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  • £70.00

    General Series Band Journal April 2016 Numbers 2154-2157

    No. 2154 Cornet Solo - The victory cry! (Andrew Blyth)This solo features the popular song by Stuart Townend and Keith Getty entitled 'Power of the Cross', along with an original song by the composer, 'The Cross of hope'. It was originally written at the request of Staff Bandsman Gerry Todd and the Melbourne Staff Band.No.2155 Mission Force (Stephen Bulla)This is programmatic music, portraying the determination and forward vision of the modern church's mission. It includes two well-known hymns, 'Trentham' (T.B.159) and 'Slane' (T.B.831), using their words as metaphors that describe this quest into a spiritual future.No.2156 Prelude on 'Lavenham' (Geoffrey Nobes)An arrangement of a hymn, written by the composer with words by Reverend Nick Fawcett. The three statements of the melody correspond to three verses of the hymn and seek to reflect their meaning.No. 2157 On we march (Kevin Larsson)This piece was written for the Pasadena Tabernacle Band for their 120th anniversary. It includes a number of tunes closely connected with the Corps including 'Everything's coming up roses' from Gypsy, a song closely associated with the Rose Parade, and 'Hooray for Hollywood' as the Corps was previously called Hollywood Tabernacle. Continuing on the Rose Parade theme, 'On we march' (T.B.788) and the well-known hymn tune, 'Rachie' (T.B.190), are also featured.

    Estimated dispatch 7-14 working days
  • £30.00

    Love Unknown (Brass Band - Score and Parts)

    This is a beautiful setting of a John Ireland favourite (Ireland composed the melody over lunch one day at the suggestion of organist and fellow-composer Geoffrey Shaw).The arrangement offers a tranquil moment for a concert programme, using a mixture of light and heavier scoring to bring the melody to life.The final verse pulls together the full band sound and then concludes with a reduced ensemble to produce a moment of peace and reflection in the performance.

    Estimated dispatch 7-14 working days
  • £82.95

    Narnia Suite (Brass Band - Score and Parts)

    Narnia Suite is made from the incidental music written by Geoffrey Burgon for the BBC Television series The Chronicles of Narnia, based upon C.S. Lewis's series of seven novels, the first and most well-known being The Lion, the Witch and the Wardrobe.

    Estimated dispatch 7-14 working days
  • £37.95

    Narnia Suite (Score Only)

    Narnia Suite is made from the incidental music written by Geoffrey Burgon for the BBC Television series The Chronicles of Narnia, based upon C.S. Lewis's series of seven novels, the first and most well-known being The Lion, the Witch and the Wardrobe.

    Estimated dispatch 7-14 working days
  • £24.95

    Alpentanz (Brass Band - Score and Parts)

    An original composition by Terence Brien arranged for Brass Band by Geoffrey Brand

    Estimated dispatch 7-14 working days
  • £49.95

    CORSAIR, The (Overture)(Brass Band) - Berlioz, Hector - Brand, Geoffrey

    Recorded on Polyphonic QPRL228D Master Brass (Volume 19), QPRL219D Master Brass (Volume 15), QPRL218D Master Brass (Volume 14). Duration: 7:45.

    Estimated dispatch 7-14 working days
  • £82.95

    NARNIA SUITE (Brass Band - Score and Parts) - Burgon, Geoffrey

    2014 National Championships Finals - 4th Section

    Estimated dispatch 7-14 working days
  • £37.95

    NARNIA SUITE (Brass Band - Score only) - Burgon, Geoffrey

    2014 National Championships Finals - 4th Section

    Estimated dispatch 7-14 working days
  • £59.95

    Voices of Youth (Brass Band - Score and Parts) - Gregson, Edward

    The suite Voices of Youth is one of Gregson's earliest brass band compositions, written while he was still a student at the Royal Academy of Music in London. Voices of Youth was commissioned by the National Youth Brass Band of Great Britain and was premiered by them under the baton of Geoffrey Brand.The work has three movements:Nobility of Youth (Duration: 4.00)Sadness and Tenderness (Duration: 2.30)Gaiety (Duration: 2.45)In Nobility of Youth there are the rich sonorities beloved of Salvationist composers such as Eric Ball and, particularly, Ray Steadman Allen, whose music he admired. The modal contour of the melodies here and at the climax of the slow movement Sadness and Tenderness reveal lessons well learned from Holst and Vaughan Williams. Gaiety is probably the most interesting amalgam of all. Beginning in the harmonic world of Gilbert Vinter - whose influence Gregson readily acknowledges at this time - the music is transformed into a bravura waltz of which Percy Grainger might have been proud. It then veers off via a contrapuntal episode of academic correctness, into a coda that takes us into more adventurous harmonic realms.Duration: 10.00

    Estimated dispatch 7-14 working days

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