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    In Dreams - Roy Orbison - Len Jenkins

    "In Dreams" is a song composed and sung by rock and roll performer Roy Orbison, and was released as a single on Monument Records in February 1963. Orbison later claimed that the origin for "In Dreams" came to him while he was sleeping, as many of his songs did. When he woke up the next morning, the entire composition was written in 20 minutes. Like many of Orbison's songs, but unlike the majority of rock and roll ballads, in under 3 minutes it goes through seven movements with distinct melodies and chord progressions without repeating itself. It was for that reason that I have always believed it was a suitable piece for brass where one does not have lyrics to distinguish changes between verses to avoid monotony. Graham Cooper

  • £40.00

    When the Girl in Your Arms - Tepper, Bennett & Coleman - Broadbent, D

    "When the Girl in Your Arms (Is the Girl in Your Heart)," written by Sid Tepper and Roy Bennett and produced for Cliff Richard in 1961, is a tender pop ballad that captures the sweet certainty of love. A chart success in Britain and beyond, it became one of the signature early hits in Richard's career, and remains a nostalgic emblem of early 1960s romantic pop.

    In Stock: Estimated dispatch 1-3 working days

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  • £54.95

    Fire in the Blood (Brass Band - Score and Parts)

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £24.95

    Fire in the Blood (Brass Band - Score only)

    Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £84.95

    A Day in the Life of a Knight (Brass Band - Score and Parts)

    Here we have a most descriptive piece of writing - a story through music. A fantastic 1st section test piece and championship concert work:The opening scene would depict standing on the battlements of a castle hearing the thundering hoofs of our brave Knight's horse miles in the distance. His arrival is expected, and his reputation is known across many lands. Today, he is to joust amongst mere mortal knights and compete for the hand of the fair (and local) Princess.He vanquishes all competitors and wins the day. The scene moves to evening and court where reception and dance is to be held for our winning knight. Both Knight and Princess become centre of attention during the dance. Their eyes only for each other.At last, the Knight has a chance to be a lone with his Princess as they steal away from the celebrations to a star lit rampart above the castle gardens, where the Knight declares his ever-lasting love and pledges his life and of honour to her. He asks her hand, meanwhile monks pray in the below chapel hoping for union. She say's yes. It is announced in court, then blown from the battlements.Day breaks; he is brought word of evil doings back in his own land. He leaves word to the Princess that he will be back soon to take her hand. The trouble back home was a rouse to get him away from the Princes so one of the vanquished, a dark knight in yesterdays joust, has summoned a dragon to kidnap the princess for his own.As the truth of the deception reaches our Knight he quickly returns to face the varlet that has taken his Lady. This time tis no joust, but a fight to the death with the dark knight and dragon. Our champion proves his best once again and wins the day and the hand of his Princess forever!- Phil LawrenceSuitable for 1st Section Bands and aboveDuration: 11.15

    Estimated dispatch 7-14 working days
  • £48.30

    Peace in Our Time (Brass Band) Andrew Wainwright

    Commissioned by Armonico Consort to mark the 85th anniversary of the Coventry Blitz, Peace in Our Time is a profoundly moving reflection on humanity's enduring quest for reconciliation amidst turmoil. Originally scored for choir, orchestra, and organ, this masterful brass band transcription beautifully captures the emotional weight of John Oxenham's evocative poetry and the timeless plea of Psalm 122.The work opens in hushed reverence, where distant muted cornets, a dark bass pedal, and a fragile, militaristic snare drum set a shadowed, contemplative scene. Out of this delicate landscape emerges a poignant cornet solo that yields to the expressive voice of the solo flugel horn, carrying the opening text with quiet conviction before introducing the solemn reminder: "O pray for peace, peace in Jerusalem."As the piece progresses, the setting turns darker and more restless. Harmonic tension builds through rich brass textures to reflect the fears, divisions, and heavy costs of historical and modern conflict.From this emotional turbulence rises a bold, ceremonial fanfare that marks a dramatic turning point, ushering in a glorious, expansive setting of the poem's final verse. Yet rather than ending in simple triumph, the music gently recedes into a serene and tender stillness. The final bars leave performers and audiences alike with a quiet, lingering echo - a persistent hope for peace that resonates just as deeply today as it did 85 years ago.This substantial work is an extraordinary addition to any brass band library, serving as an ideal centerpiece for Remembrance Sunday, historical commemorations, church services or serious concert programming.To view a multimedia presentation of the piece with audio please visit www.youtube.com/watch?v=Y2BKI_GCegwThe multimedia presentation is available on request withe purchase of this work - please email [email protected] to receive a link to download it.To view a video performance of the original work for choir, orchestra and organ please visit www.youtube.com/watch?v=m6o6PJJVKCoDuration: approx. 8.45 minutesDifficulty Level: 2nd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    Bagatelle No.25 in A Minor - Fur Elise (Brass Band) Beethoven arr. Olaf Ritman

