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  • £34.20

    Swing Low (10 Piece Brass Ensemble)

    Parts included for:Part 1: Bb Trumpet or Bb Cornet and Eb Trumpet or Eb CornetPart 2: Bb Trumpet or Bb CornetPart 3: Bb Trumpet or Bb CornetPart 4: Bb Trumpet or Bb Cornet or Flugel HornPart 5: F Horn or Eb HornPart 6: Trombone (BC) or Trombone (TC)Part 7: Trombone (BC) or Trombone (TC)Part 8: Trombone (BC) or Trombone (TC)Part 9: Bass Trombone (BC) or Bass Trombone (TC)Part 10: C Tuba or Eb Bass or Bb BassPercussion

    Estimated dispatch 7-14 working days
  • £19.50

    Swing Low, With Grace

    Estimated dispatch 7-14 working days
  • £70.95

    Mars Hill Fantasia - Eric Ewazen

    Says Ewazen, The work is scored for two combined ensembles ? an 8-part low brass ensemble of trombones, euphoniums, and tubas, and an 8-part percussion ensemble of both mallet and non-pitched percussion instruments. The music contains rich, sonorous, and joyful gestures, with stentorian fanfares, resonant chords, and lyrical melodies. It was given a truly exciting and festive premiere in October 2006 by the combined low brass and percussion ensembles of the music department of Mars Hill.

    Estimated dispatch 5-14 working days
  • £60.99

    The Swan on the Hill - Jan Van der Roost

    This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound, without great virtuosity or complexity, but maintains a good balance between static and dynamic elements.

    Estimated dispatch 5-14 working days

     PDF View Music

  • £30.00

    Roots - Lucy Pankhurst

    Commissioned by Katrina Marzella in 2008, this modern 'duet' for Baritone and Euphonium soloists with brass band accompaniment has been inspired by 'nature and environment' as its primary muse. The music takes the listener through 7 stages of environmental atmosphere, in its combination of sounds and effects. It is a very uplifting work and with the back-story in mind (see programme notes below), it makes for an incredibly effective concert feature.Programme notes from the composer, Lucy Pankhurst:There are 7 main sections in the piece :RainGerminationGrowthTransionSunshineRainstormRestThe work begins with Rain, symbolised by the rainstick and 'rain sounds' in the brass , which allows the themes to germinate. The 'roots' of the music themselves, are firmly established in the tonic (root Eb) and 5ths in the low brass, from which the solo lines eventually grow, using triads and 5ths.During Growth, the solo baritone and euphonium begin with separate melodies which begin to twist around each other (much like tree roots), interlocking to produce harmonies and counterpoint, complimenting one another and firmly keeping the music in Eb major. Muted cornets and trombones continue to play overlapping semiquavers, reflecting the raindrops as they fall from the trees and leaves.A brief interlude, featuring brass sextet drives the music back to its Germination stage - here, named Transion, as it grows once more, evolving into something new. The Sunshine section is a dance. Moving rapidly through different keys, the warm sunlight catches on the dewy foliage, creating dazzling moments of clarity and beauty.However, the change in conditions also lead to brief moments of uncertainty, as the various creatures tentatively reappear from their shelter to bask as the earth is warmed. Birdsong can be heard in the solo lines as the entire band join in the celebrations.The jollity does not last long, however, as a Rainstorm, more violent than the last , ensues - stopping the dance in its tracks. The tam-tam and bass drum signify thunder, crashing into the music abruptly. However, the music still survives and re-emerges from the storm, delicately but securely establishing itself into a new key (C major), before softly concluding with the two soloists in rhythmic unison as the rain subsides and the world is at Rest.

    In Stock: Estimated dispatch 3-5 working days
  • £110.00

    Red Lines (Bra) - Stijn Aertgeerts

    Red Lines was commissioned by the Swiss Army Brass Band and their conductor Philipp Werlen. The title is a reference to their very distinctive black uniforms with Red vertical lines. Switzerland is a country with a tremendously rich brass band culture and have some of the best bands in the world. The individual level of musicians is also of incredibly high quality. The work begins very bombastically with continuous 8th notes. This immediately sets the drive for the entire first movement where the low brass can also show off huge sounds several times. It culminates in a grand tutti before the music calms down in the second movement where the euphonium can show its solistic qualities and the band can show a big difference in dynamics and sound. The final movement is driven by the drums and timpani that provide a solid boost to keep moving the thematic material forward in the band and through the percussion solo a big build-up to a glorious finale.

