Arteries Suite (Brass Band - Score and Parts) - Higgins, Gavin
Dark Arteries was commissioned by Rambert Dance Company and first performed in May 2015 with the Tredegar Town Band sharing the stage with Rambert dancers. Dark Arteries is a personal and at times highly wrought response to the Miners Strike and its aftermath. It is in three movements, the first and last are expansive, with widely contrasting sound worlds, from dark, brooding melodies and the haunting sounds of solo flugel horn to wild syncopations on cornets, suggestive of an imposing, but often bleak mining landscape. Suitable for 1st Section Bands and above. Duration: 16.00
Estimated dispatch 7-14 working days
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£50.90SAVING ALL MY LOVE FOR YOU (Flugel Horn Solo with Brass Band) - Wormald, Christopher
Grade: Easy.
Estimated dispatch 7-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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