    Perhaps the most well-known piano piece by Ludwig van Beethoven, Bagatelle No. 25 in A Minor (written around 1810) is better known under its subtitle 'Fur Elise'.Even to this day it is still unknown who Elise was, with at least four theories claiming to tell the story. It might have been one of Beethoven's students or Therese Malfatti, a young lady who got much attention from him. The theory is that Beethoven's autograph Ludwig Nohl could not decipher his handwriting and might have read Elise instead of Therese. Nevertheless the piece has become extremely popular over the last two centuries and is often the very first real classical piece a beginner pianist goes to.Many classical pieces have been transcribed in contemporary fashion for brass bands in recent times, with Toccata in D Minor by J.S. Bach arranged by Ray Farr being the most popular and more recently Vivaldi's first part of Winter from The Four Seasons arranged by Philip Harper. This arrangement of Fur Elise fits in this series perfectly and seeks to bring a smile to its listeners. The last two bars are a direct tribute to Ray Farr's aforementioned arrangement of Toccata.To view a video of the Amsterdam Staff Band performing the work please visit https://www.youtube.com/watch?v=sdLI7U-aplwDuration: 3.15 minutes approx.Difficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £45.00

    Theme from Ladies in Lavender - Nigel Hess

    Set in a picturesque coastal Cornwall, in a tight-knit fishing village in the 1930s, Ladies in Lavender starred Judi Dench and Maggie Smith as sisters Ursula and Janet Widdington. This arrangement of the much loved theme by Nigel Hess has been arranged for soprano or solo cornet and brass band.

    In Stock: Estimated dispatch 1-3 working days
  • £105.00

    Handel in the Band - Kenneth Downie

    Handel in the Band is a virtuoso set of symphonic variations on one of Handel's best known keyboard dances, the Sarabande from his Suite in D minor, HWV 437, based on the Spanish traditional dance La Folia. Kenneth Downie's work was commissioned by Brass Band Treize Etoiles, for performance at the 2013 Swiss National Brass Band Championships, where it was conducted by James Gourlay. The title is a reference to Percy Grainger's popular Handel in the Strand, and is indicative of the witty and theatrical nature of the music, which is more playful than conventional competition pieces and as such offers different challenges to brass bands as well as being thoroughly entertaining for audiences. Kenneth Downie is one of the most respected and experienced brass band composers. His music has been widely performed and published throughout the brass band world since the 1960s. Handel in the Band has been selected as the set work for the Championship Section final of this year's National Brass Band Championships of Great Britain, which takes place at the Royal Albert Hall, London, on 6th October 2018.

    In Stock: Estimated dispatch 1-3 working days
  • £34.95

    The Rumble in the Jungle - Jonathan Bates

    DURATION: 5'00". DIFFICULTY: Champ. 'The Rumble in the Jungle' was composed for the Foden's Band at the 2024 Brass in Concert Championships in Gateshead with a programme marking the 50th anniversary of the 'Rumble in the Jungle' and celebrating the life of Muhammad Ali.

    In Stock: Estimated dispatch 1-3 working days