Results
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£51.95Fantasy - and Robert Childs
In the late eighteenth and early nineteenth centuries the 'fantasia' or 'pot-pourri' was a popular genre built on a selection of hit tunes of the day. Hummel wrote three such works, for guitar, cello, and viola; this arrangement is based on a shortened version of the work for viola and orchestra. The original, published as Hummel's Opus 94, dates from about 1820 and includes themes from Mozart's Don Giovanni, The Marriage of Figaro, Die Entfuhrung aus dem Serail, and Rossini's Tancredi.
Estimated dispatch 7-9 working days
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£68.00 -
£10.95 -
£74.95
Fantasy for Brass Band - Malcolm Arnold
Estimated dispatch 5-14 working days
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£74.95FANTASY FOR BRASS BAND (Brass Band - Score and Parts) - Arnold, Malcolm
Op.114a. 2017 Butlins Mineworkers Contest Test Piece First Section.
Estimated dispatch 7-14 working days
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£37.95
FANTASY FOR BRASS BAND (Brass Band - Score only) - Arnold, Malcolm
Op.114a. 2017 Butlins Mineworkers Contest Test Piece First Section.
Estimated dispatch 7-14 working days
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£74.95Fantasy for Brass Band (Score and Parts)
Op.114aButlin's 2017 1st Section Test Piece
Estimated dispatch 7-14 working days
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£37.95Fantasy for Brass Band (Score Only)
Op.114aButlin's 2017 1st Section Test Piece
Estimated dispatch 7-14 working days
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£109.99Fantasy for Brassband and Organ - Jan Bosveld
When I was approached to compose a work for brassband and church organ I already envisioned the concept I would use. It would indeed literally become a work for brassband and organ. Without the traditional solos, the organ would form an addition to the brassband orchestration as would the brassband provide an extra register for the organ. In short a homogeneous entity. The most important reason for doing this is quite simple. Since this work can only be performed in a church and because of the specific acoustics of the church, the brassband would sound in al its tone colour like an organ. By using certain registers of the organ and combining these with the brassband a wonderfulsound palette can be created. The use of complementary or contrasting tone quality is also possible. The primary theme of this composition is based on these three methods of "colouring". As far as structure is concerned this work consists of two parts. slow fast. It is built on a number of motifs in which some behave like a consecutive canon. In the fast movement the primary motif develops into a fugue-like section. The canon and fugato are techniques frequently used in classical and contemporary organ literature. The liberal use of structure and motif has lead to the title. "Fantasy for Brassband and Organ".
Estimated dispatch 5-14 working days
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