Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 1000 matches for your search. Order by

Results

  • £19.95

    Red Priest (Brass Band - Study Score)

    Concerto After VivaldiDuring his lifetime, Antonio Vivaldi was known as 'il Prete Rosso', the Red Priest, thanks to his youthful ordination and his flaming red hair. The son of a violinist at San Marco in Venice, Vivaldi's musical pedigree was impeccable and an excellent start to his career was coupled with astounding energy and productivity. His vast output of concerti grossi, using soloists in groups, inspired this composition and performers may choose appropriate stage positions for the various groupings of cornets and trombones, spaced around the performance area. The score quotes freely from some of Vivaldi's most popular compositions, including 'Winter' from The Four Seasons, the motet Nisi Dominus, the famous Gloria and the fugue from the Concerto grosso in D minor found in L'Estro Armonico.However, it is the musical spirit of Vivaldi, a close contemporary of both Handel and Casanova, that inspired this music, which should be played with a mixture of accuracy and abandoned virtuosity. The musical images in this piece have clear associations in the composer's mind with individual Venetian locations, ranging from bustling street scenes to vaulted interiors, and describing the famous journey down the Grand Canal, past the Doge's Palace, to the Ospedale della Pieta where Vivaldi worked for so many years.Duration: 14.00

    Estimated dispatch 7-14 working days
  • £77.00

    General Series Brass Band Journal, Numbers 2265 - 2268, April 2026

    2265: Holy God, we praise your name (Micael Dikantsa)This bolero introduces composer Micael Dikantsa of the Amriswil Corps, Switzerland, and is based on the hymn Holy God, We Praise Your Name (Grosser Gott, wir loben dich). Set in the traditional slow, dramatic bolero style, the work builds steadily from a distinctive percussion figure as the melody passes through different instrumental groups. With its growing intensity and rich scoring, this piece offers an engaging and atmospheric addition to concert programmes.2266: Tell the story (Barrie Gott)This work continues the Swing series that began nearly 40 years ago with Light'Walk. After a bold introduction, the melody unfolds through unison and close'harmony writing, leading to a Flugel Horn solo with scope for improvisation. The well'known hymn I Love to Tell the Story is heard in a New Orleans style before a modulation launches an energetic shout chorus and lively coda. Smooth, relaxed swing style is key throughout.2267: The old rugged cross (Erik Leidzn)This arrangement by Erik Leidzn is an early and lesser'known setting of a well'loved hymn, rediscovered during research into his work. Edited from a rare score found in the USA East Music Department archives, it demonstrates Leidzn's economical and effective style, creating a practical and expressive arrangement at a time when concise, serviceable hymn settings were greatly needed.2268: Heaven came down! (Michael Cooper)Inspired by William Booth's famous challenge to use contemporary styles for sacred purpose, this piece blends high'energy jazz'fusion big'band writing with a joyful gospel hymn. Driven by rhythm, syncopation and precision, the music proclaims its message of transformation and spiritual joy with vitality, clarity and infectious swing.

    Estimated dispatch 7-14 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1387 - 1391, July 2026

    1387: March - Temple Foundations (Stephen Gibson)This march was composed for the Newcastle City Temple Band for the official opening of their new church buildings. It features several musical references (Showers of blessing (T.B. 411), I would be thy holy temple (S.A.S.B. 591), Come, ye thankful people, come (S.A.S.B. 9), All the promises of God are sure (S.A.S.B. 893) and Count your blessings (T.B. 183)), opening with the announcement that 'With timbrel and drum, and with flags they come' (N.S.Y.P. January 1977) to commence worship and witness in a new area of the city.1388: Holy Forever (arr. Marcus Venables)This is an arrangement of the popular worship song, written by Brian Johnson, Chris Tomlin, Jason Ingram, Jenn Johnson and Phil Wickham.1389: Goodness of God (arr. Paul Sharman) This is an arrangement of the well-known worship song, written by Ben Fielding, Brian Johnson, Ed Cash, Jason Ingram and Jenn Johnson.1390: The first Nowell (Noel Jones)This is an arrangement of the beautiful carol The first Nowell (C.C. 86). It commences with the motif 'Born is the King' which which is referenced throughout the work and the finishes with the spirited 'Nowell, Nowell, Nowell, Nowell, Born is the King of Israel'.1391: Gloria a Dios (Ian Clarke)Translated into English, the Spanish phrase 'Gloria a Dios' means 'Glory to God'. The style of this music has its roots in the small musical combinations that entertain the crowds in some Latin American towns and villages (many of which are Spanish speaking, hence the title). Once a melodic idea had taken hold, the chorus Jesus saves me now! (S.A.S.B. 478) seemed to fit perfectly, the words and the music complementing each other in this testament of praise.

