Results
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£30.00She's Leaving Home - Lennon & McCartney
Taking this classic song of the Beatles to a new level, Andrew Duncan has arranged it for brass band, but giving the cornets a rest and instead featuring the beautiful sounds of lower brass and percussion.Look and Listen (part of a virtual concert by Llwydcoed Band):
In Stock: Estimated dispatch 3-5 working days
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£25.00Summer from TV's 'Victorian Kitchen Garden' - Paul Reade
A full brass band version of this beautiful movement from the suite which accompanied TV's 'A Victorian Kitchen Garden'. Also available for brass quintet.A very delicate yet passionate melody is skillfully scored for band to bring out the textures and colours of the original. A relective piece that flows and generates a real 'Aaahhh-factor' with the audiences. Ideal for a moment of tranquility in any concert or entertainment contest programme.
In Stock: Estimated dispatch 3-5 working days
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£45.00
The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
In Stock: Estimated dispatch 3-5 working days
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£30.00The Water is Wide - Traditional
Alternatively known as O Waley Waley, Andrew Duncan has created this stunning arrangement for brass band, presenting the hauntingly beautiful, traditional song as a feature for the solo cornet section of the band.Look and Listen (performance courtesy of Bon Accord Silver Band 2018):
In Stock: Estimated dispatch 3-5 working days
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£30.00The Wind Beneath My Wings
A beautiful Baritone duet setting of this legendary ballad.Tim Paton writes:My band colleague, friend and baritone player, Eileen Ludlow, asked me on several occasions to arrange this well loved song as a baritone duet for her and Clare. So asa birthday present for Eileen, this is my contribution to an ever growing number of pieces featuring the long neglected baritone player!
In Stock: Estimated dispatch 3-5 working days
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Foyle's War Theme - Jim Parker - Len Jenkins
Foyle's War was a TV crime drama created by screenwriter Anthony Horowitz, and tells the story of Detective Chief Superintendent Christopher Foyle, played by Michael Kitchen, fighting a personal war against crime amidst the turmoil of World War Two. The music for the series was composed by 4 time BAFTA winning Jim Parker and has an ethereal minor key melody, sparsely orchestrated and Wobbleco Music has attempted to capture this atmosphere in its arrangement for Brass Band. An arrangement for a Brass Ensemble is also available. The last episode of the Foyle's War was written in 2014 but such is its popularity that there have been many requests for it to return to the screens, particularly as the writer says that one of the wartime years has yet to be covered. We shall see. Meantime enjoy this beautiful theme.
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£39.95Our Kind of Love (Score and Parts) - Andrew Lloyd Webber arr. Ray Farr
One of the most stirring numbers from Lloyd Webber and Ben Elton's emotionally challenging musical The Beautiful Game (soon to be relaunched as The Boys in the Photograph).
Estimated dispatch 7-9 working days
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£51.95Prelude and Fugue: The Spitfire (Score and Parts) - William Walton arr. Elgar Howarth
Originally part of the score Walton wrote for the film The First of the Few, this fabulous music found greater fame in the concert version he made in 1942. Now, at last, here is an authorised version for brass band by an acknowledged master of the art, in a beautiful new presentation from Winwood Music. The Prelude - essentially a march in his best Crown Imperial style leads to a dazzling Fugue which incorporates a quiet interlude before the dramatic finale. Whether used as a concert opener or roof-raising finale it is sure to delight audiences and players alike. Duration: 7:00
Estimated dispatch 7-9 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1363 - 1366, July 2024
1363: Festival March - Collect the harvest (Anders Beijer)This march is a call to tell others about the salvation we have received and bring people to Jesus. Jesus has bought us with his blood, and we now belong to him and stand under his protection, surrounded by his love and care. After brief references to the melody Bringing in the sheaves (S.A.S.B. 58) (also appearing later in the work in full) and an original melody, we hear the familiar tune Saviour, like a shepherd. This music should be performed with great joy and enthusiasm.1364: O come, Immanuel (Steve Kellner)The text of this beautiful Advent hymn (C.C. 62) dates to the 8th century and its chant-like tune to the 15th century. While the text alludes to Israel's captivity in Babylon and the coming Messiah, it in fact refers to the believer's anticipation of Jesus' second coming. The original chant melody was call and response, so the opening motif serves as the call, returning throughout the arrangement.1365: Our Consecration (Marcus Venables)This arrangement uses the tune St Margaret (T.B. 427) to the beloved hymn by George Matheson, O love that wilt not let me go (S.A.S.B. 616), which highlights the powerful and enduring nature of God's love. The use of the melodic fragment on the word 'go' serves as a subtle question mark, inviting the listener to reflect on the human qualities that may cause doubt in the steadfastness of God's love for us. However, as the piece ends, there is a sense of peace and assurance that we can truly rely on the never-ending love of God in our lives. This powerful and emotive arrangement will leave the listener feeling uplifted and encouraged by the knowledge that they are held securely in the arms of God's love.1366: March - The bell ringer (David Rowsell)The title of this march refers to someone who stands by the iconic Salvation Army Christmas kettle and receives donations from passers-by. They ring a bell to attract attention and subtly invite people to give a donation in support of The Salvation Army's work. This march was written as a tribute to the many volunteers worldwide who support this campaign each year. The music features the choruses from two Christmas carols, Sweet chiming Christmas bells (C.C. 83) and Sweet chiming bells (C.C. 82).
Estimated dispatch 7-14 working days
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£44.95Powerhouse (Brass Band - Score and Parts)
Spirit divine, come as of old. So begins the song by Brindley Boon (S.A.S.B. 311), and that phrase becomes the message of this piece, and an important motif in the music. It appears at the very beginning of the work and recurs at important points during the piece. The theme of the need for spiritual power is further underlined by the use of the hymns Show your power (S.A.S.B. 365), Wonder-working power (S.A.S.B. 451) and the very old chorus Send a new touch of power on my soul, Lord (S.A.S.B. 785).The composer first heard Boon's song Spirit Divine when it was sung by Parkhead Songsters in the Sunday morning meeting at his home Corps of Greenock Citadel. They were visiting for the weekend from Glasgow, and were conducted by Songster Leader Walter Chalmers, himself a beautiful lyric tenor soloist. They sang it in a moving fashion, unaccompanied, and such was the impact that, at the conclusion, many people went to the mercy seat. It made a huge impression on the young composer. It was the first time that Downie discovered the enormous power of music in worship. It also serves as a reminder to us all that young people of a tender age are very capable of grasping deeply significant events happening around them. This music was written for the 2020 UK Territorial Youth Band course.
Estimated dispatch 7-14 working days
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