Results
-
£30.00STUCK IN THE MIDDLE WITH YOU (Brass Band) - Pankhurst, Lucy
Arranged by Lucy Pankhurst, this is a refreshing remake of the original 70's hit song for Stealers Wheel, that combines nostalgia with some showy and innovative solo work. The melody travels around the band and the overall feel of the melody, rhythms and beat are brilliantly scored to recapture the original song, with a touch of a makeover.
Estimated dispatch 7-14 working days
-
£54.20WAY WE WERE, The (Wormald) (Flugel Horn Solo with Brass Band) - Wormald, Christopher
Duration: 4'55". Grade: easy. Recorded on OBRCD946 The Way we Were (Cory Band).
Estimated dispatch 7-14 working days
-
£59.99YOU RAISE ME UP (Trumpet or Cornet/Brass Band) - Lovland, Rolf - Duncan, Andrew
One of the greatest hit songs of this decade You Raise Me Up has been recorded by Russell Watson, Secret Garden, Michael Ball and, more recently (and perhaps best-known), by the great Irish boy-band Westlife. With your Solo Cornet taking the limelight this award-winning arrangement is one title that will be a surefire hit with both bands and audiences. Duration: 4:00 Grade: Medium. Also available with Piano Accompaniment. Recorded on Polyphonic QPRL218D Master Brass (Volume Fourteen). Duration: 3'30"
Estimated dispatch 7-14 working days
-
£24.95Prelude and Capriccio (Cornet Solo with Brass Band) - Gregson, Edward
A condensed score is included with this workGregson wrote his Prelude and Capriccio in 1972. It exists in two versions: one for cornet and band and the other for cornet or trumpet and piano.The work began life in the early sixties, the Capriccio being composed when the composer was 17. A Prelude was added to complete the work, which lasts for approximately 8 minutes. The Prelude is reflective in character and uses long melodic lines over undulating chromatic harmony. The music reaches a climax before a brief reprise of the opening. The Capriccio is somewhat jazzy in its opening syncopated rhythms, but has a more lyrical middle section before a finale exploiting the virtuoso character of the instrument.
Estimated dispatch 7-14 working days
-
£25.00Nessun Dorma (Puccini arr. by David Beal) - Bb Cornet & Brass Band Full Score and Parts - LM045
COMPOSER: PucciniARRANGER: David BealThe famous tenor solo as sung by Luciano Pavarotti beautifully arranged here for Bb Cornet & brass bandAn excellent concert item, loved by all
In Stock: Estimated dispatch 3-5 working days
-
£25.00Rock Mood - Brass Band - TSM016 - P. W. Jones
COMPOSER: P. W. Jones"Rock Mood" has been written with the beginner Band in mind. The arrangement focuses on rhythm and sectional playing.This piece has quavers in pairs or, groups of four which always start on beats one or three. Pitch does not change on any pair but may change on the second pair of a group of four. Staccato and staccatissimo are both used in this composition. Please ensure that the difference is observed by the players and more importantly, play full value notes where no staccato or, staccatissimo is shown."Rock Mood" is a very sectional arrangement with tutti and soli sections. The soli sections may be played soli or if desired, as a solo. There are also cues to assist in flexibility for missing instruments and artistic freedom for the conductor.Some alternate parts (see below) have been included to cater for the different methods and syllabus.
In Stock: Estimated dispatch 3-5 working days
-
£25.00Scramble (Alex McGee) - Cornet & Brass Band Full Score and Parts - LM424
COMPOSER: Alex McGeeScramble was composed for Kidlington Concert Brassto be performed as part of their 2022 series of events.A solo cornet feature, the principal cornet needs his orher wits about them as they take to the skies,musically speaking in their Spitfire.The work was inspired by the history of what is now Oxford Airport,but was in a previous life RAF Kidlington.During WWII numerous squadrons were based there as forwardoperating Spitfires were a staple of the bases arsenal.Scramble is told from the perspective of a young pilot,a begins with him in a troubled sleep,which is shattered by the wail of an air raid siren.From that point we rushed to his aircraft and races into theskies to defend the United Kingdom as one of 'the few'who prevented the risk of invasion during the legendary Battle of Britain.This work is dedicated to all those, in the air and on the ground,and of all nationalities who served in the Battle of Britain.
In Stock: Estimated dispatch 3-5 working days
-
£25.00Serenade (Schubert arr. by David Beal) - Euphonium & Brass Band Full Score and Parts - LM008
COMPOSER: SchubertARRANGER: David BealA Fantastic arrangement of this classic Schubert tune.A light arrangement of this tune. Euphonium Solo with delicate backing from the band. A light drum backing compliments the piece.ISMN - 9790570000081
In Stock: Estimated dispatch 3-5 working days
-
£29.95
ROLL CALL, The (Brass Band Set) - William Broughton Snr
This march derives its title from the American hymn When the roll is called up yonder which is used as a bass solo. British expatriate William Broughton became a master of the American street march, the trio and break-up strain of this march being unmistakeably American and reminiscent of the golden age of American band music under Sousa, King and Fillmore.
Estimated dispatch 7-14 working days
-
£59.95
MY STRENGTH, MY TOWER Rhapsodic Variations (Brass Band Set) - Dean Goffin
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
View Music
