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  • £80.00

    From the Sea - Geert Jan Kroon

    From the Sea is a three-part work with the theme of land reclamation. The first part (The New Land) expresses the feelings of expectation and tension that come with the brand-new land. The second part (The Old Sea) is a nostalgic look back at the (old) sea. A sea that was sometimes turbulent, but also a source of life. The third part (The Future Land) captures the joy of living on the new land up to the present day. The work was commissioned by the joint music associations of the Noordoostpolder.

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  • £44.95

    JOY THROUGH THE AGES (Brass Band Set) - Howard Evans

    This work was written for the 125th anniversary of Boscombe Band, celebrated in November 2011, and is the title track of the band' album released in the same year. The music is celebratory in nature and is dedicated to all those who have served in the band during its 125 year history. The theme of the work is a song by Charles Hutchison Gabriel which was the favourite of the band's librarian, Gerald Whittingham, who was 'promoted to Glory' after a long battle with a brain tumour. The title comes from the last verse, 'When with the ransomed in Glory, his face I at last shall see, 'twill be my joy through the ages, to sing of his love for me'.

    Estimated dispatch 7-14 working days
  • £34.95

    HIGH COUNCIL, The (Brass Band Set) - Ray Steadman-Allen

    This march was written at the request of the then Chief of the Staff, Commissioner Arnold Brown for the welcome meeting of the 1974 High Council, a gathering of The Salvation Army's top leaders from around the world who meet to elect a new General. The scintillating music is filled with many wonderful and surprising shifts of key, rhythm and instrumental colour. Evangeline Booth's song 'The world for God' provides the international reference while at the trio's peak, the composer joins three tunes in impressive counterpoint; 'We're the Army' (cornets), 'A Robe of White' (horns and baritones) and 'Bound for Canaan's Shore' (trombones). The march ends with a dazzling shift into triple time and an impressive molto allargando codetta.

    Estimated dispatch 7-14 working days
  • £29.95

    BEFORE THE CROSS (Cornet Solo with Brass Band Set) - Edward Gregson

    Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.

    Estimated dispatch 7-14 working days
  • £44.95

    PRAISE TO THE LORD (Brass Band Set) - Andrew Mackereth

    Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.

    Estimated dispatch 7-14 working days
  • £29.95

    PILGRIM WAY, The (Brass Band Set) - Eric Ball

    Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.

    Estimated dispatch 7-14 working days
  • £59.95

    PLANTAGENETS, The (Brass Band Set) - Edward Gregson

    The Plantagenets was composed for the Championship Section of the Regional contests of the National Brass Band Championships of Great Britain 1973. The work is not intended to be programme music but rather it tries to portray the mood and feelings of an age, that of the House of Plantagenet, which lasted from the middle of the 12th century to the end of the 14th century. To many, it conjures up an Age of Chivalry and this is represented by fanfare motifs which occur throughout the work in varied form. The opening thematic figure, rising through the band in thirds and followed by the fanfares, is important as nearly all the subsequent material is based upon it. There follows two themes, the second of which is lyrical and introduced by horns. In the long, slow middle section, a new theme is introduced by a solo horn (recurring on cornet and euphonium in canon) and is developed at some length. A lively fugato scherzino, however, leads to a recapitulation of the opening section music and the work ends with a maestoso statement of the slow movement theme. A final reference to the fanfares ends the work.

    Estimated dispatch 7-14 working days
  • £40.00

    Legends of Cyfarthfa - Matthew Hall

    Legends of CyfarthfaCombining the music of Joseph Parry and the legendary Cyfarthfa Band, Legends of Cyfarthfa is a technically challenging but musically rewarding concert work. Robert Crawshay owned the Cyfarthfa Ironworks in South Wales creating a business empire second to none.Cyfarthfa Castle was built by Crawshay as the family home from the income made via the ironworks. He wanted his own private band to play under the name of the ironworks with the best players in the world, playing on the highest quality instruments at the time. Employing the band members under the guise of iron workers, the Cyfarthfa Band was made up of virtuoso players, performing for the pleasure of the Crawshay dynasty.This virtuosity can be heard in some of the more technically challenging sections of Legends of Cyfarthfa. Joseph Parry was born in Cyfarthfa.He composed the first piece of music specifically written for brass band called Tydfil Overture for the Cyfarthfa Band, alongside many other memorable works for other instrumentation.Legends of Cyfarthfa incorporates many of Parry's works including his opera Blodwen, hymn tune Aberystwyth, folk melody Myfanwy and the Tydfil Overture, alongside many other melodies from Wales. Sospanfach, Men of Harlech, Lisa Lan and Calon Lan are just a number of the melodies that are used in this composition.The premiere performance was given by Tredegar Town Band under the direction of Ian Porthouse at the 2010 Brass in Concert Championships where it was awarded the Cyril Beere Memorial Trophy for Best New Composition or Arrangement.https://matthew-hall.co.uk/wp-content/uploads/2014/08/05-Legends-Of-Cyfarthfa.mp3Legends of Cyfarthfa

    Estimated dispatch 5-7 working days
  • £45.00

    Finale to Act I of Tosca - Puccini, G - Harper, P

    The spectacular Te Deum from the Finale to Act I of Tosca, it begins quietly with the tolling bell as worshippers gather for Mass. The euphonium plays the part of the villainous Scarpia as the music gathers strength. Finally the doors of the church are thrown open and the glorious Te Deum fills the hallowed space.Featured on the CD Cory in Concert Volume V.1st SectionDuration 5 minsListen to Cory BandCourtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Out of Africa - Barry, J - Barry, D

    The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was - director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. This romantic film is marked by its many breathtaking views of unspoiled African landscapes. John Barry's main title theme masterfully captures the moods and feels of the film. A terrific arrangement by his namesake!4th section +

    In Stock: Estimated dispatch 1-3 working days

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