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  • £25.95

    Hymn for Africa - Peter Meechan

    Part of the Brass Band Aid SeriesBrass Band Aid is a Charitable Organisation formed by members of Stanhope Silver Band, based in the North of England. From an original aim to raise awareness of the Make Poverty History campaign in their local area, a brass band CD recording was planned. The initiative took on a whole new dimension when the collection of local bands performing on CD were then joined by, what is now known as, The Brass Band Aid Celebrity Band, made up of many of the top brass musicians in the country.Following the success of this initial project the Celebrity Band has come together again to record a new CD - "Into Africa". This is a compilation of pieces especially written for the recording by some of the most esteemed brass band writers of today. 'Hymn for Africa' is one such piece, generously contributed by Peter Meechan in support of the ongoing work of the charity."Hymn for Africa is inspired by the the release of Nelson Mandela in the early 1990's and the effect it had upon not only South Africa, but all over the continent of Africa, as well as the World as a whole. The fact that one man can achieve this with peace and great dignity will always be an inspiration, not only to me, but many, many millions of humans around the globe.sense of dignity and peace the composer . A simple 8 bar melody, first heard on an unaccompanied flugel horn at the beginning, is the basis of the composition. A drone is then added, before a chorale, and finally a rousing climax when the percussion and full band enter. The piece ends at it began, with a peaceful, unaccompanied, flugel solo." (Peter Meechan).All sets sold raise money for Brass Band Aid - a charity The Music Company has continued to actively support since 25.

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band Sheet Music Full Score & Parts- LM601

    COMPOSER: Antonio VivaldiTRANSCRIBED : Daniel S. AugustineThe great duet from Vivaldi is now available for two players with brass band accompanimentThe soloists can be two Eb soprano cornets, 2 Bb Cornets or one of each.A chance to let your soloists shine with authentic backing transcribed from Vivaldi original score.Definitely one for your next concert.Concerto for Two Trumpets in C Major, double concerto for trumpets and strings byAntonio Vivaldi, one of the few solo works of the early 1700s to feature brass instruments. It is the only such piece by Vivaldi.The rarity of Vivaldi'sConcerto for Two Trumpetsstems from the difficulties inherent in the Baroque trumpet. At the time, trumpets were natural, or valveless. The instrument's range was quite restricted, and much depended on the performer's lip control, as with the modern bugle.As with the great majority of Vivaldi's concertos, this one begins with a quick and sparkling movement to catch the attention of the audience and to showcase the bright tones of the solo trumpets. This is followed by a languid and very brief second movement, with fanfare-like passages from the soloists overlaying sustained string tones. For the final movement, Vivaldi returned to brilliant mode with quick energy and intricate passages for the soloists.

    In Stock: Estimated dispatch 3-5 working days
  • £35.00

    Ascension - Lucy Pankhurst

    A major work written for the RNCM Brass Festival Competition 2005, and inspired by the nature of Ascension - creating a Musical depiction of the spiritual journey towards enlightenment, sanctuary and ultimate inner peace.As aninitial muse for this work, the 'Tibetan Singing Bowl' is utilised with the Brass Band in order to represent this path to Serenity, together withBaoding Balls(Chinese Health Balls) to mark the point of Final Ascension.Programme notes from the composer, Lucy Pankhurst:Ascension is a Musical depiction of the Spiritual Journey towards enlightenment, sanctuary and ultimate inner peace.As my initial muse for this work, the Singing Bowl is utilised with the Brass Band in order to represent this path to Serenity. "Tibetan" Singing Bowls date back to the 8th Century A.D., originating in the pre-Buddhist shamanic Bon Po culture in the Himalayas and are still used in modern Monasteries. The original purpose of them still remains a mystery, with accounts stating that it is forbidden to disclose the true function of the Bowls, as the "secrets of sound" yield so much Power, that they must be kept hidden.Listening to the tones created by the Singing Bowl effectively silences the internal dialogue of the listener, making it an excellent tool for Meditation, Centering and entering trance-like states. In Buddhism, as with many cultures, sound is an important part of Spiritual Practice. There are 9 methods to reach Enlightenment in the Buddhist Doctrine ; the seventh is SOUND.These Bowls are used by Healers in a similar way to help balance the body's residual energies. The Bowls are usually made from seven different sacred metals, intended to correlate directly to the seven sacred "Planets" : GOLD (Sun), SILVER (Moon), MERCURY (Mercury), COPPER (Venus), IRON (Mars), TIN (Jupiter), ANTIMONY (Saturn). Any one Bowl can create up to seven different frequencies (tones) simultaneously. In Healing, the Singing Bowl is played whilst balanced on the palm of the hand, struck three times to stabilise the surrounding energies, before rotating the wooden "beater" around the outer circumference of the Bowl to create the "singing" effect.I have included an optional Vibraphone part (to be played with a Double Bass Bow) with Tubular Bells, to be used only in performances where a Singing Bowl cannot be acquired. However, a traditional Bowl should be used whenever possible, to create this specific and unique sound.Baoding Balls or Chinese Health Balls are also utilised in this work. Their appearance in the Music here, however, is to mark the point of Final Ascension, where the music reaches its ultimate goal. These delicate cloisonne iron Balls are said to stimulate the acupressure points on the hand, thus improving the Chi and Energy Paths (Life Force) throughout the entire body. The delicate "tinkle" produced by these spheres is hypnotic and captivating. For this reason, where no Baoding Balls are obtainable for performance, only delicate metallic percussion should be used in replacement (i.e. Crotales, Antique Cymbals or (liberal) single strikes on a Triangle etc.). Bell Trees, Wind Chimes and Cow Bells should not be used.As in many cultures, the number three is important in Ascension, as it represents not only the purification from the Singing Bowl, but also it is a number of confirmation, reiterated throughout the music in the metallic percussion in addition to the Brass, re-affirming the correct path to Enlightenment.

