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  • £56.00

    ENGLISH PASTORALE (Brass Band Set) - Jones, Dean

    2015 National Championships Regional Testpiece - 4th Section. Score and Parts. This piece realises a long-time ambition of the composer to write a descriptive piece in a pastorale style. The idea of depicting the seasons and reflecting some of the grandeur of the English scenery proved an inspiring source to write this 4 movement piece. After the dignified initial theme Heralding the Dawn is established, the piece moves naturally into Autumn on the Plaines, a light, joyful scene. Winter in the Dales has a more mysterious and contains a somewhat darker feel in the minor key while Spring on the Lakes is a flowing, scenic movement. Summer on the Quays starts with some exciting fanfare-like qualities initially from the Cornets and Trombones, but then extra impetus is provided from the whole band. The music moves then into a dynamic and resounding conclusion. Duration: 11:40

    Estimated dispatch 7-14 working days

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  • £79.95

    Introduction, Elegy and Caprice (Brass Band - Score and Parts) - Calvert, Morley

    This work was written by Morley Calvert, the Canadian composer, especially for the first European Brass Band Championships held in 1978.The piece consists of three contrasting movements. The Introduction opens with a slow, mysterious figure after the first fanfare-like unison notes. This leads to the main section, a quick 'one-in-a-bar' movement centred around a persistent figure.The Elegy opens with an unaccompanied Euphonium solo, which is then passed through to horn, cornet, and basses in the manner of a passacaglia. This is broken and then the movement fragments.After the tension of the Elegy, the Caprice provides much needed relief: a spritely dance, very rhythmical in character, the theme of which is thrown around the band with great abandon.

    Estimated dispatch 7-14 working days

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  • £39.95

    Introduction, Elegy and Caprice (Brass Band - Score only) - Calvert, Morley

    This work was written by Morley Calvert, the Canadian composer, especially for the first European Brass Band Championships held in 1978.The piece consists of three contrasting movements. The Introduction opens with a slow, mysterious figure after the first fanfare-like unison notes. This leads to the main section, a quick 'one-in-a-bar' movement centred around a persistent figure.The Elegy opens with an unaccompanied Euphonium solo, which is then passed through to horn, cornet, and basses in the manner of a passacaglia. This is broken and then the movement fragments.After the tension of the Elegy, the Caprice provides much needed relief: a spritely dance, very rhythmical in character, the theme of which is thrown around the band with great abandon.

    Estimated dispatch 7-14 working days

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  • £76.99

    Music for Cinema (Brass Band - Score and Parts)

    In Music for Cinema Bertrand Moren pays tribute to film music, a genre he has particularly passion for. The work opens with a sonorous introduction which gradually leads into the central passage which alternates between discordant plaintive lines and expressive and passionate solo phrases. A mysterious and tense bridge passage brings a feeling of fear which leads into the finale in which the opening melodic line returns over perky and joyful rhythms. 05:00

    Estimated dispatch 7-14 working days
  • £84.95

    Purcell Variants (Brass Band - Score and Parts) - Meechan, Peter

    Purcell Variants is based on Purcell's Queen Mary's Funeral Music, which consists of four canzonas (for brass), two elegies and an anthem.The first movement begins by sounding some of Purcell's original music in the trombones, underpinned by a timpani roll with the cornets articulating the beginnings and endings of the phrases. This leads into a cadenza for cornet and horn before the movement heads in different directions, leading us to its mysterious end, where the original music is sounded this time in the 'stabs' of the muted cornets.Originally composed for the funeral of Queen Mary in 1695, Purcell's original funeral music was used later that same year for Purcell's own funeral - he died aged only 34. The second movement is an elegy, inspired by this story. After an introduction (started by cornets sounding a last post), the main melody of the movement is introduced by the solo euphonium, with other solo roles for an off-stage soprano cornet, and trombone. This is then taken over by the cornets who lead us into the middle section of the movement. This is a quasi-funeral march, inspired by the image of Purcell's coffin being taken to its final resting point. The main melody returns in the euphonium, flugel horn and soprano cornet, this time more elaborated. The movement ends with a snare drum fading away - perhaps a metaphor. The Finale is a fast and furious movement combining thematic material from the two previous movements with new rhythmical ideas. This takes us through to the final passage - the triumphant return of Purcell's original theme.Duration: 13.00

    Estimated dispatch 7-14 working days
  • £69.95

    Concerto for Horn (Horn Solo with Brass Band - Score and Parts) - Gregson, Edward

    Horn in F with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a light-hearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.Duration: 18.00

    Estimated dispatch 7-14 working days

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