Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 114 matches for your search. Order by

Results

  • £37.15

    I was glad (Brass Band with optional Organ) Hubert Parry trs. Andrew Wainwright

    I was glad was originally a choral introit which is a popular piece in the musical repertoire of the Anglican church. It is traditionally sung in the Church of England as an anthem at the coronation of the British monarch, most recently that of King Charles III in May 2023.This transcription for brass band combines the choral and accompaniment parts meaning it is playable as a standalone arrangement. An optional organ part is included to augment the brass. The cornet section is divided into two choirs to create an antiphonal effect.The 'Vivats' are included in this transcription but an optional cut is provided for that section.To view a follow-the-score video please visit https://www.youtube.com/watch?v=Vx95uSp1yU8PDF download includes score and parts.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 2nd Section +*Instrumentation:Soprano Cornet EbCornets 1-5 Bb (9 players required as a minimum)Flugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion*Additional transposed parts are available here for Horns in F, and Baritones, Trombones, Euphoniums and Tubas in Bass Clef.

    In Stock: Estimated dispatch 1-3 working days
  • £33.43

    Miserere mei, Deus (Brass Band) Gregorio Allegri arr. Espen Haukas

    Miserere mei, Deus was composed by the Italian composer Gregorio Allegri (1582-1652) during the 1630s for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of the Holy Week.The Miserere is written for two choirs, one of five and one of four voices, and is generally accepted to be one of the finest examples of Renaissance polyphony to survive to the present day. Tutti choirs sing a simple version of the original Miserere chant; one voice then, spatially separated, sings an ornamented "commentary" on this. The comment-part is left out in this arrangement due to its meaning with text, though monotonous in tune.The introduction is added by the arranger to set the right atmosphere before the original chant is played.The brass choirs are meant to be placed opposite each other in a church or large hall.To view a video of Norges Nasjonale Brassband performing the piece please visit www.youtube.com/watch?v=YrJU3lwYD9UPDF download includes score and parts.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 4th Section +Instrumentation:Brass Choir 1:Solo Cornets(incl. Repiano)Horn in EbTenor Trombones in BbEuphoniumsBasses in BbTimpaniBrass Choir 2:Soprano Cornet in Eb2nd Cornets in Bb3rd Cornets in BbFlugelhornHorns in EbBaritonesBass TromboneBasses in Eb

    In Stock: Estimated dispatch 1-3 working days
  • £59.45

    We Seven (Brass Band) Derek Jenkins

    We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts.The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.'Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962.The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.'This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band.To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOoSheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 1st Section +Instrumentation:1 Soprano Cornet (Eb)9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses]1 Flugelhorn3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses]2 Baritones (Bb)2 Trombones (Bb)1 Bass Trombone2 Euphoniums (Bb)2 Basses (Eb)2 Basses (Bb)4 Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £66.88

    Dreams of America (Brass Band) Derek Jenkins

    Dreams of America was commissioned by the National Youth Brass Band of America. The concept of the 'American Dream' is an indelible part of the American psyche. Over time, notions of success, fame, and fortune have become synonymous with this idea. Some have achieved their personal 'American Dreams', and yet for others they often remain only a dream.Dreams of America takes a look at certain, generalised aspects of the 'American Dream' and pits them against the harsh realities faced by many, both in the past and present. To heighten these dichotomies, each movement is accompanied by a slideshow of historic and modern images related to the issues at hand.Movement 1: Yearning to Breathe Free explores the anger, fear, and subjugation that seems rampant in recent years, but has been present throughout the country's founding.Movement 2: Take my Stand looks at the role that change, protest, and equality has had and continues to have in our society.Movement 3: It Beckons and Beckons examines the beauty of nature and our role in preserving and protecting this country's natural wonders while illustrating the ease of which our environment can be ruined and destroyed.Movement 4: Sweet Land of Liberty reflects onthe composer's interpretation at what truly makes the United States of America a great country - the people who call this place home. The patriotic tune America the Beautiful has been woven throughout, in part for its poetic depiction of the American landscape and its call for "brotherhood from sea to shining sea!"Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 1st Section +Instrumentation:1 Soprano Cornet (Eb)9 Cornets (Bb)1 Flugelhorn3 Tenor Horns (Eb)2 Baritones (Bb)2 Trombones (Bb)1 Bass Trombone2 Euphoniums (Bb)2 Basses (Eb)2 Basses (Bb)4 Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £44.58

    Boreas: The North Wind (Brass Band) Derek Jenkins

    Boreas was an ancient Greek deity personifying the north wind. He was a winged god of ruthless disposition, which was rivaled only by the harsh wintry winds at his command. Boreas fell in love with Orithyia, the King's daughter. Contrary to his genuine nature, he attempted to woo her with sweet words of devotion. His efforts were in vain, and Orithyia failed to yield to his advances. With this rejection, Boreas's temper flared and he, once again, was overcome by his icy and merciless nature. Like Boreas, this work begins with slow, lyrical lines that quickly fade into an unrelenting fury of anger. Moments reminiscent of Boreas's words of affection appear, but they are quickly washed away as the piece escalates.This arrangement was written for Joseph Parisi and the Fountain City Brass Band as a small token of thanks. The original version for wind ensemble was commissioned by and written for Timothy Shade and the Bethel College Wind Ensemble.To view a video of Diamond Brass Band performing the work please visit:www.youtube.com/watch?v=Co4oreV7Hm4Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 2nd Section +Instrumentation:1 Soprano Cornet (Eb)9 Cornets (Bb)1 Flugelhorn3 Tenor Horns (Eb)2 Baritones (Bb)2 Trombones (Bb)1 Bass Trombone2 Euphoniums (Bb)2 Basses (Eb)2 Basses (Bb)4 Percussion

