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Butlins 2019

Championship Section

  • £64.95

    Benvenuto Cellini - Score and Parts - Hector Berlioz

    One of Berlioz's ill-fated operas, Benvenuto Cellini was first produced at the Paris Opera in September 1838. It was withdrawn as a failure after only four performances. Neither did the solitary performace given at Covent Graden some fiftenn years later, in the presence of Queen Victoria and Price Albert, meet with any greater success. But when in 1888 it was produced at Dresden it was acclaimed by the Germans as a triumph. The Carl Rosa Opera did much to revive interest in the work.Adapted from certain episodes recorded in the memoirs of Benvenuto Cellini, Tuscan sculptor and goldsmith, the story laid in Rome during the mid-sixteenth century is not strictly historical.Berlioz must have been well pleased with this opera despite its ealy failure. Not only did he include in the overture several of its themes - a not unusual pracitce - but he fashioned another overture with its material as well - the great Le Carnaval Romain.The short opening Allefro marked deciso con impeto is conceived in the most brilliant Berlioz manner, utilizing full instrumentation. In the Larghetto, we meet at once the first of the opera themes - the Cardinal's aria (from the last act) introduced in the bass, quasi pizzicato. A second melody leads to a resumption of the Allegro, the contrasting second subject in the tenor horns being an adaption of Teresa's aria (Act 1). Towards the end, the 'Cardinal'theme is re-introduced by trombone fortissimo against an energetic florid cornet and euphonium passage (seneza stringendo - without hurry, says the score).After a unison passage storming skywards, there is a sudden dramatic three-bar silent pause broken by Eb basses alone, again stating the 'Cardinal' theme. A simple molto cresendo on the dominant, begun piano, leads to the final long, resounding chord.

    Estimated delivery 12-14 days

First Section

Second Section

  • £59.95

    Academic Festival Overture - Johannes Brahms

    In 1881, Brahms accepted the degree of Doctor of Philosophy at Breslau University in Poland.For the occasion, he wrote his Academic Festival Overture, for orchestra, basing it on student songs. It is a splendid example of a serious composer writing a piece of musical “fun”.Romantic in style, the composer’s great skill is evident in his linking of the tunes, and his different treatment of them.In performance, there is rich scope for expression, for tenderness, boisterousness and high spirits, as well as thoughtfulness and an underlying purpose are all present in the music.The Overture ends with a typically Brahmsian climax, built into a welter of instrumental colour.The arrangement for brass band is by Denis Wright.

    Estimated delivery 12-14 days

Third Section

Fourth Section