Results
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£60.00General Series Band Journal August 2014 Numbers 2134-2137
No. 2134 Festival March - Troops Salute (Paul Sharman)Written to mark the retirement of Major John Mott as Bandmaster of the Household Troops Band in 2010, this march features the tunes 'Are you washed?' and 'There's only one flag for me'. No. 2135 Songs of Salvation (Andrew Mackereth)This piece was written for Haaglanden Band in the Netherlands and contains some old Salvation Army Songs; 'Ring the bell, watchman' (T.B. 776), 'Make no delay' (T.B.730), 'Room for Jesus' (T.B. 395), 'Tell me the old, old story' (T.B. 265) and 'Praise God, I'm saved' (T.B. 770).No. 2136 Shepherd's Carol (Dean Jones arr. Kenneth Downie)Originally published in November 1955, this lovely carol was written by father and son, Dean and Henry Goffin, both of whom were Salvation Army officers. Commissioner Sir Dean Goffin was awarded his kinghthood in the Queen's Honours list of 1983No. 2137 On High! (Martin Cordner)Taking its inspiration from the world of rock music, this piece features the song, 'Lord, I lift your name on high'.
Estimated dispatch 7-14 working days
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£60.00General Series Band Journal August 2013 Numbers 2123-2126
No. 2123 Carol Setting - Joy to the world! (Lieut. Colonel Norman Bearcroft)'Joy to the world' is a melody often attributed to Handel, but it is a bringing together of a couple of brief snippets of themes from his oratorio, 'Messiah'. These were put together by Lowell Mason to form the tune, 'Antioch', which we use for this carol. The carol has been arranged in majestic style by Lieut-Colonel Norman Bearcroft.No. 2124 Night of Joy (Andrew Wainwright)'Night of Joy' is based on a traditional Spanish Christmas song entitled 'Cantemos a Maria' ('Let's sing to Mary').No. 2125 Dedication (Dr Kenneth Downie)A setting of Colonel Brindley Boon's beautiful song of dedication, 'I dedicate myself to thee' (Musical Salvationist, November 1950).No. 2126 Cornet Duet - Synergy (Captain Martin Cordner)This piece celebrates the Biblical principle of believers working together in the Body of Christ and incorporates the song with words by Catherine Baird 'We're in Gods Army and we fight together with the composers own melody to Philip Paul Bliss's words 'Whosoever heareth! shout, shout the sound.
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal February 2013 Numbers 402 - 405
No.402 Procession and praise (Andrew Mackereth)Written for an event at Belfast Citadel in November 2011, the tunes included were chosen by the youthful participants themselves!No.403 Suite - Learn, love and Live (Martin Cordner)Written for one of the bands at the 2011 Belfast Temple Music School, the three movements of this suite feature the songs 'Come Fill my cup', 'Such love' and 'Running over' respectively.No.404 Trombone Solo - You can't stop God (Kevin Larsson)Kevin Larsson has take one of his father's tunes and arranged it in the style of a Cuban bolero with the instruction that it is played at 100 beats per minute, or slower!No.405 March - The King's people (Trevor Davis)This march was written for the 125th anniversary of Loughborough Corps and is based on the song 'Come, people of the risen King' which was a particular favourite of the corps.
Estimated dispatch 7-14 working days
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£44.95Joy Through the Ages (Brass Band - Score and Parts)
This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.
Estimated dispatch 7-14 working days
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£100.00And When the River Told (Brass Band - Score and Parts)
And When the River Told was commissioned by the Scottish Brass Band Association for the Scottish Open Championship, held on 20th November 2012 at the Perth Concert Hall. This colourful work takes one of Scotlands great rivers, the Tay, as its subject. Suitable for Championship Section Bands. Duration: 13.00
Estimated dispatch 7-14 working days
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£49.99Lock Horns/Rage on (Brass Band - Score and Parts)
Simon Dobsons dynamic and unusual concert march Lock Horns/Rage On was commissioned by the Leyland Band and their conductor Jason Katsikaris, and formed part of their programme for the Brass in Concert Championships, held at The Sage, Gateshead on 15th November 2009. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£94.95Waiting for a Pain Hit!??!!? (Brass Band - Score and Parts)
Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations to the tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??! I DON'T KNOW!!! I just like the rhythms, the pulse and the imagery. Hopefully, all of this can help to create a picture. But let it be your picture...- Paul McGhee, June 2010
Estimated dispatch 7-14 working days
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£106.99Manhattan (Cornet Solo with Brass Band - Score and Parts)
Cornet or Trumpet Solo with Brass BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Each movement can also be played individually when a shorter solo is required.Duration: 9:30
Estimated dispatch 7-14 working days
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£34.95Aristotles Air (Brass Band - Score and Parts)
The Ancient Greeks believed that there were four elements that everything was made up of: earth, water, air and fire. This theory was suggested around 450 BC, and was later supported and added to by Aristotle. The idea that these four elements - earth, water, air and fire - made up all matter was the cornerstone of philosophy, science, and medicine for two thousand years.Air was considered a pure element, but in fact the air that's all around us is made up of a variety of gasses. Of course, in music, air has a different meaning; a beautiful song-like melody or tune and Aristotle's Air is just that.The work was commissioned by and written for The Cory Band as part of their winning 2015 Brass in Concert programme The Four Elements of the Universe, being premiered at the contest at The Sage, Gateshead, on 15th November 2015. The work was awarded the Cyril Beere Memorial Trophy for the Best New Composition or Arrangement.
Estimated dispatch 7-14 working days
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£34.95
Sprites and Flares (Brass Band - Score and Parts)
Sprites and Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature.The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords.The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.
Estimated dispatch 7-14 working days