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  • £21.50

    A Quiet Moment - Darrol Barry

    There is a place in every concert programme for a piece of music that allows both the band and audience a moment to reflect. This composition by Darrol Barry is suitable for all bands and will make a perfect addition to your repertoire as bands look to commemorate the several anniversaries taking place over the next few years in relation to WWI and WWII. A lovely moving work that makes a great alternative to a hymn tune.

    In stock: Estimated delivery 1-2 days

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  • £48.00

    This is the Moment - Cornet Solo

    This is the Moment' is a hit song from the musical 'Jekyll & Hyde' - a show loosely based on the novella 'The Strange Case of Dr Jekyll and Mr Hyde'. 'This is the Moment' is sung by Jekyll before he tests the transforming formula on himself in his laboratory. Famous covers of the song include that by The Moody Blues on their official compilation album for the 1994 FIFA World Cup. A Cornet Solo version of the anthem song from Jekyll and Hyde by Frank Wildhorn. A band version of this is also available from us. Please make sure you order the version you need

    In stock: Estimated delivery 1-2 days
  • £48.00

    This is the Moment

    'This is the Moment' is a hit song from the musical 'Jekyll & Hyde' - a show loosely based on the novella 'The Strange Case of Dr Jekyll and Mr Hyde'. 'This is the Moment' is sung by Jekyll before he tests the transforming formula on himself in his laboratory. Famous covers of the song include that by The Moody Blues on their official compilation album for the 1994 FIFA World Cup.

    In stock: Estimated delivery 1-2 days
  • £63.00

    In a Quiet Moment - Kevin Van Giel

    In a Quiet Moment - Kevin Van Giel - 3'40'' - BVT019 EUPHONIUM OR BARITONE SOLO Quiet euphonium (or baritone) solo by the young Belgian composer Kevin Van Giel, written for the birthday of a good friend. It's a simple ballad based on only four chords, its beauty is in the simplicity.

    Estimated delivery 10-14 days

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  • £30.00

    Love Unknown - John Ireland

    This is a beautiful setting of a John Ireland favourite (Ireland composed the melody over lunch one day at the suggestion of organist and fellow-composer Geoffrey Shaw).The arrangement offers a tranquil moment for a concert programme, using a mixture of light and heavier scoring to bring the melody to life.The final verse pulls together the full band sound and then concludes with a reduced ensemble to produce a moment of peace and reflection in the performance.

    Estimated delivery 12-14 days
  • £33.00

    Mickey Mouse March - Jimmie Dodd

    The Mickey Mouse March goes back to the early 20's, but almost everybody knows it, whether you're 8 years old or 80 years old! This fresh arrangement was made by Philip Sparke and is a funny and joyful moment for your next concert!

    Estimated delivery 10-14 days

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  • £19.50

    Song Without Words - Max Stannard

    This sublimely simple piece is the perfect choice of solo for bands looking to add a special moment to their concerts. With parts not too demanding, this solo would suit up and coming cornet players that would like the chance to fulfil their moment in the spotlight. The gentle ballad flow of the work would work well at any concert occasion and is open to youth bands as well as more seasoned senior bands.

    In stock: Estimated delivery 1-2 days

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  • £24.95

    On Winter Hill - Dan Price - -

    Winter Hill is situated in the North West of England within the West Pennine Moors. It is a popular destination for walkers and on a clear day it offers views across Manchester, Liverpool, Blackpool, the Isle of Man, the Cumbrian Mountains and the Peak District. The hill is well named as there is an ever-present blusteriness even during the summer.On Winter Hill is an evocative concert item for solo euphonium and brass band which tells the story of a journey, in music, to the summit of the hill.The work opens with a quiet ostinato on solo cornets which is a musical interpretation of the swirling wind dancing around the peak of the summit. The wind is ever present on the hill and so is the ostinato building in volume and intensity as the journey progresses. The solo line uses modal writing and is fashioned as a ‘folksong without words' and gives work a feeling of melancholy and of ‘days gone by'. Perhaps the listener can imagine looking out from the side of the hill across the valley towards the now silent chimneys of industry.The summit of the hill is finally reached six bars before Figure G, which is the moment you walk into the wall of wind and sound that takes your breath away for a moment, but gives you an immense sense of achievement. The music here should be full and rich giving the soloist a moment to catch their breath. The work closes at the start of the descent from that moment you step off the peak of the hill and you are already back in a different world.

    Estimated delivery 5-7 days
  • £25.00

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £40.00

    Vivo Per Lei - V. Zelli - Stalman Music Services

    A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.

    Estimated delivery 10-14 days