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  • £60.00 £60.00
    Buy from Peter Meechan Music

    Origins - Peter Meechan

    Origins is in three movements, with each movement having a different subject matter, all linked by the idea of origins: the first movement refers to musical origins; the second to the origins of life; and the final movement to the space exploration - the research of all origins. The first movement is based on a short motif, heard in the first three notes the soloist plays. These three notes cover the interval of a minor third (an interval that often plays a crucial role in my music) on which the whole concerto is built. The soloist and accompaniment interplay freely throughout the opening section, before an ostinato accompaniment appears - over which the soloist sounds a long legato melody. A short cadenza follows and a return to the opening material leads the movement to an end. The second movement, titled Harry's Song, is - as tradition dictates - a slow movement. Happy and reflective in nature, the main melody was written on the evening that my closest friend, Mark Bousie (a fine euphoniumist himself), and his wife Jayne, had their first child - Harry Bousie. It seemed only fitting that this song should be written for Harry in celebration. The final movement brings me back to a lifelong fascination with space, and in this particular movement, the Space Shuttle Discovery. Having completed 39 missions (including flying the Hubble telescope in to orbit), and spent a total of 365 days in space, SS Discovery made its final voyage in 2011 and was taken to the Smithsonian in Washington D.C. in April 2012. This final movement, titled Discovery, pays tribute to the great shuttle whose missions inspired millions across the generations. Origins was commissioned by Marco Schneider, Adrian Schneider and the Dunshan Symphonic Wind Orchestra, Beijing, China.

    Estimated delivery 12-14 days
  • £34.95

    HEDWIG'S THEME (Brass Band) - Duncan, Andrew

    Hedwig's Theme, from Harry Potter and The Philospher's Stone, is the most recognisable of all the themes from John Williams' score to the Harry Potter films. 1st Section

    Estimated delivery 12-14 days
  • £34.95

    Hedwig's Theme - John Williams

    Hedwig's Theme, from Harry Potter and the Philosopher's Stone, is probably the most recognisable of all the themes from John Williams' score to the Harry Potter films. The music has been arranged for brass band by Andrew Duncan.

    Estimated delivery 12-14 days
  • £59.00

    Three pieces - VAN HEUGTEN Harry

    Estimated delivery 12-14 days
  • £24.95

    Home of Legends - Paul Lovatt-Cooper

    Home of Legends was commissioned by, and composed for the 'Brass Band Summer School'.The music pays homage to the many legends who have been involved with this prestigious institution throughout its history. The BBSS staff are regarded as some of the finest brass players in the world and former Musical Directors and Presidents include the great Harry Mortimer, Philip Jones, Roy Newsome and Richard Evans who directed the world premiere of this work.The music starts with an off-stage trumpet or cornet representing the memory of great players from the past. The band then enters quietly and the piece gradually builds in the style of a majestic musical procession to the final chord designed to show the fantastic sound of a brass band in full flow.In recent times this work has been adopted by the world famous Black Dyke Band from Queensbury - a genuine home of legends for over 150 years.

    Estimated delivery 5-7 days
  • £49.95

    The Dark Side of the Moon - Paul Lovatt-Cooper

    This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premi?re performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007

    Estimated delivery 5-7 days
  • £37.50 £37.50
    Buy from AFS Music

    At Last - Harry Warren & Mack Gordon - Steve Yorke

    First released in 1941, this song is as popular today as it ever was. This arrangement goes back to it's roots, in the style of Glenn Miller.

  • £49.95

    Bestowal of a Century - Christopher Bond

    A Concerto in Three Movements for Tenor Horn & Brass Band, Written for & Commissioned by Lowenna TaylorBestowal of a Century (2014) was commissioned by Lowenna Taylor, and funded through her Harry Mortimer Trust award which she was presented with at the 2013 British Open Championship following the completion of her studies at the Royal Welsh College of Music in Cardiff. The 15-minute work received its world premiere at the Cornwall Youth Brass Band Christmas concert in 2014 with solosit, Lowenna, working alongside the band under the baton of Les Neish.The 'Bestowal' refers to the presentation of the Royal Trophy by the then Prince of Wales to the famous West of England Bandsman's Festival in Bugle in 1913. Over the years it has been won by some of the greatest names in brass banding, including Black Dyke and Munn & Feltons - although more recently it has become a wonderful open festival that includes sections for local bands as well as visitors from all over the banding globe. 2014 marked the one-hundredth anniversary of the presentation of the trophy, which is the only brass band trophy to have the official seal of royal patronage.The work, in three distinct sections, opens in a mysterious way, building progressively with interjections from the horn. The composer notes its as though one can imagine different part of the trophy being put together, piece by piece, until the trophy is complete and a climax is reached. Following this, a playful theme is presented which is developed throughout the first section and interacting between soloist and band.The second movement, in complete contrast, is a lyrical melody; heart-wrenching throughout, and sits well both as part of the concerto and also as a stand-alone solo item. The third movement is light-hearted and virtuosic, demonstrating the technical capabilities of the instrument with fast and virtuosic playing, and a cadenza towards the end of the work.

    Estimated delivery 5-7 days