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  • £59.99

    David of the White Rock - Philip Sparke

    This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for brass band retains all the beauty and simplicity of the original.

    Estimated dispatch 5-14 working days

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  • £111.70

    Himlen i min famn - Carola HÀggkvist - Reid Gilje

    "Heaven in My Arms" is a beautiful melody by Carola Haggkvist with lyrics by Erik Hillestad.This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.To the conductor:Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.Staccato effects in cornets and marimba are intended as pizzicato effects and must be phrased. Not too static.The tutti section at 72 can be energetic with intense lines. Maybe a little piu mosso as well. Think big and orchestral with good resonance and timbre.- Reid Gilje -

    Estimated dispatch 5-14 working days

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  • £105.00

    Handel in the Band - Kenneth Downie

    Handel in the Band is a virtuoso set of symphonic variations on one of Handel's best known keyboard dances, the Sarabande from his Suite in D minor, HWV 437, based on the Spanish traditional dance La Folia. Kenneth Downie's work was commissioned by Brass Band Treize Etoiles, for performance at the 2013 Swiss National Brass Band Championships, where it was conducted by James Gourlay. The title is a reference to Percy Grainger's popular Handel in the Strand, and is indicative of the witty and theatrical nature of the music, which is more playful than conventional competition pieces and as such offers different challenges to brass bands as well as beingthoroughly entertaining for audiences. Kenneth Downie is one of the most respected and experienced brass band composers. His music has been widely performed and published throughout the brass band world since the 1960s.

    Estimated dispatch 5-14 working days

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  • £105.20

    How Far I'll Go (From "Vaiana") - Lin-Manuel Miranda - Haakon Esplo

    Walt Disney Pictures movie Vaiana from 2016 tells the story of Vaiana, the strong-willed daughter of the master in a Polynesian tribe. She is elected by the sea to reunite a mysterious relic with a goddess. When a disease affects the island she lives on, Vaiana set sails searching for Maui, a legendary demigod. Her goal is to save her people. The great theme song from the movie, How far I'll go, is magnificent and original and has elements of folk music. The song is nominated for Oscar in the Best original song-category. The modulation in this arrangement is re-written a semitone to make it fit our Young Band Entertainment-series.

    Estimated dispatch 5-14 working days

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  • £76.99

    Variations on Shalom Chaverim - Andreas Ludwig Schulte

    Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.'Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!).

    Estimated dispatch 5-14 working days

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  • £228.70

    Festive Fireworks - Fredrick Schjelderup

    Festive Fireworks is written in three movements: I. Festivitas, II. Fantasia & III. Fireworks. The piece is based on two different tunes, both presented in the first movement, "Festivitas". II. Fantasia is written as a calm fantasy on the two themes. It includes melodic lines, percussion effects and finish off with cadenza's for Solo Cornet, Solo Horn, Euphonium and Eb Bass. III. Fireworks is a quick movement with lots of energy combined with technique and melodic lines. Elements of the first and second movement is presented and mixed together for a great finale. To the conductor: "I. Festivitas" can also be used as a concert opener or finale and has two differentendings for concert use or contests (by using all the three movements).

    Estimated dispatch 5-14 working days

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  • £154.99

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tuttipassages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated dispatch 5-14 working days

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  • £152.99

    Between the Two Rivers - Philip Sparke

    Between the Two Rivers was commissioned by Fanfare 'Prins Hendrik', from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work inmodern brass band repertoire.

    Estimated dispatch 5-14 working days

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  • £69.99

    Fanitullen - O. Olsen - Tom Brevik

    Fanitullen is a lively, beautiful 'Sl?tt', i.e. an old Norwegian melody which is played on a traditional 'Hardingfele' (Hardanger fiddle).Because of its violent rhythm and exciting character, playing a Fanitullen for a long time was considered improper. It was believed that a person playing this melody would come under the influence of the devil. Therefore, Fanitullen could be regarded as a kind of Rock'n Roll from the 18th century.Tom Brevik's adaptation is based on a composition for piano by Ole Olsen (1850-1927) Fanitullen is een levendige, mooie 'Sl?tt', een oude Noorse melodie die gespeeld word op een traditionele 'Hardingfele' (Hardanger viool).Door de heftigeritmiek en het opzwepende karakter, werd het spelen van een Fanitullen gedurende lange tijd als niet kies beschouwd. Er zouden invloeden van de duivel in schuilen. Fanitullen zou daarom misschien wel als een soort Rock'n Roll van de 18e eeuw gezien kunnen worden.De bewerking van Tom Brevik is gebaseerd op een compositie voor piano van Ole Olsen (1850-1927)

    Estimated dispatch 5-14 working days
  • £379.99

    Tranquil Abiding - Paul Mealor

    An 18-minute work for brass band, written for the world renowned Foden's Band. This is a melodic work divided into three movements. All sections of the band are featured with solo parts. Each movement is headed by a line from a poem by James Agee, the American novelist and poet. 'Tranquil Abiding', often referred to as 'Shamatha' in Buddhist traditions, signifies a state of peaceful and calm mental stillness, achieved through focused meditation, where the mind rests peacefully and without agitation."The term has always resonated with me particularly during my long, regular walks into, around and along the amazingly beautiful woodlands, mountains and streams of North Wales at night lit only by the stars. It's during these walks that my meditative focus is at its most emotive and I am at one with the 'it' that surrounds us", says Paul Mealor. "Often on these walks and meditations I am reminded of the American poet, James Agee's pantheistic vision of the natural world and the stars above, 'Sure on this Shining Night' which conjures a serene and harmonious image of a summer night, illuminated by celestial bodies and bathed in kindness. The poem evokes a sense of peace and tranquillity as nature heals and the earth is rejuvenated".

    Estimated dispatch 5-14 working days