    In Stock: Estimated dispatch 3-5 working days
  • £82.00

    Riften Wed (Bra) - Julie Giroux - Ivan Meylemans

    "Riften Wed" is the music for loves and unions, past and present such as this. A love, a wedding, a lifetime shared by two people in the middle of a storm that threatens to tear them apart. Where "'til death do us part" is not only a reality, it's a given. Where love is a gift worthy of all the joy and pain it demands. One life, one love, one ending. This music is for those that are truly "Riften Wed." Written for an action role-playing video game saga developed by Bethesda Game Studios and published by Bethesda Softworks.

    Estimated dispatch 7-14 working days

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  • £21.50

    Oxygene Part 4 (Jean-Michel Jarre) - Brass Band Full Score and Parts- LM729

    COMPOSER: Jean-Michel JarreARRANGER: David BealUK SALES ONLYProbably the most popular track from french composer Jean-Michel Jarre arranged here for brass band.This is the fourth part from the album.Oxygene (English: Oxygen) is the third studio album by French electronic musician and composer Jean-Michel Jarre, and his first album not intended for use as a soundtrack.Oxygene consists of six tracks, numbered simply "Oxygene Part I" to "Part VI".It was first released in France in December 1976 with an international release following in the middle of 1977.The album reached number one on the French charts, number two on the UK charts and number 78 in the US charts.UK SALES ONLY

    In Stock: Estimated dispatch 3-5 working days
  • £90.00

    Fragile Oasis - Peter Meechan

    Fragile Oasis is the name of a collective who describe themselves as aaa grass-roots participatory initiative that connects the shared perspective of astronauts from different countries and cultures with people on Earth, encouraging all to work together so that our planet is not only visibly beautiful, but beautiful for alla.Many involved in the project are astronauts on the International Space Station (I.S.S.), who post, on their website (http://www.fragileoasis.org) many different details of their experiments, photos from space, and some incredible video footage of our Earth.One such time lapse video (a video made up many still images) was posted on their website by astronaut Ron Garan (http://www.fragileoasis.org/blog/2011/11/coming-back-down-to-our-fragile-oasis-2/) in 2011. It is made up of images taken from the I.S.S. of what Garan described as aaa couple of laps around our Fragile Oasis before coming back down [to Earth]a and features all kinds of amazing views from space.Each of the five sections of this work relate to an aspect of the video - either something literal or something more metaphorical. The opening section, i: The lights from Above, is a musical description of the view of the Aurora Australis from above the lights. The second section, ii: The Storm from Above (part i), is also a musical portrayal of portions of the video clip - in this case the many lightning storms we see from above. The storms that are so powerful on Earth appear as small bolts of electricity dancing through the clouds.The third section, iii: Freya, has its roots in personal family tragedy. The name Freya derives from a Norse goddess who was associated with both beauty and love, and in this central section I wanted to write music that not only acknowledged how fragile life itself is, but that every day of it counts and should be celebrated.iv: The Storm from Above (part ii) is a again a reference to the lightning storms, but also to the huge hurricanes we see in the video. It leads us to the final section, v: The Oasis from Above - a description of the size and grandeur of Earth, our Fragile Oasis.Fragile Oasis was commissioned by Leyland Brass Band and Michael Bach, and partly funded by The John Golland Trust, for their appearance at the 2013 European Brass Band Championships in Oslo, Norway. It is dedicated to Natalie Youson, in friendship

