Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 1000 matches for your search. Order by

Results

  • £12.50

    Of Distant Memories (Music in an Olden Style) (Brass Band - Study Score) - Gregson, Edward

    2013 Finals of the National Brass Band Championships of Great Britain - Championship Section.Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire, and their music, and in the process summons up a kind of subconscious memory bank of the musical languages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural) of those early test pieces. Although fairly traditional concepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, the percussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous 'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of their predecessors. Of Distant Memories is the composers own way of repaying that gratitude.Duration: 15.00

    Estimated dispatch 7-14 working days
  • £89.95

    Of Distant Memories (Music in an Olden Style) (Brass Band - Score and Parts) - Gregson, Edward

    Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire and their music, and in the process summons up a kind of subconscious memory bank of the musical languages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural) of those early test pieces. Although fairly traditional concepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, the percussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous 'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of their predecessors. Of Distant Memories is the composers own way of repaying that gratitude.Duration: 15.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £44.95

    Of Distant Memories (Music in an Olden Style) (Brass Band - Score only) - Gregson, Edward

    Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire, and their music, and in the process summons up a kind of subconscious memory bank of the musical languages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural) of those early test pieces. Although fairly traditional concepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, the percussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous 'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of their predecessors. Of Distant Memories is the composers own way of repaying that gratitude.Duration: 15.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £89.99

    Torsion (Brass Band - Score and Parts)

    Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass, Manchester, by Leyland Band conducted by Jason Katsikaris. This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time, Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted 'echoes' providing added aural confusion at the points of climax. Although composed as a substantial concert work, Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions. Suitable for Championship Section Bands. Duration: 15.00

    Estimated dispatch 7-14 working days
  • £34.95

    Chalk Farm No.2 (Brass Band - Score and Parts) - Gregson, Edward

    Like so many of the best composers for brass band - Eric Ball, Wilfred Heaton, Elgar Howarth and Robert Simpson - Edward Gregson's youthful talents came to the fore in the Salvation Army. In 1975 Gregson was commissioned by the Chalk Farm Band of the Salvation Army to write a march for the centenary of the birth of the band's most long-serving bandmaster Alfred W Punchard, who conducted the band from 1894 to 1944. In 1909 the Salvation Army published a march called Chalk Farm featuring the old Army chorus 'March on, we shall win the day'.Gregson uses the same tune in his Chalk Farm No 2 march, but this is a symphonic march clearly to be played sitting down. He includes irregular bars of 5 and 7 beats as well as a tongue-in-cheek treatment of the tune, complete with bongos (in the march) and bi-tonality (in the trio). Chalk Farm No 2 imaginatively composed. Gregson's own main theme 'fits' the chorus as a counter-subject. The playful irreverence of the style has more in common with Wilfred Heaton's Praise or Glory, than the conventional Salvation Army March.Duration: 4.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £60.00

    Fantastic Polka (Trombone Solo with Brass Band - Score and Parts) - Pryor, Arthur - Wilkinson, Keith M.

    Arthur Pryor is remembered primarily for his 12 years as the amazing trombone soloist with The Sousa Band. However, he was also a prolific composer and conductor, forming his own band following his years with Sousa. He wrote many trombone solos designed to dazzle audiences with his virtuosity.This brass band version was prepared at the request of The Black Dyke Band, musical director Nicholas J Childs, for a recording project with Ian Bousfield, principal trombone of the Vienna Philharmonic, titled Pryor Engagement. It has also been recorded by Brett Baker with Brass Band of the Western Reserve, musical director Keith M Wilkinson, on the CD Slides Rule!

    Estimated dispatch 7-14 working days

     PDF View Music

  • £119.99

    Landscapes (Brass Band - Score and Parts) - Moren, Bertrand

    Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £44.99

    Landscapes (Brass Band - Score only) - Moren, Bertrand

    Concerto Grosso for Brass Band and PercussionLandscapes is a work structured around two main ideas. On the one hand, the music freely paints some of the superb landscapes I've seen during several of my trips around the world. Listeners should, however, not be influenced by this programmatic framework and are encouraged to build their own 'mind pictures'. On the other hand, Landscapes constitutes a test piece for each section of the brass band. Indeed, each musical landscape highlights a particular register. A small group of soloists is given the opportunity to fully display its skills in dialogue with the rest of the band (the tutti), hence the name 'concerto grosso'. Landscapes also relies on the band's different soloist musicians when it comes to express highly complex, musically and technically challenging passages.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £50.00

    Our Flirtations (Brass Band - Score and Parts) - Sousa, John Philip - Westwood, Gary

    The name John Philip Sousa is no stranger to any brass band aficionado. Our Flirtations has its origins in incidental music written by Sousa for a play of the same name. It was written around 1880, about the time he was appointed Director of the U.S. Marine Band, a position he held until he formed his own civilian band in 1892. Sousa wrote over 130 marches, many of which have been transcribed for brass band.

    Estimated dispatch 7-14 working days
  • £24.95

    SALT OF THE EARTH, FINALE (Brass Band Parts) - Scott, Andy

    Brass Band parts only. A full band arrangement created by the composer from the third movement of 'Salt of the Earth', a Concerto for Tuba & Brass Band is a fiery mix of Latin rhythms and big band power! With a virtuosic introduction from the solo cornets and percussion, the full band then enters with the catchy melody, before a two part contrapuntal passage that leads into a series of short 'solo breaks'. The main theme returns, re-scored for added impact, before an extended contrapuntal section, which leads to two closing paused chords, which may be separated by an optional extended drum/percussion solo if required. Dur: 3:30

    Estimated dispatch 7-14 working days

     PDF View Music