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£60.02Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£41.26Christmas Day (Brass Band) Gustav Holst arr. Philip Rayment
VIEW SCORE PDF Well-known English composer, Gustav Holst (1874-1934) wrote this choral fantasy in 1910, about five years before his renowned orchestral suite, The Planets. The piece was originally composed for SATB choir and orchestra and dedicated to the students of Morley College, where Holst taught music. In the years since, it has been arranged for various combinations of voice and/or instruments. This arrangement is in the original key and could be adapted for use with choir and/or organ. Christmas Day features three carols in their entirety: Good Christian Men, Rejoice; God Rest Ye Merry, Gentlemen and Come, Ye Lofty, Come, Ye Lowly (an old Breton melody). There are also references to The First Nowell. Although well-received initially, this work (like many of Holst's) was neglected for many years and has not been widely recorded. It is hoped that it will be useful for brass bands during the festive season, particularly in a large acoustic. To listen to the Canadian Staff Band performing the work please visit www.youtube.com/watch?v=ccXkbWi_iWE Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£24.95SALT OF THE EARTH, FINALE (Brass Band Parts) - Scott, Andy
Brass Band parts only. A full band arrangement created by the composer from the third movement of 'Salt of the Earth', a Concerto for Tuba & Brass Band is a fiery mix of Latin rhythms and big band power! With a virtuosic introduction from the solo cornets and percussion, the full band then enters with the catchy melody, before a two part contrapuntal passage that leads into a series of short 'solo breaks'. The main theme returns, re-scored for added impact, before an extended contrapuntal section, which leads to two closing paused chords, which may be separated by an optional extended drum/percussion solo if required. Dur: 3:30
Estimated dispatch 7-14 working days
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£15.00
SALT OF THE EARTH, FINALE (Brass Band Score) - Scott, Andy
Brass Band score only. A full band arrangement created by the composer from the third movement of 'Salt of the Earth', a Concerto for Tuba & Brass Band is a fiery mix of Latin rhythms and big band power! With a virtuosic introduction from the solo cornets and percussion, the full band then enters with the catchy melody, before a two part contrapuntal passage that leads into a series of short 'solo breaks'. The main theme returns, re-scored for added impact, before an extended contrapuntal section, which leads to two closing paused chords, which may be separated by an optional extended drum/percussion solo if required. Dur: 3:30
Estimated dispatch 7-14 working days
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£41.26Verklarte Nacht (Brass Band) Arnold Schoenberg arr. Rob Bushnell
Composed in just three weeks in 1899, Verklarte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel's poem of the same name, as well as Schoenberg's strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky. The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news. The work premiered on 18 March 1902 in the Vienna Musikverein by the Rose Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation and tempo markings. Whilst the piece was controversial at the time, both musically and due to the poem's "inappropriate" subject matter, Richard Dehmel himself was impressed, writing "I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music." This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a recording of the original composition please visit www.youtube.com/watch?v=vqODySSxYpc. Difficulty Level: 2nd Section + Duration: approx. 6.40 minutes Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£30.00March from 'The Love for Three Oranges (Brass Band) Prokofiev arr. Wilkinson
This thrilling brass band arrangement of the March from 'The Love for Three Oranges' by Prokofiev has been skillfully arranged by Keith M. Wilkinson. This setting captures the essence of the original orchestral work, while showcasing the power and brilliance of the brass band. In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi, L'amore delle tre melarance, adding some additional surrealism to the text. Given Prokofiev's poor English, and Americans unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself. The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella. To view a rolling score video of the work please visit www.youtube.com/watch?v=I136sf8hxlU Duration: Approx. 2.10 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.76Albion Polka (Brass Band) Johann Strauss II arr. Rob Bushnell
Written in 1851, the Albion Polka was written by Johann Strauss II (or Strauss Junior) and dedicated to Count Albert of Saxe-Coburg-Gotha, husband of Queen Victoria of Great Britain. The work takes its title from the old Roman name for Britain. It is not an unfamiliar addition to the Vienna New Year's Concerts. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=KZIC-JhitHU Duration: Approx. 3.00 minutes (without rubato) Difficulty Level: 3rd Section + PDF download includes parts and score. Also includes alternative parts for horns in F and lower brass in bass clef. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Glockenspiel Snare
In Stock: Estimated dispatch 1-3 working days
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£82.52'Odyssey' Variations (Brass Band) Kevin Norbury
'Odyssey' Variations was composed as a result of a commission in May 2020 from Five Lakes Silver Band and its musical director, Christopher Ward. This music is based on an original theme that I first used in an earlier composition, Odyssey, which was the test piece for the European Brass Band Championships, held at Munich, Germany, in April 1999. I distinctly remember getting into my hotel room and turning on the television to be greeted by news coverage of the Columbine High School shooting, so that piece has always held some significance for me, though because of a very sad coincidence. The melody was originally a cornet solo in the central slow section of Odyssey and pitched deliberately to test the soloist. I have, more recently attempted a straightforward choral setting of the melody, and the harmonies I use in the three chorale-style settings at the start of these variations are loosely based on that setting. The melody is a setting of the familiar words of Be Thou My Vision, an old Irish hymn, translated by Mary E. Byrne, and versified by Eleanor H. Hull. The form of the work is as follows: Theme - three presentations Variation 1 - Allegro Variation 2 - Moderato (featuring the horns, baritones, euphoniums and basses) Variation 3 - Maestoso (featuring the cornets, flugel horn, and trombones) Variation 4 - Adagio Variation 5 - Allegretto Variation 6 - Largo - Moderato Variation 7 - Allegro molto Theme - Maestoso e sostenuto Finale - Allegro vivace - Adagio e allargando To view a video of Five Lakes Silver Band performing the work please visit: www.youtube.com/watch?v=vfLnld3bCw8 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£43.00Fugatango (Brass Band - Score and Parts) - Waterman, Steve
Composer and Internationally reknown jazz trumpeter Steve Waterman writes... "When Roger Argente approached me to write a composition for his Spanish flavoured brass project he made the suggestion that a Tango, although more Argentinian than Spanish, would fit in well with the overall concept. I have always been a very big fan of the music of Argentinian composer Astor Piazzolla and particularly the way that the Tango could be combined with jazz. A favourite recording of mine is of Piazzolla himself performing (on the bandoneon) with the jazz saxophonist Gerry Mulligan. As the composing progressed, a fugato also emerged hence the title Fugatango." Originally "Fugatango" featured a french horn improvised introduction section. This new brass band version allows the flugelhorn to enjoy the moment with a wonderful 8 bar solo section, now notated. Later in the work the solo trombone is given a solo section. Duration: 5.30. Suitable for 3rd Section Bands and above.
Estimated dispatch 7-14 working days
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£54.95WORLD WITHIN, A (Brass Band Parts) - Scott, Andy
Brass Band parts only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00
Estimated dispatch 7-14 working days
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