    Estimated dispatch 12-14 working days

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  • £60.00

    From the Shores of the Mighty Pacific (Cornet Solo with Brass Band - Score and Parts) - Clarke, Herbert L. - Wilkinson, Keith M.

    Cornet Solo with Brass BandHerbert L. Clarke (1867 - 1945) is regarded by many as one of the finest cornet players of all time, noted not only for his amazing technique but also for his warm, lyrical tone. He has left a multitude of cornet solos as well as collections of studies which are still very widely used. He was a member of The Sousa Band briefly in 1893 and then from 1898 to 1917 where he was not only the distinguished cornet soloist but also became assistant director.From The Shores Of The Mighty Pacific is an all-time favourite rondo-caprice cornet solo and was first published in 1912. A brass band arrangement was requested by Chris Lichtler, principal cornet of Brass Band of the Western Reserve, musical director Dr. Keith M. Wilkinson. Chris has performed it many times with BBWR and it was recorded by them on the CD, Without Reserve!.

    Estimated dispatch 7-14 working days

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  • £85.00

    Three Haworth Impressions (Brass Band - Score and Parts) - Langford, Gordon

    A wonderful three movement suite which conjures up fabulous musical imagery of the lands of northern England. Well worth including as a concert item in your next programme, but this great original composition should really should be set again as a test-piece soon - rewarding musically for audience and bandsmen alike.Includes:TOP WITHENS - A GENERAL EVOCATION OF THE ATMOSPHERE OF WUTHERING HEIGHTS The sinister opening motif symbolises the influence of the evil Heathcliffe, Soon this motif experiences several changes of character in order to portray emotions other than those of hatred and jealousy. The overall mood is, however, one of gloom and foreboding.THE THREE BELLS This is a reference to the pseudonyms adopted by Ann, Charlotte and Emily Bronte. The music begins with three "bell"-notes; Ab for Acton Bell, Cb for Currer Bell and Eb for Ellis Bell, and these three notes form the basis of a wistful waltz tune. Again the mood is rather sombre -- save for a brighter middle section -- and the opening motif from "Top Withens" is to be heard, again symbolising the frustrations and ill-fortune by which their lives were plagued.THE WORTH VALLEY RAILWAY The Brontes were not the only people in Haworth and not all is desperation and gloom. The third impression is a celebration of the victory of the people of Haworth in their fight to retain their railway. The nine-eight rhythm of a slow train is prominent, and our once-sombre motif is transformed into a triumphant fanfare.Duration: 12.00Please note that there are only 3 solo cornet parts included in this set

    Estimated dispatch 7-14 working days
  • £34.95

    Lady of the Lake - Christopher Bond

    A remote Carmarthenshire lake shrouded in Welsh legend has been named as one of the 1,000 must-see sights across the globe by an influential travel bible. Llyn y Fan Fach, 12km southeast of Llandovery in the Brecon Beacons, is the only spot in Wales to make the list, which was put together by Lonely Planet. "This isolated drop of blue, beneath a cirque of raw Welsh hills, is enchanting - and enchanted," Lonely Planet's 1,000 Ultimate Sights tells readers. The story goes that in the 13th Century, a farmer grazing cattle on the nearby slopes spotted the most beautiful woman he'd ever seen. She was a fairy maiden, who agreed to marry him on one proviso - he must not hit her more than twice. In time, the inevitable happened - three strikes, and the otherworldly wife disappeared back into the lake, taking her magic cows with her. This work, for flugel horn and brass band, is reflective in nature, portraying the dismay of the man in losing his wife for his own selfishness. The work was written for and premiered by Rob Nesbitt & City of Cardiff (Melingriffith) Band, at the 2019 Welsh Open Entertainment Contest in Porthcawl, Wales.

    Estimated dispatch 10-14 working days
  • £154.99

    Spiriti (Brass Band - Score and Parts)

    A Bach chorale stands at the centre of this work (F?r deinen Thron tret? ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ. 17:00

    Estimated dispatch 7-14 working days

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