Results
-
£39.99
Punch & Judy - John Emerson Blackstone
Iedereen, kind of ouder, kent (nog) wel het gevoel van het bijwonen van een poppenkast voorstelling. Of de hoofdpersonen nu Kaspar en Grete (Duitsland) of Pulcinella (Italie) heten, Petrushka (Rusland) of Jan Klaassen en Katrijn (Nederland), er doen zich altijd humoristische, spannende en hilarische taferelen voor. De oerpersonage is Pulcinella, waarin het woord 'pulcino' (kuikentje) te herkennen is. Hij heeft dan ook een snavelvormige neus, een hanige tred en een kwakende stem. In Engeland heten de hoofdpersonen Punch and Judy. Punch stapt onbekommerd door het leven maar vindt samen met zijn Judy spanning en verdriet op zijn pad. De kwakende stem van Punch isduidelijk te horen door het gebruik van de 'kazoo'. Hun leven kent verrassende wendingen. Dat is te horen in een 'slapstick'-achtig gedeelte aan het slot, van deze voor alle leeftijden geschikte voorstelling.
Estimated dispatch 5-14 working days
-
£93.50Pineapple Punch - Haakon Esplo
Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style.Pineapple Punch is entertaining and suitable for any concert.The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range.
Estimated dispatch 5-14 working days
-
£39.60 -
£24.60
PUNCH AND JUDY (Partitur/Score) - Mancini Henry - Westwood Gary
Estimated dispatch 7-14 working days
-
£9.95First Quartet (Brass Quartet - Score and Parts)
My first Brass Quartet was written in 1968, immediately after I finished my studies at the Royal Academy of Music, and was in response to a request from my then publisher, R Smith & Co, to write some chamber music for brass band instruments. It is scored for two cornets, horn and euphonium. In the same year I also wrote another quartet (No. 2) which is scored for the more unusual combination of two horns, baritone, and tuba. The First Quartet is really a miniature in terms of length, lasting less than six minutes. However, it packs a lot of punch in its two connected movements, a Prelude and a Capriccio. The Prelude is lyrical in style and opens with a rising figure (covering a major seventh) on euphonium answered by muted cornets. These ideas form the material for the movement which is arch shape in structure. The opening returns, immediately followed by a transition passage which leads directly into the turbulent Capriccio. This is rather Bartokian in style (I was very influenced by Bartok in my student days and had closely studied his six string quartets), in the manner of a Hungarian dance in 5/8 time. The constantly changing metric patterns give the music a rather disruptive quality, but also an opportunity for the players to show their virtuoso abilities. - Edward Gregson
Estimated dispatch 7-14 working days
-
£90.30Klabb - Øyvind Moe
Klabb was written in 2010 for the brass band at Manger Folkehogskule and conductor Bjorn Sagstad. The piece consists of a series of short related episodes based on the whole-tone scale, but intermittently tending towards traditional "major" tonality. "Klabb" can refer to punching someone - and the piece is certainly meant to pack a punch - but the common meaning of the word comes from snow clumping to the undersides of skis, or more generally, something that makes for laborious progress. The whole-tone scale is directionless in that it has no implicit pull towards a tonal center, complicating the creation of meaningful and believable harmonic development. In thisrespect, the title can be seen as the composer's expression of frustration with his own choice of basic material (it seemed like a good idea at the time ...). For the performers, the unusual fingering combinations are what constitute the "klabb". Good luck, and don't forget to wax!
Estimated dispatch 5-14 working days
View Music