Results
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£34.95Chalk Farm No. 2 (Brass Band - Score and Parts)
In 1909, The Salvation Army published a march called 'Chalk Farm'. 'Chalk Farm No. 2' was written to commemorate the centenary of the birth of Bandmaster Punchard, Bandmaster to Chalk Farm band for 50 years. The tune 'March on, we shall win the day' is common to both marches. The later march is symphonic rather than processional, including as it does irregular bars of 5 and 7 beats.
Estimated dispatch 7-14 working days
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£25.00March - Spirit of Victory
Andrea Price Composed in 2004 for the 'Mouthpiece.com March Competition,' Spirit of Victory is a light-hearted concert march that takes influence from marches within the Salvation Army catalogue. It's tuneful nature and approachable scoring makes it accessible for confident Junior Bands, Fourth Section and above, offering an alternative choice to the traditional classics. Duration : 00:03:30 Grade : 2.5/3
Estimated dispatch 5-7 working days
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£29.95March: Salisbury Plain - Jonathan Bates
DURATION: 4'30". DIFFICULTY: 2nd+. 'Salisbury Plain' is a march composed for the British Army Band Tidworth as a leaving gift from their Euphonium player LCpl Lucas Lockley. The title is inspired by the vast historic land near to Tidworth's base and notably one of the most iconic iconic landmarks in Great Britain - Stonehenge - which sits upon the plain.
In Stock: Estimated dispatch 1-3 working days
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£75.00
Bethel Street (Bra) - Andi Cook
A lovely street march which the composer wrote for his old band - Yorkshire Co-op band. Bethel street is the street in Brighouse where the annual march contest takes place and is also where William Booth (founder of the salvation army) was minister for two years.
Estimated dispatch 7-14 working days
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£44.95
LYRIC VARIATIONS (Euphonium Solo with Brass Band Set) - Ray Steadman-Allen
This solo was written at the request of Stephen Cobb and was premiered by Derick Kane with The International Staff Band of The Salvation Army in 1999. The theme, commonly known as 'Lord of the Dance', is followed by four variations (waltz, soft shoe, brillante, lento) and a blistering finale!
Estimated dispatch 7-14 working days
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£29.95Hold That Fort! (Brass Band - Score and Parts) - Creamer, Sam
This piece infuses a well-known Salvation Army tune, Hold the fort with the contemporary funk, hip-hop and R 'n' B styles used in popular music from the 1970s into the 2000s.Duration: 3.00
Estimated dispatch 7-14 working days
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£29.95Id' Rather Have Jesus (Cornet Solo with Brass Band - Score and Parts) - Shea, George Beverly - Himes, William
The poem, I'd rather have Jesus, was written in 1922 by Rhea Miller with the tune written by George Beverly Shea. This arrangement by William Himes was originally written for William Scarlett, trumpet player with the Chicago Symphony Orchestra and former member of the Chicago Staff Band of The Salvation Army. Duration: 3.15
Estimated dispatch 7-14 working days
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£34.95Glory, Hallelujah (Brass Band - Score and Parts) - Larsson, Kevin
This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me Glory, Hallelujah!'
Estimated dispatch 7-14 working days
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£17.50
Glory, Hallelujah (Brass Band - Score only) - Larsson, Kevin
This bright and fun setting of the classic Salvation Army song 'Glory, Hallelujah!', which first appeared in 1899, stylistically embraces music associated with Hollywood. Behind all the 'razzmatazz', the direct message is always clear: 'The devil and me we don't agree, Glory, Hallelujah! I hate him and he hates me Glory, Hallelujah!'
Estimated dispatch 7-14 working days
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£44.95
Fantasia on 'Glory to his Name' (Brass Band - Score and Parts) - Bright, Dudley
This Fantasia is a celebration of the work of Ray Steadman-Allen. Through most of his 92 years, his music has had a profound and wide-ranging impact on Salvation Army music. Always innovative, rather than stylistically stereotypical, his music has led the way forward for Salvationist composers. As the title suggests, his light-hearted 1960's vocal solo provides thematic material and highlights his motivation. There are also references to and quotations from several more of his pieces. Yet, although much of his music can be challenging, he has also given us music that speaks directly to the heart. His much-loved songs 'He giveth more grace' ('Blacklands') and 'Remember Me' are heard in humble and sincere tribute to a life dedicated to giving the glory to God through his music.
Estimated dispatch 7-14 working days
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