Results
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£44.95Praise to the Lord (Brass Band - Score and Parts) - Mackereth, Andrew
Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.
Estimated dispatch 7-14 working days
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£60.99Tochter Zion (See the Conquering Hero Comes) (Brass Band - Score and Parts) - Handel & Tchaikovsky - De Haan, Jan
Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).Duration: 2:30
Estimated dispatch 7-14 working days
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£45.00Sorcerer's Apprentice, The (Brass Band - Score and Parts) - Dukas, Paul - Littlemore, Phillip
French composer Paul Dukas wrote his symphonic poem, The Sorcerer's Apprentice, between 1896 and 1897. Subtitled 'Scherzo after a ballad by Goethe', the piece was inspired by Goethe's 1797 poem of the same name. By far the most performed and recorded of Dukas' works, perhaps it's most notable appearance was in the Walt Disney animated film Fantasia from 1940, which led to the piece becoming widely known to audiences outside the classical concert hall.. The original orchestral work is some 10 minutes in length, however this brass band transcription has been abridged to create a more manageable 6-minute work, yet retains the urgency, magic and colour of the original. Duration: 6.00?
Estimated dispatch 7-14 working days
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£64.95SOUTH LOOP (on the CTA) (Flugel Horn/Brass Band) - Davoren, Tom
Tom Davoren composed South Loop in 2015 following an annual visit to the city of Chicago,in the Midwest region of the United States of America. It takes its name from a section of the "L", the famous elevated railway which is the lifeblood of the city and its suburbs. The piece tries to capture some of the bustling energy of this Chicago landmark and the 750,000 commuters who use it each day.
Estimated dispatch 7-14 working days
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£119.95Windows of the World (Brass Band - Score and Parts) - Graham, Peter
Commissioned by YBS Band, this is a kaleidoscopic six movement sequel to Cry of the Celts. The work provides solo opportunities for several principal players. Peter Graham takes us first to Latin America, then to Japan and onwards to Saharan Africa. We get a gentle reprieve via a nostalgic hint of the British Isles before we land in the melting pot of all styles, the USA. In this final section the driving swing section is abruptly stopped and a drum cadenza leads us back into the opening Latin music. The movements are: Amazonia; Rainforest; The Rising Sun; Drums of Thunder; Celtic Dream; Earth Walk. Any of the movements can be programmed individually. Some movements are recorded on QPRL215D Master Brass (Volume Thirteen). All movements are recorded on QPRL123D Windows of the World. Total Duration: 20:30.
Estimated dispatch 7-14 working days
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£39.95The Irish Blessing (Score and Parts) - Joyce Eilers Bacak arr. Stephen Bradnum
The Irish Blessing is a celtic gem - the words of the traditional benediction aptly portrayed in music which is both affirming and uplifting. This finely crafted and sensitively scored arrangement provides an excellent training vehicle for bands of all ages, helping to develop dynamic range; integrate solo and tutti, and at the same time enteraining an audience! Perfect for devotional or concert use. The Irish Blessing May the road rise up to meet you. May the wind be always at your back. May the sunshine warm up on your face, The rains fall soft upon your elds. And until we meet again, And until we meet again. May the God that loves us all Hold you in the palm of his hand. Amen, Amen, Amen. Duration: 3 minutes
Estimated dispatch 7-9 working days
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£25.00Ascendit in Coeli (Score only) - Elgar Howarth
Tradition (in the use of hymn-like tunes) and modernism are brought together in this memorial for the composer's father who adored hymn tunes. A fascinating work for the medium which is not as experimental as many suppose. Duration: 7:30
Estimated dispatch 7-9 working days
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£32.00Ascendit in Coeli (Parts only) - Elgar Howarth
Tradition (in the use of hymn-like tunes) and modernism are brought together in this memorial for the composer's father who adored hymn tunes. A fascinating work for the medium which is not as experimental as many suppose. Duration: 7:30
Estimated dispatch 7-9 working days
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£43.50March (The Nutcracker Suite) (Brass Band - Score and Parts)
Tchaikovsky's extremely popular ballet, The Nutcracker, was first performed in December 1892. Earlier in the same year the composer extracted several movements from the ballet to form a concert suite. The first performance of the suite was conducted by the composer and the suite was immediately received with huge enthusiasm.This arrangement was originally made for the GUS Band while the arranger was its Music Director.
Estimated dispatch 7-14 working days
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£74.95Platform to the Heavens (Brass Band - Score and Parts)
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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