    Estimated dispatch 7-14 working days
  • £131.00

    Magdalena Bay - Gauthier Dupertuis

    While admiring many masterpieces at the Louvre Museum in Paris, Gauthier Dupertuis' attention was drawn to a less famous painting: Magdalena Bay, by French painter Francois-Auguste Biard (1799-1882).The work depicts a magnificent snowy landscape on the Norwegian island of Spitsbergen. However, in the foreground, the presence of the wreckage of a ship, bodies covered in snow and a visibly dying character make us understand that tragic events took place there. Thus, a strong contrast is formed between death and the sublime, between the desolation of the survivors of the shipwreck and the magnificence of the landscape. When we look in more detail at the painting, we notice that footprints have been made in the snow: so, could someone have gone to get help? This little glimmer of hope makes the picture even more touching. In this work, Gauthier Dupertuis tried to describe the different elements of the painting, using contrasting sections and dissonances (in particular, the conflict between the minor and the major) to convey the duality between death and the sublime. The work also attempts to highlight a wide palette of orchestral colors, from the most shimmering lines to the darkest low brass colours. In 2024, Magdalena Bay was awarded the first Prize as well as the band Prize at the 9th European Composition Competition for Brass Band, which was held in Palanga (LT). It was premiered on May 2, 2024 by The Cory Band, conducted by Philip Harper.

    Estimated dispatch 5-14 working days
  • £54.99

    Festive - Bertrand Moren

    Bertrand Moren originally composed this march for the brass band Concordia of Bagnes in Switzerland, of which he is the conductor. Festive develops a sparkling and playful melodic line over a strong theme in the low brass section. This version for concert band is full of vitality and will bring a touch of liveliness to any concert. Festive is also suitable for an outdoor performance.

    Estimated dispatch 5-14 working days
  • £14.94

    Down by the Riverside (Trombone Solo with Piano) arr. Thomas Hulten

    This arrangement by Thomas Hulten of the beloved spiritual Down by the Riverside was born out of a special request from a Danish friend of the arranger - a bass trombonist - who wanted a solo piece to perform alongside his pianist wife at their local Salvation Army corps. Long familiar to traditional jazz players, the tune is often passed around informally, shaped by the spirit of the moment. But here, at last, it has found its way onto the page. Set in a relaxed swing style, this version invites performers to settle into a steady, unhurried groove. While arranged for both tenor and bass trombone, the piece is flexible enough to be played on a wide range of low brass and wind instruments - baritone, euphonium, tuba, sousaphone, serpent, ophicleide, bass sackbut, contrabassoon - whatever is at hand. Whether you're playing in a recital hall or a Sunday service, Down by the Riverside brings warmth, charm, and a touch of New Orleans tradition to any setting. To view a video of Thomas Hulten performing the solo please visit www.youtube.com/watch?v=frmdvfOFkyI Duration: approx. 3.00 minutes PDF download includes solo parts for trombone in bass clef and Bb treble clef, and piano accompaniment. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA)

    In Stock: Estimated dispatch 1-3 working days
  • £14.94

    Down by the Riverside (Bass Trombone Solo with Piano) arr. Thomas Hulten

    This arrangement by Thomas Hulten of the beloved spiritual Down by the Riverside was born out of a special request from a Danish friend of the arranger - a bass trombonist - who wanted a solo piece to perform alongside his pianist wife at their local Salvation Army corps. Long familiar to traditional jazz players, the tune is often passed around informally, shaped by the spirit of the moment. But here, at last, it has found its way onto the page. Set in a relaxed swing style, this version invites performers to settle into a steady, unhurried groove. While arranged for both tenor and bass trombone, the piece is flexible enough to be played on a wide range of low brass and wind instruments - baritone, euphonium, tuba, sousaphone, serpent, ophicleide, bass sackbut, contrabassoon - whatever is at hand. Whether you're playing in a recital hall or a Sunday service, Down by the Riverside brings warmth, charm, and a touch of New Orleans tradition to any setting. To view a video of Thomas Hulten performing the solo please visit www.youtube.com/watch?v=frmdvfOFkyI Duration: approx. 3.00 minutes PDF download includes solo part and piano accompaniment. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA)

    In Stock: Estimated dispatch 1-3 working days