Results
-
£30.00La Perla Negra - Colin Skinner
For this brooding piece the composer has used the following storyline. "A sad elderly man sits alone in a bar whilst an accordionist plays a slowtango. A beautiful woman walks in wearing a single black pearl necklace and proceeds to dance with the old man. Gradually the music becomesmore and more spirited and the dance faster as the old man becomes youthful again. With a passionate kiss he passes out in thegirl's arms and when he awakens he is back in the bar alone save for the accordionist. As he contemplates his dream he notices a single black pearlleft behind on the bar. The sombre mood is lightened in the middle section by a deliberately trite and stylised trumpet duet, but we soon returnto the opening material for a slow fade-out"
-
£70.00
Tango (Score & Parts) - Gavin Higgins
Tango for Trumpet and Trombone solos with Brass Band accompaniment was written for Ian Porthouse and Brett Baker in 2008. The first performance was given by the Black Dyke Band conducted by Nicholas Childs, at the Black Dyke Brass Arts Festival.Brass Band Grade 5: 1st SectionDuration: 9 minutes
In Stock: Estimated dispatch 1-3 working days
-
£44.95Metropolis 1927 (Brass Band - B4 Score only)
Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.Peter Graham
Estimated dispatch 7-14 working days
-
£40.00A Wartime Sketchbook (Brass Band - Score only)
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
-
£37.95Hungerford Town (Brass Band - Score only)
2011 Butlins 3rd SectionHungerford Town was commissioned by Tim Crouter and the Hungerford Town Band.The piece is in four movements played through without a break:The Black Prince: Opens with a short motif on which most of the following music is based. The music settles down into a mysterious mood that builds to the first transformation of the opening theme. The music is solid and rugged.The Coach Road: Hungerford was always a popular resting place for the horse drawn coaches on the way to London. The music is light and cheerful and features the soprano cornet and solo horn as postilions.St. Lawrence's Church: The previous motif from the first baritone becomes the main theme for this section that gives plenty of scope for warm and expressive playing. Music from the start of the suite is heard before it moves into a celebratory march.The Bear: The Bear Is a local inn frequented by travellers. The opening theme is heard again and brings the work to a triumphant close.Suitable for 4th Section Bands and above
Estimated dispatch 7-14 working days
-
£49.95Bestowal of a Century (Tenor Horn Solo)
Tenor Horn Solo with Brass BandBestowal of a Century (2014) was commissioned by Lowenna Taylor, and funded through her Harry Mortimer Trust award which she was presented with at the 2013 British Open Championship following the completion of her studies at the Royal Welsh College of Music in Cardiff. The 15-minute work received its world premiere at the Cornwall Youth Brass Band Christmas concert in 2014 with solosit, Lowenna, working alongside the band under the baton of Les Neish.The Bestowal refers to the presentation of the Royal Trophy by the then Prince of Wales to the famous West of England Bandsman's Festival in Bugle in 1913. Over the years it has been won by some of the greatest names in brass banding, including Black Dyke and Munn & Feltons - although more recently it has become a wonderful open festival that includes sections for local bands as well as visitors from all over the banding globe. 2014 marked the one-hundredth anniversary of the presentation of the trophy, which is the only brass band trophy to have the official seal of royal patronage.The work, in three distinct sections, opens in a mysterious way, building progressively with interjections from the horn. The composer notes its as though one can imagine different part of the trophy being put together, piece by piece, until the trophy is complete and a climax is reached. Following this, a playful theme is presented which is developed throughout the first section and interacting between soloist and band.The second movement, in complete contrast, is a lyrical melody; heart-wrenching throughout, and sits well both as part of the concerto and also as a stand-alone solo item. The third movement is light-hearted and virtuosic, demonstrating the technical capabilities of the instrument with fast and virtuosic playing, and a cadenza towards the end of the work.
