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  • £24.95

    MUSIC FOR KANTARA (Brass Band Extra Score) - Downie, Kenneth

    4th Section Test Piece 2016 National Finals of the British Brass Band Championship. Music from Kantara was written in 1994 and was first performed by Watership Brass, a band based near Newbury. The title comes from the name of the former home of the composer, in Winchester, a name which was inherited from the previous owners, and which presumably comes from the ruined castle of that name on the Northern coast of Cyprus. The music is not programmatic: it does not tell a story. It is a three-movement suite of absolute music, in a tuneful and straightforward idiom. The slow, central movement calls for playing of a sensitive, vocal nature. Duration: 9:00

    Estimated dispatch 7-14 working days
  • £59.95

    MUSIC FOR KANTARA (Brass Band Set - Score and Parts) - Downie, Kenneth

    4th Section Test Piece 2016 National Finals of the British Brass Band Championship. Music from Kantara was written in 1994 and was first performed by Watership Brass, a band based near Newbury. The title comes from the name of the former home of the composer, in Winchester, a name which was inherited from the previous owners, and which presumably comes from the ruined castle of that name on the Northern coast of Cyprus. The music is not programmatic: it does not tell a story. It is a three-movement suite of absolute music, in a tuneful and straightforward idiom. The slow, central movement calls for playing of a sensitive, vocal nature. Duration: 9:00

    Estimated dispatch 7-14 working days
  • £28.00

    PURCELL VARIATIONS (Brass Band extra score only) - Downie, Kenneth

    Score only.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £55.00

    PURCELL VARIATIONS (Brass Band Set) - Downie, Kenneth

    Score & Parts.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £40.00

    Concerto for Euphonium - Kenneth Downie

    An accessible and enjoyable showpiece for soloists of all ages. The concerto's three movements are in a tuneful, melodic style and bravura passages are mixed with others designed to exploit the singing qualities of the instrument. The first movement is a vigorous allegro in which the short, pithy motifs of the opening theme contrast with the broad sweep of the second subject. A short cadenza-like passage yields to a high-spirited episode before a reprise of the opening ends the movement quietly. The second movement opens with a warm, romantic melody which is soon taken up by the soloist. A short animated section gives way to the earlier tutti theme, this time with passionate decoration from the soloist before the music gently unwinds in a tranquil coda. The finale has a bouncy, festive feel. After the first subject runs its course there is a brief journey through a more contrapuntal style, before a spirited presto moves into a compound episode before returning to the opening idea. A jubilant coda brings the work to a conclusion.

    Estimated dispatch 5-7 working days
  • £50.00

    Concerto for Euphonium (Parts only) - Kenneth Downie

    An accessible and enjoyable showpiece for soloists of all ages. The concerto's three movements are in a tuneful, melodic style and bravura passages are mixed with others designed to exploit the singing qualities of the instrument. The first movement is a vigorous allegro in which the short, pithy motifs of the opening theme contrast with the broad sweep of the second subject. A short cadenza-like passage yields to a high-spirited episode before a reprise of the opening ends the movement quietly. The second movement opens with a warm, romantic melody which is soon taken up by the soloist. A short animated section gives way to the earlier tutti theme, this time with passionate decoration from the soloist before the music gently unwinds in a tranquil coda. The finale has a bouncy, festive feel. After the first subject runs its course there is a brief journey through a more contrapuntal style, before a spirited presto moves into a compound episode before returning to the opening idea. A jubilant coda brings the work to a conclusion.

    Estimated dispatch 5-7 working days
  • £44.95

    Powerhouse (Brass Band - Score and Parts)

    Spirit divine, come as of old. So begins the song by Brindley Boon (S.A.S.B. 311), and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power (S.A.S.B. 365), Wonder-working power (S.A.S.B. 451) and the very old chorus Send a new touch of power on my soul, Lord (S.A.S.B. 785).The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.

    Estimated dispatch 7-14 working days
  • £77.00

    General Series Brass Band Journal, Numbers 2238 - 2241, December 2023

    2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.

    Estimated dispatch 7-14 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1351 - 1354, July 2023

    1351: The anointed King (Marcus Venables)This piece was originally written as a massed band item for the Ontario Central-East Divisional Music Day in 2019. The updated version includes two songs, King of kings, majesty (S.A.S.B. 376) and O worship the King (S.A.S.B. 52) to a rhythmic setting of the tune Laudate Dominum (T.B. 481). Both songs present the contrasting characteristics of God; the powerful King and gentle, loving Saviour.1352: A suite of English Christmas carols (Kenneth Downie)This suite is the result of a request for a piece of music featuring exclusively English Christmas carols.The first movement features The holly and the ivy (C.C. 87). In sharp contrast, the second movement calls for a broad, sensitive, song-like approach. Using The cherry tree carol (C.C. 85), a much slower tempo than is normally applied to encourage the listener to see this beautiful tune in a new light. The rumbustious arrival of the finale is based on I saw three ships come sailing in (C.C. 44) with the festive mood prevailing until the end.1353: Nothing but thy blood (Norman Bearcroft)This two-verse setting of Richard Slater's much-loved hymn Nothing but thy blood (S.A.S.B. 769) appears straight-forward in nature, but requires a careful sense of the musical line across all parts.1354: Meditation - Reflections on Advent (Andrew Blyth)Two well-known carols, Away in a manger (C.C. 12) and Silent Night! (C.C. 77) are featured alongside original material. The piece attempts to convey a sense of reflection and meditation on the wonderful and awe-inspiring Advent story.

    Estimated dispatch 7-14 working days
  • £29.95

    Love Song (Cornet Solo with Brass Band - Score and Parts)

    Kenneth Downie is not only a fine brass band composer but has a noted catalogue of excellent choral works. Love Song was originally written as a vocal piece, and this arrangement was especially written for Philip Cobb.Duration: 5.15

    Estimated dispatch 7-14 working days