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£27.50
The Great Train Robbery - Goldsmith, J - Phillips, L
The Great Train Robbery is based on an actual train robberywhich took place in 1855. The film boasted a rip-roaringscore by Jerry Goldsmith. Composers have long been interestedin depicting train movement through music and Goldsmithis no exception - this dashing scherzo music bristleswith excitement and energy and is intended to open theevening with a bang!2nd section +
In stock: Estimated delivery 1-2 days
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£27.50
Star Trek Voyager - Goldsmith, J - Barry, D
Take a short trip to the Delta Quadrant with the super theme from Star Trek: Voyager, the latest “trek” series. Bold and majestic tunes from the pen of movie music guru Jerry Goldsmith and faithfully transcribed by Darrol Barry – playable by all levels of bands.4th section +
In stock: Estimated delivery 1-2 days
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£103.00 -
£49.20SAND VOLCANO, THE (Brass Band) - Goldsmith, Jerry - Richards, Goff
from The Mummy. Grade: Medium. Duration: 4:30
Estimated delivery 12-14 days
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£28.95STAR TREK- The Next Generation (Brass Band) - Goldsmith, Jerry - Wormald, Christopher
Estimated delivery 12-14 days
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£27.50
Airforce One - Goldsmith, J - Newton, R
One of the top films of 1998, the hijacking of thePresident's plane - an action packed film - and an actionpacked score. Suitable for most levels of bands.
In stock: Estimated delivery 1-2 days
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£33.00
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£33.00
Star Trek: First Contact - Goldsmith, J - Barry, D
Over 6 minutes of magnificent themes including: Main Theme Red Alert Locutus BorgAn out of this world experience for players and audience. Resistance is futile!
In stock: Estimated delivery 1-2 days
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£64.95
Benvenuto Cellini - Score and Parts - Hector Berlioz
One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.
Estimated delivery 12-14 days
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