    Estimated dispatch 7-14 working days
  • £102.99

    Lake of the Moon (Brass Band - Score and Parts)

    3rd Section Test Piece 2016 National Finals of the British Brass Band Championship.The travels of the Aztec people as they headed south through North America looking for a new home, acted as the inspiration for Lake of the Moon. The composition contains small fragments of Oriental music and South American rhythms and occasionally, Russian Cossacks seem to raise their heads. The journey from North to South is not without danger, which is represented by threatening sounds within the music. In the Adagio divoto the composer takes us along to the Texcoco Lake, which the Aztecs called the lake of the moon. Bring a little bit of South American history to your concert with Lake of the Moon.Duration: 11:15

    Estimated dispatch 7-14 working days
  • £99.95

    Breath of Souls (Brass Band - Score and Parts)

    Breath of Souls was commissioned by Weyland and Yvonne Roberts. It was composed especially for the 100th National Brass band Championships of Great Britain at the Royal Albert hall on October 15th 2011.Weyland has worked in science for many years and has always been fascinated by nature's capacity to grow and rebuild regardless of Mother Nature's catastrophic power. This is evident with the news of tsunami, forest fires, earthquakes and volcanic disasters around the world where animals, plant life and humans have overcome adversity and have demonstrated that unique regenerative quality.Speaking about the piece composer Paul Lovatt-Cooper commented: "With Breath of Souls I wanted to compose a piece of music that was a celebration of life. Not only that, but a piece of music that from the very first notes heard in the percussion and cornets, is bustling with activity, emulating that in life everything that is living has a soul and breathes - nothing stays still and everything keeps moving and growing.Just like life itself Breath of Souls also grows musically with each bar. You will hear many and various motifs and ideas grow and develop as the piece develops."

    Estimated dispatch 7-14 working days
  • £15.00

    Breath of Souls (Brass Band - Study Score)

    Breath of Souls was commissioned by Weyland and Yvonne Roberts. It was composed especially for the 100th National Brass band Championships of Great Britain at the Royal Albert hall on October 15th 2011.Weyland has worked in science for many years and has always been fascinated by nature's capacity to grow and rebuild regardless of Mother Nature's catastrophic power. This is evident with the news of tsunami, forest fires, earthquakes and volcanic disasters around the world where animals, plant life and humans have overcome adversity and have demonstrated that unique regenerative quality.Speaking about the piece composer Paul Lovatt-Cooper commented: "With Breath of Souls I wanted to compose a piece of music that was a celebration of life. Not only that, but a piece of music that from the very first notes heard in the percussion and cornets, is bustling with activity, emulating that in life everything that is living has a soul and breathes - nothing stays still and everything keeps moving and growing.Just like life itself Breath of Souls also grows musically with each bar. You will hear many and various motifs and ideas grow and develop as the piece develops."

    Estimated dispatch 7-14 working days
  • £44.95

    CALL OF THE RIGHTEOUS, The (Brass Band Set) - Leslie Condon

    The classic Leslie Condon 'Tone Poem', originally written for Tottenham (now Enfield) Citadel Band in the mid 1960's. Based on the old gospel tune 'When the roll is called up yonder', this music became a blueprint of style copied by countless others since. Also featured on Celebration by Croydon Citadel Band.

    Estimated dispatch 7-14 working days
  • £29.95

    INVINCIBLE ARMY, The (Brass Band Set) - Erik Leidzen

    When the New York Staff Band toured England in 1960 they featured much new music written for them by Erik Leidzen, including this march. The trio section is in the unusual key (brass band pitch) of Db major, a major third away from the opening key of F major, rather than the more predictable subdominant of Bb major. This presents a technical and mental challenge to the players but provides a particularly brilliant sonority when played in tune!

    Estimated dispatch 7-14 working days
  • £44.95

    PRAISE TO THE LORD (Brass Band Set) - Andrew Mackereth

    Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.

    Estimated dispatch 7-14 working days
  • £95.00

    Tenor Horn Concerto 'Three Gods' (Tenor Horn Solo with Brass Band - Score and Parts)

    Edward Gregson's Tenor Horn Concerto (Three Gods) was commissioned by the Belgian tenor horn soloist Tim de Maeseneer for a recording of commissioned works he made in 2024 with his own band, Brass Band Willebroek.The subtitle of 'Three Gods' refers to three mythological Greek Gods: Zeus, Hermes and Apollo. The idea for this came from Gregson's Viola Concerto, which he composed in 2023 and which was similarly subtitled 'Three Goddesses'. Indeed, the first movement of the horn concerto shares some common material with the viola concerto, although the other movements are newly composed.The concerto exploits the noble character of the horn, but the writing is also virtuosic in character as well as lyrical and melodic, demanding an extended playing range of nearly four octaves with a variety of colouration in its sonorities. The unifying motif of the whole concerto is the interval of a rising 5th, heard at the outset. The opening also has some other surprises (both seen and heard).The musical ideas, cast in three separate movements, take their starting point from the characters of the Three Gods in the title:Zeus, ruled as King of the Gods on Mount Olympus, and was the God of Thunder and Lightning and of War. His music is often threatening and violent, but also has a more tender side as portrayed in the lyrical second subject. However, the dominant mood is one of foreboding.Hermes was the great messenger to the Gods who could travel between realms on his winged sandals. Thus, his music is fast, fleet of foot, and mercurial - a dashing scherzo, but with lyrical and expressive moments.Apollo, the God of Music and Dance (and the Sun), symbolises virtue and beauty. This final movement, 'Hymn to Apollo', is mainly slow and hymn-like and cast in a continuous stream of melody passed between soloist and band. Brief fanfares herald a triumphant march, before the music returns to its quiet opening, gradually rising to a triumphant climax with glittering melodic percussion leading the way. The music ends in a blaze of glory!Duration: 17.00

    Estimated dispatch 7-14 working days