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  • £59.95

    Darkwood - Dan Price

    Darkwood was commissioned in 2012 by Neil Ashcroft, a lifelong member of Blackley Brass Band and was presented to the band in recognition of its 75th Anniversary. The work is in three movements and was conceived as either an extended concert item or as an own choice test-piece.Blackley Village is a northerly district of the city of Manchester and is the home of the last remaining city centre brass band. Blackley appears in the Doomsday book and its name is a derivative of the Anglo-Saxon Bl?cl?"ah which means ‘Darkwood’ or ‘Dark Clearing’.The BoggartThe first movement of the suite is named after Boggart Hole Clough, which is a local urban nature reserve. A clough is a local colloquialism for a steep sided valley or gully and this particular clough is believed to be the home of a Boggart, a mischievous spirit or imp.House on the HillThe second movement of Darkwood is subtitled ‘House on the Hill’ and evokes images of St Andrew’s Church which is located in Higher Blackley and is commonly referred to by this name. Perched high on the hill, it overlooks the village and across the valley towards Manchester city centre.Blackley VillageThe final movement depicts Blackley’s historic evolution from its medieval roots, as a small residential hamlet, through to the present day and its importance as an industrial part of the city.Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan’s first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band’s exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign – Danger Global Warming Project and the band’s collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil – a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms – an exciting new work for Grimethorpe Colliery Band’s Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.

    Estimated delivery 12-14 days
  • £89.99

    Galactic Odyssey - Bartlett, Darren

    GALACTICODYSSEY-A Constellation Suite - Journey to the Stars 1) AQUILA - THE EAGLE(magnifico) In Greek mythology Eagles were used to represent an ascension up to the heavens. The opening stanza depicts the wonder of such miraculous acts. A sense of grandeur and of the magnificence of the universe should shine through.2) DRACO - THE DRAGON(con fuoco) The "Celestial pole" or "Seat of Judgement" was guarded by the celestial serpent, the constellation Draco. As the marking indicates, this section should be played "with fire" and exuberance. 3) CYGNUS - THE SWAN(cantabile con calore) Swans are known for their swan-song, it was believed that these birds of regal grace sang only once in their lifetime, just before they die. "To be swan-like" is to greet death with a song of exceptional beauty and calm acceptance. This should be played in a spirit of contemplation with pathos and warmth. 4) DELPHINUS- THE DOLPHIN(capriccio) Dolphins are well-known for their agility and their capricious behaviour; many species will leap out of the water to view their surroundings. This 2nd Century by the astronomer Ptolemy. In this section the marimba emulates the sound of water along with the rain-stick; the rhythm of the raindrops must come through. This is followed by a more melancholic melody which should be played sweetly but sorrowfully; the impact of the elements leading to inward reflection. 6) ORION - THE HUNTER(minaccioso) The scoring here aims to suggest menace and conjures up the threat of the hunt. Bar 10 should be played with edge from the Trombones as the Hunter seeks out his victim. The 'rips' from the Tenor Horns & Euphoniums should emulate the French Horn. Bar 28 sees the commencement of the chase as the Hunter moves on his prey. At Bar 34 the percussion indicates danger is imminent: a sense of threat should cut through with the driving rhythm, a la bolero. This will be reinforced by a strict adherence to the beat, representing the remorseless persistence of the Hunter and the seeming impossibility of the prey's escape. As we move towards the climax of the music, Bar 49 begins with a series of semiquavers depicting stars appearing in the sky. This segues to a frenzied finale, the capture of the exhausted prey and the Hunter's victorious conclusion. should be performed with a sense of breathless joy with playfulness & humour as its key characteristics, as depicted by the tin whistle and timpani glissandos. 5) AQUARIUS - THE WATER CARRIER( tranquillo) Latin for "water carrier", Aquarius is one of the first-recognised constellations and was recorded in the 2nd Century by the astronomer Ptolemy. In this section the marimba emulates the sound of water along with the rain-stick; the rhythm of the raindrops must come through. This is followed by a more melancholic melody which should be played sweetly but sorrowfully; the impact of the elements leading to inward reflection. 6) ORION - THE HUNTER (minaccioso) The scoring here aims to suggest menace and conjures up the threat of the hunt. Bar 10 should be played with edge from the Trombones as the Hunter seeks out his victim. The 'rips' from the Tenor Horns & Euphoniums should emulate the French Horn. Bar 28 sees the commencement of the chase as the Hunter moves on his prey. At Bar 34 the percussion indicates danger is imminent: a sense of threat should cut through with the driving rhythm, a la bolero. This will be reinforced by a strict adherence to the beat, representing the remorseless persistence of the Hunter and the seeming impossibility of the prey's escape. As we move towards the climax of the music, Bar 49 begins with a series of semiquavers depicting stars appearing in the sky. This segues to a frenzied finale, the capture of the exhausted prey and the Hunter's victorious conclusion.

