Results
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£35.20SALUTE TO BERNE MARCH (Brass Band Marchcard) - Obrecht, Ernst - Woodfield, Ray
Duration: 3'06". Grade: easy. Recorded on OBRCD945 Flyin' to the Skies (Black Dyke Band).
Estimated dispatch 7-14 working days
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£42.95SEAL LULLABY, The (Flugel Horn Solo with Brass Band)
This loving and dreamlike work captures the undulating rhythm of a mother rocking her child to sleep. The piece was inspired by classic Rudyard Kipling: "Oh! Hush thee, my baby, the night is behind us, And black are the waters that sparkled so green. The moon, o'er the combers, looks downward to find us, At rest in the hollows that rustle between." Magical!
Estimated dispatch 7-14 working days
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£49.20
SHINING BRASS! (Brass Band) - Richards, Goff
Duration: 4'22". Grade: medium. Recorded on OBRCD945 Flyin' to the Skies (Black Dyke Band).
Estimated dispatch 7-14 working days
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£115.00Silas (Brass Band - Score and Parts) - Bruhn, Christian - Ferda & Valta
Includes:The Black OneFriendshipScallywagsFinal ThemeDuration: 5.00
Estimated dispatch 7-14 working days
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£35.20
SPANISH NIGHT IS OVER, The (Brass Band Marchcard) - Smith & Walter
Marchcard size. Recorded on Obrasso CD954 Forever Shining (Black Dyke Band conducted by Nicholas J Childs). Grade: easy.
Estimated dispatch 7-14 working days
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£15.99Sweet Sunset (Brass Band - Score only)
The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda. 03:35
Estimated dispatch 7-14 working days
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£85.00The Alchymist's Journal (Brass Band - Score and Parts) - Hesketh, Kenneth
The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band conducted by Bramwell Tovey. This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing were required to use.Suitable for 1st Section Bands and aboveDuration: 12 minutes
Estimated dispatch 7-14 working days
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£44.95The Name (Trombone or Euphonium Solo with Brass Band - Score and Parts)
Solo for Trombone (or Euphonium Bb). Recorded by Brett Baker with the Black Dyke Band on Call of the Cossacks - Music of Peter Graham Vol II.
Estimated dispatch 7-14 working days
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£49.20
TRUMPET BLUES AND CANTABILE (featuring cornets) (Brass Band)
Duration: 2'57". Grade: medium. Recorded on OBRCD945 Flyin' to the Skies (Black Dyke Band).
Estimated dispatch 7-14 working days
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£89.95TRUMPETS OF THE ANGELS - 2016 Edition (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
The Trumpets of the Angels is a large-scale work, scored for seven solo trumpets (or cornets), brass band and percussion (deploying 'dark' instruments such as three tam-tams, bass drum and two sets of timpani). The genesis of the work is a quotation from the Book of Revelation ... and I saw the seven angels which stood before God; and to them were given seven trumpets.Thus the idea behind the work is highly dramatic and I have tried to achieve this by the spatial deployment of seven solo trumpets around the band. Trumpet 7 remains separate from the band throughout and, indeed, has the most dramatic and extended cadenza, representing the words of the seventh angel ... and time shall be no more.The work opens with a four-note motif announced by off-stage horns and baritones and answered by fanfare figures on four solo trumpets. In turn, each then play cadenzas before joining together, independently playing their own music. This leads to a sung Kyrie Eleison with accompanying solos for Flugel Horn and Baritone, after which we hear the entry of solo trumpets 5 and 6 with music that is more urgent and rhythmic, describing the Horsemen of the Apocalypse.The music reaches another climax, more intense this time, with the horns and baritones (now on-stage) again sounding the transformed motif, before subsiding into what might be described as a lament of humanity - slow, yearning music, which builds from low to high, from soft to loud, with a melody that is both simple and poignant. At its climax, Trumpet 7 makes a dramatic entry, playing the opening four-note motif, but expanded to almost three octaves. This cadenza (to the partial accompaniment of 3 tam-tams, representing the Holy Trinity) introduces new material and foreshadows the ensuing Scherzo, introduced by antiphonal timpani before the band enters with music that is fast and foreboding. Despite the somewhat desolate and 'unstable' mood of this music, it slowly moves towards an optimistic conclusion, transforming the 'humanity' music into an affirmative and triumphant statement.The original version of The Trumpets of the Angels was commissioned by the Fodens Band for their centenary concert at The Bridgewater Hall, Manchester, in 2000, and contained an important part for organ. In 2015 I was asked by Nicholas Childs to create a New Performing Edition for the Black Dyke Band; without organ, and including newly composed material. This New Performing Edition was given its first performance at the European Brass Band Festival in Lille in April 2016. The work is dedicated In tribute to Olivier Messiaen.- Edward Gregson
Estimated dispatch 7-14 working days
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