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£29.50
The Children's Sweet - Ron Glynn
This work is a "Sweet" (A pun on Suite) containing three Children's Nursery Songs, including "Girls and Boys come out To Play" "Oh Dear What can the matter be and "The Grand Old Duke of York" feature a Flugel Horn and a Eb Bass Solos.Ideal concert item with children in the audience.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Fakenham Fair - Traditional - A. Cook
The origins of the song Fakenham Fair are somewhat obscure. It was collected by Peter Bellamy, who performed it unaccompanied on his first solo LP, "Mainly Norfolk" in 1968, giving credit to a Peter Bullen of Norwich from whom he had learned it, Bullen in turn giving credit to his grandfather. But beyond that, other than it definitely being a Norfolk folk song, the rest is a mystery.Over the years, Fakenham Fair has become a firm favourite among folk audiences, probably the most famous version being the 2008 recording by folk supergroup 'Bellowhead' which this setting for brass band pays tribute to. A bright, quirky, and bouncy 5:4/10:8 waltz, the band parts dance back and forth from simple time to compound time and back again, giving a constant flow that somehow always feels natural despite the irregular rhythm... but which will also keep your audience guessing where the beat will land next! With solos and features for principal chairs around the band, nobody is left out of the fun. Engaging to listen to and even more so to play, Fakenham Fair is a perfect light concert item for the band that likes to show off their rhythmic and lyrical sides at the same time.
In Stock: Estimated dispatch 1-3 working days
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£24.50
In Dulci Jubilo - 14th Century German - Zillah Day-Smith
IN DULCI JUBILOA short concert arrangement of this well-known carol for a quartet of brass band instruments that don't always get the limelight! The melody is spread throughout the parts and allows for many different interpretations.Score includes both E flat and B flat bass parts to suit the ensemble's requirements.
In Stock: Estimated dispatch 1-3 working days
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£24.50
O Holy Night - Adolphe Adam - Zillah Day-Smith
O HOLY NIGHTA concert arrangement of this popular carol for a quartet of brass band instruments. The beautiful melody is spread throughout the parts, emphasising the emotional qualities of the original vocal composition. This is a piece that demands some ensemble skills and experienced band players will enjoy the solo elements.The score includes both E flat and B flat bass parts to suit the ensemble's requirements.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Sang Til Juletraeet (Song to the Christmas Tree) - Edvard Grieg - Zillah Day-Smith
Sang Til Juletraeet (Song to the Christmas Tree)A short concert arrangement of Edvard Grieg's song no.2 from Seven Children's Songs, Op. 61. Its gentle lilting melody and expressive harmony suits brass instruments beautifully. This piece deserves its place as a Christmas time favourite!B flat and E flat bass parts included to suit the requirements of the individual ensemble.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Triumphant - Bill Willis
TriumphantThis is a bright concert march in a traditional style and should pose no problems for the majority of bands.The first half of the march moves between the related keys of A min and C majThe march starts with a bold opening 2 bar statement in A min. At B the rhythm from the middle of the band should not be allowed to slow the pace of the march. C sees a majestic bass melody from Baritones downwards moving to D where a repeat of the original theme is presented before moving to the TRIO section. This moves between the related keys of F maj and D min. The melody heard at E is repeated at G with a florid counter-melody heard from 1st Baritone and Euphonium leading to the finish.
In Stock: Estimated dispatch 1-3 working days
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£40.00Last Night of the Proms Medley - Traditional
The quintessential most English of English classical music concerts and the self-styled world's largest and most democratic musical festival". The "Proms", originally known as The Henry Wood Promenade Concerts are an eight-week summer season of daily orchestral classical music concerts and other events held annually, predominantly in the Royal Albert Hall in London. Founded in 1895, each season now consists of more than 70 concerts in the Albert Hall, a series of chamber concerts at Cadogan Hall, additional Proms in the Park events across the United Kingdom on the last night, and associated educational and children's events. Often held as outdoor concerts in London's pleasure gardens, where the audience was free to stroll around while the orchestra was playing, this tradition has once again been revived in parks and stately homes not only in the UK, but across the world. The first series of promenade concerts were held indoors at the Queen's Hall in Langham Place. The idea was to encourage an audience for concert hall music who, though not normally attending classical concerts, would be attracted by the low-ticket prices and more informal atmosphere. In addition to "promenading" or "promming"; eating, drinking and smoking was all allowed. Many people's perception of the "Proms" is taken from the "Last Night", although this concert is very different from the others. The concert is traditionally of a lighter vein, with popular classics being followed by a series of British patriotic pieces in the second half of the concert. This second half sequence traditionally includes most of the works included in this medley. Many in the audience use the occasion for an exuberant display of Britishness. Union Jack Flags are carried and waved by the "Prommers", especially during "Rule, Britannia!". Balloons and party poppers are also in abundance.
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£45.00Andromeda - Dan Price
Following the popularity of Dan's concert opener Starburst , this sequel provides yet another exciting addition to the concert repertoire, equally at home as a finale or as a concert opener. The work is dedicated to Samantha Harrison and Elland Youth Band, who gave the premiere performance as part of their 2019 European Youth Brass Band programme in Montreaux, Switzerland. Listen: Duration: 00:04:00 Grade: 3/3.5
Estimated dispatch 5-7 working days
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£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
In Stock: Estimated dispatch 3-5 working days
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