    Estimated delivery 12-14 days
  • £44.95

    Renaissance - Peter Graham

    A sequel to the much celebrated 'Shine as the light', Peter Graham felt the dawning of a new millennium was an appropriate back-drop against which to feature Joy Webb's song 'Come into our world', with its plea for revival or Renaissance in the form of Christ's promised return.

    Estimated delivery 12-14 days
  • £29.95

    Singalongamax No.2 Medley

    Includes: You Made Me Love You; Oh! You Beautiful Doll; Shine on Harvest Moon; Honeysuckle and the Bee.

    Estimated delivery 12-14 days
  • £74.95

    The Torchbearer - Peter Graham

    The Torchbearer was commissioned by Kapitol Promotions and the Federation of Australasian Brass Bands as the test piece for the 2009 National Brass Band Championships of Great Britain and the FABB Open Contest respectively. The commission was initiated by the Federation's Music Advisor, Professor David King, whose support and encouragement for the idea of a piece commemorating the 20th anniversary of Eric Ball's death is greatly appreciated.The variations are based upon the first phrase of the trio from Eric Ball's Salvation Army march, Torchbearers. After opening statements of the theme, variation 1 (an energetic allegro brillante utilising fragment A) commences at bar 35. Cadenza passages for Eb Bass and Euphonium lead to variation 2 (an andante appassionato based upon fragment B) at 104. Variation 3 (142 - a vivace featuring C as an ostinato) is followed at 205 by variation 4, the central andante e sciolto molto for solo cornet (utilising D1 as a counterpoint and D2 as a 2nd phrase).The work culminates at bar 291 in a reprise of the cornet solo, now fully metamorphosised and mirroring in music a concept at the centre of Ball's broader philosophy, that of transformation.I have endeavoured to retain the main compositional characteristics and harmonic flavour of Eric Ball's Salvation Army and contest music. His scoring techniques are a model for any student of the medium and whilst I have aimed for similar colours and clarity of line in texture, concessions have been made in the instrumentation of the 21st century brass band. A slightly more developed percussion section is utilised employing timpani and xylophone in dominant roles.Eric Ball will be remembered as a composer whose classic works for brass shine through with integrity and sincerity. I have been no less sincere in my efforts to pay musical tribute to the 20th century's most influential composer of brass band music.

    Estimated delivery 12-14 days
  • £49.95

    To Boldly Go - Peter Graham

    To Boldly Go was commissioned by the Melbourne Staff Band of The Salvation Army, Bandmaster Ken Waterworth, in celebration of the band's 125th Anniversary in 2015.Ken Waterworth requested that the new work echo the flavour and style of the composers' earlier Shine as the Light; accordingly this new work gives special prominence to well-established Salvationist songs, in this case I'll go in the strength of the Lord (Turney and Bosanko) and I'll not turn back (Gowans and Larsson).As the band celebrated and reflected upon the past 125 years of service, the message of the songs serves as a reminder of the continuing journey and mission of the Melbourne Staff Band in the 21st century.

    Estimated delivery 12-14 days
  • £50.00

    Triumph Series Band Journal Numbers 1223 - 1226 - Michael Davis

    Contains the following pieces: Ask The Saviour,Jesus Came!,Shine On Us,Joyful News

    Estimated delivery 12-14 days
  • £19.95

    Two Children's Hymns

    This set is march card sizedIncludes: All Things Bright and Beautiful; Jesus Bids Us Shine.

    Estimated delivery 12-14 days
  • £35.00

    A Repton Fantasy (Brass Band - Score and Parts)

    Sir Hubert Parry (1848-1918) is mostly remembered for the marvellous melodies of his hymn tunes, such as Jerusalem and Repton. The latter first appeared in Parry's oratorio Judith and was adapted as a hymn tune after the composer's death. This fantastic cornet solo will give your section leader a real chance to shine. 03:36

    Estimated delivery 12-14 days

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  • £7.95

    A Repton Fantasy (Brass Band - Score only)

    Sir Hubert Parry (1848-1918) is mostly remembered for the marvellous melodies of his hymn tunes, such as Jerusalem and Repton. The latter first appeared in Parry's oratorio Judith and was adapted as a hymn tune after the composer's death. This fantastic cornet solo will give your section leader a real chance to shine.

    Estimated delivery 12-14 days

     PDF View Music