Estimated dispatch 7-14 working days
-
£35.00
Darkwood (Score Only)
Born in the Vale of Evesham, Worcestershire, Dan took a keen interest in music from an early age playing tuba and trombone with his local brass band. After leaving school he embarked on a 10 year career as a hotelier integrating it with a developing career as a freelance musician playing double bass, sousaphone and bass saxophone with big bands including the internationally Pasadena Roof Orchestra.In 2003, he enrolled in the Band Musicianship course at Salford University where he studied composition and arranging with Prof. Peter Graham. Dan's first test-piece An Elgar Portrait was selected as the 4th Section set work at the Swiss National Brass Band Championships in 2007 and again at the Pontins Championships the following year. He then went on to write the test-piece New World Sketches which was set as the 2nd Section test-piece for the British Regional Contests in 2009.In 2009, Dan became Composer in Association with the Cory Band, helping them with their winning programmes at several Brass in Concert Championships. In 2012 he became the Arranger in Association with Black Dyke Band and has been involved with many of the band's exciting projects including his arrangement of Recycled for the ground breaking multimedia campaign - Danger Global Warming Project and the band's collaboration with British composer Tolga Kashif in 2012 for his Olympic Anthem Let Your Light Shine.In 2015, Dan had a number of major works performed at International contests which included Realms of Asgard: Yggdrassil - a new test-work commissioned by Jaren Hornmusikkforening to be used as their choice work at the Norwegian Brass Band Championships, Ocean of Storms - an exciting new work for Grimethorpe Colliery Band's Brass in Concert programme and his test-piece Visions which was used as a 4th Section National Finals test-piece.Dan is currently working full time at the University of Salford, lecturing in Composition and Arranging. He continues to work as a freelance composer working with a number of leading soloists, brass and wind bands around the world.
Estimated dispatch 7-14 working days
-
£24.95The Dark Side Of The Moon (Score Only)
This piece was commissioned by Dr. Nicholas Childs and Black Dyke Band on behalf of Rotary International and received its world premire performance at St. David's Hall, Cardiff on Saturday 27th January 2007. It is dedicated to the composer's father, Harry Cooper.The music was selected by the National Contesting Council as the 3rd section test piece for the 2008 Regional Brass Band Championships of Great Britain. A Note from the Composer...Have you ever thought of a holiday destination, tourist attraction, event, place, site or period in history and thought 'I wonder what it would be like?' - somwhere you have never been and can only let your imagination run wild on. What would the place be like, and all the things surrounding it such as the mood, feelings you get experiencing it, the temperature? Who would be there and what you would see? This piece is my musical imagination of the dark side of the moon. I know from news reports, the internet and other footage that the moon is a very desolate place, very barren and rugged. So from the start the piece gives the listener a musical picture of the rugged landscape with little light and warmth.However, the one place that has had me thinking about is the side of the moon that we don't see in our night skies, the side of the moon with no sun and no light pollution from civilisation. I can only imagine the eeriness one would feel being stood in complete darkness on the moon's surface looking around.As you slowly explore the surroundings and your eyes drift up to the night sky, there is an awesome sight unfolding in front of you - countless stars and galaxies, planets and different solar systems and all right in front of you glistening from the light of the sun beaming from the other side of the moon. The Dark Side of the Moon portrays a musical picture of the whole experience as seen in my imagination taking the listener from the rugged landscape to the awesome beauty that sits endlessly in front of you.Paul Lovatt-Cooper, September 2007
Estimated dispatch 7-14 working days
-
£49.95Bestowal of a Century - Christopher Bond
Bestowal of a Century (2014) was commissioned by Lowenna Taylor, and funded through her Harry Mortimer Trust award which she was presented with at the 2013 British Open Championship following the completion of her studies at the Royal Welsh College of Music in Cardiff. The 15-minute work received its world premiere at the Cornwall Youth Brass Band Christmas concert in 2014 with solosit, Lowenna, working alongside the band under the baton of Les Neish. The 'Bestowal' refers to the presentation of the Royal Trophy by the then Prince of Wales to the famous West of England Bandsman's Festival in Bugle in 1913. Over the years it has been won by some of the greatest names in brass banding, including Black Dyke and Munn & Feltons - although more recently it has become a wonderful open festival that includes sections for local bands as well as visitors from all over the banding globe. 2014 marked the one-hundredth anniversary of the presentation of the trophy, which is the only brass band trophy to have the official seal of royal patronage. The work, in three distinct sections, opens in a mysterious way, building progressively with interjections from the horn. The composer notes its as though one can imagine different part of the trophy being put together, piece by piece, until the trophy is complete and a climax is reached. Following this, a playful theme is presented which is developed throughout the first section and interacting between soloist and band. The second movement, in complete contrast, is a lyrical melody; heart-wrenching throughout, and sits well both as part of the concerto and also as a stand-alone solo item. The third movement is light-hearted and virtuosic, demonstrating the technical capabilities of the instrument with fast and virtuosic playing, and a cadenza towards the end of the work.
Estimated dispatch 10-14 working days
-
£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Estimated dispatch 10-14 working days
