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£44.95
SYMPHONIC RHAPSODY FOR EUPHONIUM AND BAND (Brass Band Set) - Edward Gregson
This is a developed solo in which lyrical and variation elements are contrasted and combine. The theme is an old song 'So we'll roll the old chariot along, and we don't drag on behind'.
Estimated dispatch 7-14 working days
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£44.95Meditation (from The Triumph of Time) (Flugel Horn and Baritone Duet with Brass Band - Score and Parts) - Graham, Peter
Meditation is the central theme from The Triumph of Time, a work commissioned for The Black Dyke Band by Music Director Nicholas Childs. The original brief was for a piece which would showcase the talents of the band's many fine soloists, among them Zoe Hancock on Flugel horn and Baritone soloist Katrina Marzella. This extract brings both instruments together in an extended stand-alone arrangement.Although scored for Flugel and Baritone, a number of options can be explored at the discretion of the conductor (eg. Flugel/Cornet and Euphonium/Trombone; two Bb Cornets etc. in which case cued lines in the Solo Horn and Soprano cornet parts may be played).Duration: 05:00
Estimated dispatch 7-14 working days
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£69.99Meditation (Brass Band - Score and Parts) - De Haan, Jan
Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies.Duration: 6:45
Estimated dispatch 7-14 working days
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£59.95My Strength, My Tower - Rhapsodic Variations (Brass Band - Score and Parts) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£29.95
My Strength, My Tower - Rhapsodic Variations (Brass Band - Score only) - Goffin, Dean
This music consists of a theme followed by five extensive variations. The theme is the composer's own tune set to the words, 'Thee will I love, my strength, my tower', a hymn by Johann Scheffler translated by John Wesley. A strong modal flavour is characteristic of the theme. Variation 1: This is a light and graceful variation with a good deal of imitative writing. It leads, without a break, into the next variation. Variation 2: Fire and ferocity are asked for in the course of this variation. Variation 3: This variation demonstrates the original approach of the composer. Solo lines for cornet and euphonium are included with their arabesques and arpeggii. Variation 4: Taking the form of a passacaglia, the 'ground' is given out at once by the basses. Fragments of the 'ground', plain or decorated, are combined and used in a number of ways, revealing the composer's mastery of counterpoint. Variation 5: The briskly moving and scintillating final variation abounds in sudden variations of dynamic. The tempo remains constant until an increase is called for in the coda. This 'contest' version has been prepared by Brian Bowen who was asked to re-work the percussion part and introduce a repiano cornet part (Salvation Army band publications do not, in general, have a part for repiano cornet).
Estimated dispatch 7-14 working days
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£35.00
CLIMB EVERY MOUNTAIN (Brass Band) - Harper, Philip
Hit from The Sound of Music, features for Solo Horn, Euphonium (or vocal line-words included) and optional soprano cornet with /McArthur Park' style end. Starts quietly with a singly voice (horn) and grows in power throughout. Standard: 3rd section Duration: 4:00
Estimated dispatch 7-14 working days
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£37.95ON WITH THE MOTLEY (Bb or Eb Solo with Brass Band) - Leoncavallo, Ruggero - Farr, Ray
Supplied with parts for soloist in E-flat or B-flat treble clef. This famous aria from the Opera Pagliacci is popular all over the world and sits perfectly for the euphonium. Recorded on Polyphonic QPRL010D Firebird. Duration 3:00.
Estimated dispatch 7-14 working days
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£84.99For a Flower - Hermann Pallhuber
For a Flower is a very melodic and virtuosic solo work for euphonium and brass band. It opens with a gentle solo introduction on euphonium, which develops into a grand hymnal theme. Following this comes a faster and more virtuosic section in a traditional Irish style, with a varied dialogue between the band and the soloist. The work closes triumphantly with the hymnal theme of the opening. For a Flower showcases both the musical and technical capabilities of this wonderful instrument. The euphonium soloist must naturally master both skills: lyrical playing and virtuoso playing. For a Flower was commissioned by the Dutch euphonium virtuoso Robbert Vosand is dedicated to his wife, Evi.
Estimated dispatch 5-14 working days
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£84.99Pulse - Thomas Doss
Pulse is a solo work for euphonium and brass band. As the title suggests, this piece is very rhythmic in nature. Pulse represents life and vitality, which also characterises the work. The tempo remains virtually constant throughout the piece. Even during the cadenza, played by the euphonium, the pulse of the timpani continues to beat steadily. Even though the piece stays at a constant tempo, it can be performed at half speed.
Estimated dispatch 5-14 working days
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£102.99Chameleon - Thomas Doss
Chameleon is a three-part solo piece for euphonium and brass band. The different styles within the piece provide lots of variety, requiring refined technique and a great deal of flexibility from the soloist. This composition was commissioned by Georg Pranger, to whom the piece is also dedicated. As a pioneer of the Austrian euphonium soloist scene, Pranger is committed to the 'unshackling' of this wonderful instrument and the creation of great musical momentum, as achieved by this commission.
Estimated dispatch 5-14 working days
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