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  • £74.95

    Out of the Storm Clouds - Jonathan Bates

    Estimated delivery 12-14 days
  • £75.00

    OUT OF THE STORM CLOUDS - Jonathan Bates

    Estimated delivery 5-7 days
  • £17.50

    Sospiri - Elgar - Max Stannard

    Originally scored for string orchestra, harp and organ, this Adagio was composed by Sir Edward Elgar shortly before the outbreak of the First World War and you can perhaps hear the gathering storm clouds of war in the music which became a bleak adagio that would not be out of place as the slow movement of an Elgar symphony. The work was dedicated to the leader of the London Symphony orchestra W.H. (Billy) Reed.

    In stock: Estimated delivery 1-2 days

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  • £34.95

    Hellfire - Ben Hollings

    Hellfire was written for the Carlton Main Frickley Colliery Band’s programme of music at the 40th Brass in Concert Championships at the Sage, Gateshead; a programme which told the story of the Great Fire of London 350 years ago. Hellfire depicts part of the story where the fire broke out on Pudding Lane and spread throughout London, causing havoc and leading people to flee from the city for their safety. The piece opens with night falling upon the city on the evening of September 2nd, 1666. Swirling sounds and distant rumblings are heard throughout the band as easterly winds blow strongly through the city. Suddenly a single spark is blown out of the baker’s oven and ignites the great fire. The fire quickly spreads, alarm bells are raised, and panic ensues as people scream and run for their lives from the menacing fire. The strong wind carries the dancing fire across rooftops from house to house and the sound of collapsing structures thunders with the roaring flames. People look in awe and horror at the mighty fire surrounding them, whilst they stand in the ‘eye of the storm’. Gunpowder-fuelled explosions boom and the escape from the city continues. People piling their precious belongings onto boats and sailing down the River Thames to escape. A feeling of hope is cast upon London as the fire finally begins to subside, and 4 days later… darkness finally falls upon the city once more.

    Estimated delivery 5-7 days
  • £102.00

    Rhapsody in Black - Andi Cook

    Rhapsody in Black - Andi Cook - 10'40'' - BVT126 The primary inspiration for this work comes from the composer’s first encounter with the genre of Symphonic Metal - the opening track of the 2004 Nightwish album 'Once', entitled Dark chest of Wonders. The combination of full orchestra, operatically trained female vocals and the raw power of a Scandinavian metal band was a potent mix that instantly had me hooked.That same dark and powerful sound is one that a brass band can generate, and I've tried to capture that in this composition. Heavy Rock/Metal as a genre is arguably fifty years old now, but symphonic metal is a newer concept, and I feel possibly the one that can bridge the gap between two musical styles very dear to me.Composer Gilbert Vinter had explored through music the connotations that different colours held for him, and his movement Purple from 'Spectrum' gave me an idea for the structure of ‘Rhapsody in Black’. Andi Cook explored the different connotations of one colour within his own life, black being an easy choice due to the personal dichotomy of the black leather jacket he wore to the rock club on Friday night and the black suit jacket and tie he wore to the concert hall the next day.To avoid repetition the word 'black' is omitted from the five movement titles, each of which is a different episode. '...as Thunder' is a furious argument between two people - the top and bottom of the band - set against the backdrop of a storm, with lightning flashing outside while barbs, insults, sarcasm, tears and even violence is traded inside. Following that '...Satin and Pearls' is an old black-and-white movie with a wistful character to it as if we're looking back a screen icon with fondness long after their career or even their life has ended. '...as the Raven's Wing.' is deliberately gothic and funereal, hinting at Edgar Allen Poe's similarly named poem, with undertones of death and afterlife. The shift into F/C Minor (band pitch) represents the descent - alive - into the grave that Poe had a paranoid fear of his entire life. Family and friends standing around grieving, oblivious as we're lowered into the earth despite frantic attempts to make ourselves heard. '...and Chrome' is an unashamed motorcycle reference with all its born-to-be-wild, open air, high speed and freedom overtones. In a deliberate contrast to what went before it continues several of the same motifs though this time in the major key. Lastly, we reprise the second movement with '...as the Night Sky' which is simply the feeling of walking home under the summer stars, with someone important - who that is, is left to the listener, but a walk under the stars is always that bit special.There's an old saying that very few things are black and white. I hope this work will prove that even black alone isn't quite as simple as it's often made out....‘Rhapsody in Black’ is dedicated to the composer’s friend and mentor John Roberts, who shares his love of both brass and rock.

    Estimated delivery 10-14 days

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  • £64.95

    Dick Turpins Ride To York - Rodney Newton

    Commissioned in 1998 by trombone superstar Brett Baker, Dick Turpin's Ride to York, was originally scored for trombone and brass band.Inspiration for the work is taken from Alfred Noyes poem The Ballad of Dick Turpin, which describes a fictional attempt by notorious highwayman, Dick Turpin, to ride from London to York to escape justice and the inevitable hangman's noose.The work is rich and dark in colour but paints a clear musical representation of its subject. Galloping horses, post horns and racing stage coaches all make an appearance in this wonderful solo and the listener has their work cut out trying to keep up with the highwayman as he is chased through the storm ridden night.

    Estimated delivery 5-7 days