Results
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£25.50The Spirit of Brass - Youth Band Version
Commissioned for BrassFestUK 2017 & recorded by the Cory Band, the Spirit of Brass is an exciting, new energetic work that will fit perfectly into any concert, particularly as an opening item. With memorable themes, the composition takes its roots from that of John Williams' various Olympic themes that he has composed over the years. As well as this training band version, there is also a full band version of the work available for mainstream bands. The two versions work as standalone items, or can be performed side-by-side. A great new original piece for Brass Band.
Estimated dispatch 7-14 working days
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£24.9523 - A Lament for the Victims of Enschede (Brass Band - Score and Parts)
23 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.On the 13 th May 2000, the Netherlands was shocked by an explosion in Roombeek - a district of Enschede, near the German border - after a fire broke out at a local fireworks depot. 23 people lost their lives in the tragic events. This piece pays tribute to their memory.The numbers 2 and 3 form the basis of the piece. The use of 5/4 allows the music to flow, alternating between 2 + 3 and 3 + 2; there are frequent passages where triplet quavers clash with straight quavers; and the tuned percussion make use of a scale composed of alternating intervals of 2 and 3 semitones.
Estimated dispatch 7-14 working days
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£34.95Pyrotechnic Variations on 1812 (Brass Band - Score and Parts)
Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.'Pyrotechnic Variations' is a modern day twist on Tchaikovsky's famous '1812' Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central 'slow' section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the 'canon' finale - ending in a glorious celebratory style!
Estimated dispatch 7-14 working days
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£44.95Bravura (A Fantasy on British Folk Songs) (Euphonium Solo with Brass Band)
Bravura is a companion piece to the composer's earlier euphonium display piece Brillante, utilising the same traditional 19th century "fantasy variation" structure, familiar to generations of brass soloists. Folk songs from the four corners of Great Britain are featured; Oranges and Lemons, (England), The Blue Bells of Scotland, The Minstrel Boy (Ireland) and the famous Welsh anthem Men of Harlech.The solo is a conflation of the original version, written for the 2002 Royal Albert Hall Gala Concert, which followed the National Brass Band Championships of Great Britain. On that occasion the combined talents of virtuosi David Childs, Derick Kane, Steven Mead and David Thornton (with guests Robert and Nicholas Childs) were on display, each personalising the cadenza section towards the end. This version incorporates a published cadenza, though soloists should feel free to improvise their own material at this point.
Estimated dispatch 7-14 working days
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£79.99The Alchymist's Journal (Brass Band - Score and Parts)
The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band conducted by Bramwell Tovey. This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing were required to use.Suitable for 1st Section Bands and aboveDuration: 12 minutes
Estimated dispatch 7-14 working days
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£44.99The Dreaded Groove and Hook (Brass Band - Score and Parts)
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass in Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has been recorded by the same band and conductor on the CD entitled Penlee.Suitable for 1st Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
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£27.95I'm a Brass Band (Brass Band - Score and Parts)
Alan Morrison's lively arrangement of I'm a Brass Band from the musical Sweet Charity is a great addition to any concert programme.
Estimated dispatch 7-14 working days
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£49.99Into the Sky (Brass Band - Score and Parts)
This music is a fanfare prelude that is designed to open concert programs with an impressive display of brass fireworks. It features every section of the band and reflects a modern spin on the style of the great Strauss fanfares for brass from the past.
Estimated dispatch 7-14 working days
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£89.99Torsion (Brass Band - Score and Parts)
Torsion was commissioned by the Leyland Band and first performed on 23 January 2010 at the Royal Northern College of Music Festival of Brass, Manchester, by Leyland Band conducted by Jason Katsikaris. This colourful and dynamic work is the most personal and ambitious that Simon Dobson composed during his residency with the Lancashire brass band. The dictionary defines torsion as the state of being twisted and the composer interprets this as the imagined dis-torsions and con-torsions of Time, Light and Sound in three contrasting movements. Simon Dobson fuses the traditional brass band sound with drive and energy of pop and funk jazz with optional digitally distorted 'echoes' providing added aural confusion at the points of climax. Although composed as a substantial concert work, Torsion would also make a challenging test-piece for contesting brass bands in the elite divisions. Suitable for Championship Section Bands. Duration: 15.00
Estimated dispatch 7-14 working days
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£95.00Variations on a Theme of Michael Tippett (Brass Band - Score and Parts)
A Centenary Tribute by Michael Ball, Edward Gregson, Elgar Howarth, Bramwell Tovey and Philip WilbyThis unique 'pice d'occasion' arose out of a telephone conversation in 2004 with Alan Wycherley, who was the soprano cornet player of the Foden's Richardson Band at the time. He indicated that the band would like to include an original birthday tribute for Edward Gregson (60) and Elgar Howarth (70) in its concert at the 2005 RNCM Festival of Brass in Manchester. I have been Artistic Director of Manchester's Festival of Brass since it was established in 1990 as a BBC Radio 3 series, As the centenary of the birth of Sir Michael Tippett fell on 5 January 2005, I devised this collective work as a way of embracing all three anniversaries in a novel way.The idea of joint compositions is not a new one in the classical music world. In the 1860s, Verdi was joined by a number of his contemporaries in a Requiem Mass for Rossini. In this country there have been a number of orchestral examples over the past fifty years, but never before for the brass band. Although Tippett composed only one work for brass band, Festal Brass with Blues, his orchestral works and operas are full of idiomatic brass writing. The theme I chose for this celebration is one of Tippet's most memorable miniatures featuring wind and brass. In the opera Midsummer Marriage it marks the entry of the Ancients. It is also included in the orchestral Suite in D (1948), for the Birthday of Prince Charles.I invited five of the leading contemporary voices in brass band music to add their own creative perspectives to the little Tippett theme, with it's characteristic rhythms, embellishments and modality - the Lydian mode. Each contribution was designed to fit into a tonal and formal template to give the whole work a flow and continuity. In Danse des Amis, Bramwell Tovey has composed a jazzy, humorous variation. Inspiration came from Tippett's love of jazz and, more personally, from the characteristically syncopated gait of the distinguished music critic John Amis, who Tovey once observed leaving a performance of Tippett's opera King Priam before the end. Incidentally, that performance was conducted by Elgar Howarth.We hear Edward Gregson in lyrical mode. His Midsummer Song is redolent of the sound world of Tippett's opera A Midsummer Marriage and it ends with a brief reference to a favourite of Gregson's, Tippett's Concerto for Orchestra. Michael Ball provides a brief moment of light, airy activity bringing to mind perhaps Tippett's love of Shakespearian fantasy, especially The Tempest. Elgar Howarth juxtaposes a slowed down version of the processional theme with distant recollections of fanfares from King Priam. Philip Wilby has rounded the tribute off with a spectacular fugue. During its inexorable progress Wilby ingeniously introduces the two other birthday references - the three-note musical signature that Elgar Howarth includes in much of his music and the characteristic theme which begins Edward Gregson's substantial work for brass an organ The Trumpets of the Angels. An elaborated reprise of Tippett's little theme is followed by a dynamic coda.- Paul HindmarshDuration: 13.00
Estimated dispatch 7-14 working days