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£124.95Diary of a Madman (Twenty-Fourth February) (Brass Band - Score and Parts) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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£57.95
Diary of a Madman (Twenty-Fourth February) (Brass Band - Score only) - Clarke, Nigel
From the beginning of history, warlords, emperors and dictators have risen up, some benign but many of them a scourge on humanity. Names that resonate to this day include Julius Caesar, Caligula, Genghis Khan, Ivan IV (The Terrible), Attila the Hun, Vlad IV (The Impaler), Hitler, Stalin, Mao Zedong, Pol Pot, all of whom were responsible for wanton destruction and the torture and death of millions of victims, either citizens of invaded countries and territories and or indeed, their own peoples.Diary of a Madman starts with a light-hearted march that gives the impression of toy tin soldiers parading in a brightly-coloured ceremonial pageant from a fairy tale, conveying peace and innocence. This spectacle is abruptly interrupted by a 'shock and awe' fanfare-like march, symbolising aggression and war. This theme grinds slowly to a halt, and an atmosphere of introspection, sadness and despair takes over. Rising above the smoky theatre of war, we then hear a distant cornet give a rendition of the Ukrainian Nation Anthem (The glory and freedom of Ukraine has not yet perished. Luck will still smile on us brother-Ukrainians). The solo cornet soon enters a fragile duet with a second cornet accompanied by dark undertones. One by one, we hear short shards of aggressive fanfare-like figures from various instruments in the band. The mood breaks - we hear strident fortissimo whole-tone scales representing pealing church bells, warning of danger. In contrast, we also hear pianissimo whole-tone scales announcing that the enemy's troops are falling back. A counter-offensive soon takes centre stage, and battles and skirmishes are heard, with short quotations from Mussorgsky's `Great Gates of Kyiv' symbolising the defenders' heroic struggle.All sides are victims of the Dictator's ambition! The slow central section offer us moments of melancholic beauty and utilises Henry Purcell's `When I am laid in earth' (`Dido's Lament' from Dido and Aeneas 1688). This music represents the loss of homes, dignity and loved ones. There are occasional hints at better times as the theme of the parading toy tin soldiers is heard from afar, like a distant memory.To announce the final push, we hear a church bell strike and an air raid siren signalling a ferocious musical counter-attack. After one final rendition of the Purcell theme, Diary of a Madman closes with a mood of triumph over tyranny.- Nigel Clarke
Estimated dispatch 7-14 working days
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£37.39World War III (Brass Band) Joe Galuszka
This descriptive work for brass band by Joe Galuszka depicts the horrors of war. War is all around us. Every day, another life is lost. Myanmar, Sudan, Ethiopia, Ukraine, Colombia, Afghanistan, Somalia, Syria and Yemen. As time goes on, more and more countries are brought to the end of what is a diplomatic struggle - in where war seems to be the only option. 'War! Terror! Panic! captures the tumultuous and relentless nature of war. With driving rhythms, aggressive brass fanfares, and thundering percussion, the listener is immersed in the chaos of battle. Dissonance and clashing harmonies depict the discord that pervades war and takes us on a journey through the terror and panic that comes with the brutality of conflict. Remembrance (For Those That We Have Lost) provides a poignant and reflective interlude, allowing the audience to contemplate the human cost of war. Mournful melodies and expressive solos for trombone, euphonium and glockenspiel, convey the depth of sorrow and loss, serving as a powerful reminder of the toll war takes on individuals and communities. The final movement, Hymn for Peace and Hope is a testament to the enduring human spirit and the yearning for harmony - dissonance and conflict gradually give way to consonance and resolution. We celebrate the human capacity for unity and the triumph of peace over strife, as we imagine a world at piece. To listen to an audio demo of the work please visit https://on.soundcloud.com/Udt1AWRThgwuWnQv5 Duration: Approx. 5.00 mins Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£44.50The Covid Collection - Gavin Somerset
This exciting new 22-minute concert suite for Brass Sextet has been composed during the months of lockdown charting the feelings of a nation, with seven movements playable by 6 (or more) players. The music was composed with the intention for players to perform either together live in a small group, in isolation by way of a virtual performance (downloadable backing tracks are available to play along to) and ultimately, to give players something to enjoy as we all miss our brass band families. This concert suite is the perfect addition to all bands' libraries at a time when rehearsals are limited. Several of the movements are already in preparation for a full band edition to be released at a later date: (also available as a digital download worldwide - purchase now & print to play). Bands purchasing this sextet edition will be eligible for a discount on the upcoming full brass band edition of the concert suite. ------------------------------------------------------------------------------------- Movement 1: FANFARE: The Call of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK This opening fanfare gives way to a full of life and energy. With catchy melodies and harmonies, it is an effective opening to any concert programme and the perfect way to begin the Suite. Movement 2: March of the Antibodies - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A cheeky little number that keeps on fighting though. Whilst not a March in the traditional brass band sense, players should aim to give a 'happy' performance of this movement ensuring smiles all around for both performers and the audience.Movement 3: Solidarity - CLICK HERE TO DOWNLOAD PLAYBACK TRACK The first slow movement of the concert suite aims to reflect on the isolation many of us felt during the time of lockdown. However, during these times, walks out with loved ones allowed many to connect and enjoy downtime, not often afforded to many. Movement 4: Lazy Days - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A movement whose title really does say it all. A laid back swing number that should be played in an as relaxed manner, as possible!Movement 5: Hymn for Carers (Dedicated to the NHS & Care Workers) - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Dedicated to the NHS & Care Workers, this hymn tune is filled with emotional highs and lows, felt by many of the hospital and care staff who worked tirelessly to keep our people safe, with a timely nod at the end to Vera Lynn & our missed VE day commemorations. Movement 6: Army of the Keyworkers - CLICK HERE TO DOWNLOAD PLAYBACK TRACK A stirring work in 12/8 which rightfully, depicts our heroes who kept the country moving through the most difficult of times. An heroic number for players to enjoy.Movement 7: CELEBRATION: Return of the Band - CLICK HERE TO DOWNLOAD PLAYBACK TRACK Little needs to be said about this movement, as at this time of release, we cannot yet celebrate the return of all players to the band rooms across the country. However, when that time comes, this movement is to be played with the joy of normality we shall all feel. CLICK HERE TO DOWNLOAD THE FULL SUITE BACKING TRACK ------------------------------------------------------------------------------------- Each movement can be performed as a standalone item, or form part of the full 22-minute concert suite. Sextet scored for: x1 Cornet I in Bbx1 Cornet 2 in Bb1x Flugelhorn1x Tenor Horn in Eb1x Euphonium/Baritone in Bb1x Eb Bass*extra parts included are, Cornet parts in Eb & C, Horn in F, Euphonium/Baritone in BC, Trombone (TC and BC), BBb Bass in TC & Tuba in BC.
In Stock: Estimated dispatch 1-3 working days
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