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  • £73.60

    Old Market Square - Joris Bolhaar

    In the second part of the two-piece work Metropolis of the East is the Old Market, the centre point of the city of Enschede in the Netherlands. Elements such as the Great Church, the monument to the city fire of 1862, and historical events such as the textile strike can be heard in this piece, as well as the sounds of the many al-fresco cafes, the theatre Concordia, and the many festivals. This piece is coupled with The Cotton Phoenix (Alex Poelman) but functions well as a stand-alone work.

    Estimated dispatch 5-14 working days

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  • £76.00

    Old Market Square - Joris Bolhaar

    In the second part of the two-piece work Metropolis of the East is the Old Market, the centre point of the city of Enschede in the Netherlands. Elements such as the Great Church, the monument to the city fire of 1862, and historical events such as the textile strike can be heard in this piece, as well as the sounds of the many al-fresco cafes, the theatre Concordia, and the many festivals. This piece is coupled with The Cotton Phoenix (Alex Poelman) but functions well as a stand-alone work.

    Estimated dispatch 10-14 working days

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  • £59.99

    Old Hundredth (Brass Band - Score and Parts) - Sparke, Philip

    The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter "Pseaumes Octante Trois de David", where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins' Psalter for his paraphrase of Psalm 100 All People that on Earth do Dwell, which is still the most familiar hymn sung to this noble tune. When Tate and Brady's "New Version of the Psalms" was published in 1696, the melody became know as the 'old' version - hence its current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding.Duration: 2:30

    Estimated dispatch 7-14 working days

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  • £80.00

    Carols of Old - Geert Jan Kroon

    Carols of Old is a rhapsody on two christmas carols: Lo, how a Rose and the Coventry Carol . Both carols seem to originate from the sixteenth century, hence the title. The carols are exposed in their original form as well as transformed in a rhapsodic manner.

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  • £29.50

    Masters In This Hall - Trad. French Carol - Elizabeth Carter

    Based on an old French carol, and inspired by such TV series as Downton Abbey and Pride and Prejudice, the arrangement aims to depict the servants of a well-to-do household preparing for the return of their Master and his family to enjoy Christmas at the Hall. As they go about their tasks, we hear appropriate well known carols interwoven with the main theme. Deck the Hall, Good King Wenceslas, The Wassail Song, The Holly and the Ivy and Oh Christmas Tree are all heard as the servants get into the swing of the season. This is a fastastic festive workout for all areas of the band

    In Stock: Estimated dispatch 1-3 working days

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  • £60.99

    Cityscape - Jan Hadermann

    Cityscape was commissioned for the 't Stad Geblazen event, which took place during the weekend of European Heritage Days in 2024.This short concert piece describes the impressions given when approaching and visiting the beautiful Belgian city of Antwerp from the north across the river Scheldt. We first pass the busy bustle of the harbour, home to the impressive Port House. Then the old city comes into view: the graceful cathedral tower, surrounded by smaller church spires and modern buildings, dominates the distinctive skyline. After setting foot ashore, we are struck by the beautiful way the medieval buildings here blend harmoniously with modern architecture. Our walk through the city continues: we visit the serene cathedral and are impressed by the picturesque facades of and around the city hall, as well as the Brabo Fountain on the Grote Markt (Large Market Square). Finally, it is time to enjoy the merriment taking place on the many squares of the lively city centre.

    Estimated dispatch 5-14 working days

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  • £154.60

    Circius - Torstein Aagaard-Nilsen

    The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.

    Estimated dispatch 5-14 working days

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  • £127.30

    Hoppeslatt - Øystein Olsen Vadsten

    This is an original piece of music composed by Oystein Olsen Vadsten, inspired by old Norwegian folk dances. "Jumpety Jump" actually started out as a "reinlender" (Norwegian Folk Dance) which origins from Rhinland. The reinlender is well disguised in this arrangement by adding the shuffle- and swing style to it. The piece is first of all meant as a "happy go lucky" tune, but is full of rhythmical and technical challenges. Its put up as a jazz-tune, first presenting the melody, then "improvisasations" by the different instrument groups, before going back to the first theme. The title "Jumpety Jump" refers to the kind of jumping feeling the shuffle groove gives.

    Estimated dispatch 5-14 working days

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  • £127.30

    Stealing Apples - Fats Waller - Reid Gilje

    Stealing Apples is an old swing-tune written by Fats Waller. Performances by Benny Goodman and his big band made the song very popular. In this arrangement for brass band, the mallet percussion is very essential. Mallet Percussion presents the melody from letter A and is also featured as soli-instruments from letter L to P. These parts can alternatively be played as vibraphone solo. Please be aware of the balance at letter A. Horn and Trombones must play piano but well articulated. Letter D must sound sparkling and fresh with articulated and powerful trombones and cornets (using straight-mute). Make shue that the 8th-notes are not played too dotted two bars before letterG. Almost even 8th-notes accentuated on the start of the slur is a good tip. Watch the balance at letter H. This part have to sound homogeniously. The soloistic Soprano Cornet at letter Q must be played in the style of Benny Goodan. The accompaniment must not be too powerful from letter R to S. Best of luck with the performance!

    Estimated dispatch 5-14 working days

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  • £44.95

    SYMPHONIC RHAPSODY FOR EUPHONIUM AND BAND (Brass Band Set) - Edward Gregson

    This is a developed solo in which lyrical and variation elements are contrasted and combine. The theme is an old song 'So we'll roll the old chariot along, and we don't drag on behind'.

    Estimated dispatch 7-14 working days