    In Stock: Estimated dispatch 1-3 working days
  • £81.74

    'Odyssey' Variations (Brass Band) Kevin Norbury

    'Odyssey' Variations was composed as a result of a commission in May 2020 from Five Lakes Silver Band and its musical director, Christopher Ward. This music is based on an original theme that I first used in an earlier composition, Odyssey, which was the test piece for the European Brass Band Championships, held at Munich, Germany, in April 1999. I distinctly remember getting into my hotel room and turning on the television to be greeted by news coverage of the Columbine High School shooting, so that piece has always held some significance for me, though because of a very sad coincidence.The melody was originally a cornet solo in the central slow section of Odyssey and pitched deliberately to test the soloist. I have, more recently attempted a straightforward choral setting of the melody, and the harmonies I use in the three chorale-style settings at the start of these variations are loosely based on that setting. The melody is a setting of the familiar words of Be Thou My Vision, an old Irish hymn, translated by Mary E. Byrne, and versified by Eleanor H. Hull.The form of the work is as follows:Theme - three presentationsVariation 1 - AllegroVariation 2 - Moderato (featuring the horns, baritones, euphoniums and basses)Variation 3 - Maestoso (featuring the cornets, flugel horn, and trombones)Variation 4 - AdagioVariation 5 - AllegrettoVariation 6 - Largo - ModeratoVariation 7 - Allegro moltoTheme - Maestoso e sostenutoFinale - Allegro vivace - Adagio e allargandoTo view a video of Five Lakes Silver Band performing the work please visit: www.youtube.com/watch?v=vfLnld3bCw8Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 1st Section +Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £29.72

    March - His Royal Banner (Brass Band) Jonathan Mead

    This upbeat, foot-tapping march by Welsh composer Jonathan Mead features the two well known Welsh tunes of Aberystwyth and God Bless The Prince of Wales.Aberystwyth is set as a big bold bass solo and careful attention will need to be paid to make sure that it sounds clean and together. God Bless The Prince of Wales first appears as a traditional hymn tune, before returning in a more vibrant, lively style, with florid scalic passages for the solo cornets and euphoniums.The march was written with St David's Day in mind, although will be an appropriate addition to concert programme throughout the year as either an opener or finisher.Difficulty Level: 3rd Section +Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussionClash CymbalsGlockenspiel

    In Stock: Estimated dispatch 1-3 working days

     MP3 Watch video

  • £52.50

    Broadheath (Brass Band - Score and Parts) - Sparke, Philip

    Broadheath was commissioned by the Elgar International Brass Band Summer School for their 2024 course. The premiere took place in the Routh Hall at Bromsgrove School on Friday 26 July.It is in conventional march form, opening with a brief fanfare before the horns take up the main theme. This is then repeated by the full band before euphoniums and baritone announce the second subject. This builds to a stirring tutti passage utilising elements of the opening theme, which brings the opening section to a close.In honour of the summer school's tribute to Sir Edward Elgar (it is held in 'Elgar country'), the trio uses the opening melody of his 1st symphony as its main theme, decorating it with filigree work from the cornets. This is repeated on the full band and leads to a varied recapitulation of the opening material to bring the march full circle.Duration: 5.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £91.99

    Fanfares, Songs & Dances (Brass Band - Score and Parts) - Sparke, Philip

    Fanfares, Songs & Dances was commissioned by Brass Bands England, the Lithuanian Brass Band Association and the Dutch National Brass Band Championships (NBK), and first performed at the 43rd 'NBK' in October 2024.The work is played in three linked movements:FANFARES opens in robust fashion with a sequence of fanfare-like statements, initially featuring the horns, whose modal theme includes a figure that will reappear throughout the work. Euphoniums and then cornets introduce a second theme, which is followed by a third, again initiated by the horns. Baritones then change the mood with a more-lyrical theme, which builds to a climax, eventually leading back to a recall of the initial fanfare theme. This gradually dissolves to introduce the second movement.SONGS continues to relax the fanfare feel with a long introduction to the movement's main theme, first appearing on solo cornet. A change of key introduces a bridge passage which leads to a sonorous chorale, which builds to a triumphal return of the cornet theme. A peaceful coda leads to the final movement of the work.DANCES is a scherzo-like movement based around a series of rhythmic melodies in triple time, which lead to a majestic return of the 2nd movement's chorale theme under cornet figuration. The opening dance theme returns and heralds a joyous coda.Duration: 11.00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £69.95

    Strange New Worlds (Brass Band - Score and Parts) - Graham, Peter

    Strange New Worlds was commissioned by Nicholas Childs for the National Children's Brass Band of Great Britain with funds provided by Arts Council England.The COVID-19 pandemic made it necessary for the 2020 course to transition from residential to virtual and the work was designed to accommodate this change. The participants individually filmed themselves to a click track and the videos were collated to create a "virtual" performance. The premiere was streamed live on YouTube on August 7, 2020.The work is in 5 movements with a narrative dictated by the individual movement titles. Although to me this narrative is clearly defined, multiple scenarios present themselves. Some may interpret the story as being one from the ancients while others might identify with the science-fiction of H.G. Wells. Others still will relate to the recent surge of interest in 1980s culture and the Netflix series Stranger Things (to which the title of my work pays homage). Nor would it be unreasonable to consider the piece an analogy reflecting events in 2020. Listeners will decide the story (or message) for themselves.The five movements are: I. Things to Come; II. Descent to Darkness (featuring Cornets, Trombones and Percussion); III. Resistance (featuring Horns, Baritones, Euphoniums, Basses and Percussion); IV/V. Aftermath/A New HopeDuration: 8.00

    Estimated dispatch 7-14 working days

     PDF View Music