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  • £34.95

    On the Castle Green - Paul Lovatt-Cooper

    I was contacted by conductor and friend Desmond Graham who wanted to have a traditional concert march composed to celebrate the Golden Jubilee of his band; The Third Carrickfergus Band.Immediately my mind started wandering as I thought about all the great marches that I have enjoyed playing and listening to over the years. So when I put pen to paper I had already planned out the structure of the march and which instruments to feature.The march itself is split into two halves, the first in a minor key the second in a major key. The opening section starting loudly in F minor features stereotypical passages one would come to recognise in a traditional concert march: a cornet solo, a melodic bridging section and a robust bass solo led by the basses and trombones.The second half of the march changes pace and mood as it lifts into a major key giving it a more lighter feel. We hear a second cornet solo which plays the second theme of the march. After a second bridge section the theme is played by the front row cornets to allow the soprano to play an obligato melody similar to that heard in marches like “Army of the Nile” and “Stars and Stripes Forever”. It all builds to a grandioso ending where the tempo drops and the final theme is played with a quick accel to the end.As for the title? In Carrickfergus lies an old castle that faces the town which is situated on a small plot of luscious green grass – “On The Castle Green”.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £21.50

    Brandenburg Concerto No. 2 (allegro) - J.S Bach - John Abbott

    The "Brandenburg Concertos" were composed and dedicated to Christian Ludwig, Margrave of Brandenburg in 1721, however it seems now they were never actually played for him. This 1st movement has been kilfully arranged as a trio for Soprano Cornet and 2 Bb Cornets (solo cornet, and repiano). This is sure to test the strongest of players, utilising the soprano's high register and making work of the low register on the Bb cornets. As well as keeping the band entertained with running semi-quavers (and some wonderful intervals for the basses!!!) This certainly is a hard piece to perform for the three soloists, but its well worth the challenge.

    In stock: Estimated delivery 1-2 days
  • £19.50

    Nutcracker March - Tchaikovsky - Geoff Colmer

    First performed in 1882, the Nutcracker Suite (which included this march) was a huge success and became highly popular. The march features in the ballet when the children march around the tree on Christmas eve, filled with excitement and anticipation of the next morning. Some great lip slurs for the Solo Cornets whilst Basses have moving staccato quavers to keep them occupied.

    In stock: Estimated delivery 1-2 days

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  • £64.95

    Suite from Stabat Mater - Karl Jenkins

    The World premiere performance of Karl Jenkins' Stabat Mater took place on March 15th 2008 in Liverpool's Anglican Cathedral, performed by the Royal Liverpool Philharmonic Orchestra and Choir conducted by the composer.Stabat Mater is a 13th Century Roman Catholic poem attributed to Jacopone da Todi. Its title is an abbreviation of the first line, Stabat mater dolorosa (‘The sorrowful mother was standing') This text, one of the most powerful and immediate of medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion.It has been set to music by many composers, among them Haydn, Dvor?k, Vivaldi, Rossini, Pergolesi, Gounod, Penderecki, Poulenc Szymanowski, Alessandro Scarlatti, Domenico Scarlatti and Verdi.Here we have three movements from Karl's setting of Stabat Mater to form a wonderful suite for brass band;ISancta Mater IICantus LacrimosusIIIParadisi GloriaMovements I and III feature antiphonal writing for cornets (group A and group B) whilst movement II opens with a quartet playing together at the side of the stage, before taking positions at the front of the stage.Performance layout based on traditional band formation: Flugel and horns should sit in the solo cornets seats, basses should sit in the horn seats, euphonium and baritones remain why they usually are. Trombones should stand a central position behind the basses and in front of percussion whilst cornets (divided as indicated on the score) take standing positions, one group behind the horns and the second group behind the baritones and euphoniums.This suite can be augmented with the inclusion of the euphonium solo Lament from Stabat Mater and the cornet solo / duet Ave Verum from Stabat Mater. If using one of these it should be played following Cantus Lacrimosus. If using both Lament should be played after Sancta Mater and Ave Verum after the Cantus Lacrimosus. All of this music can be heard performed by Cory Band conducted by Robert Childs on the Doyen CD ‘Cory in Concert - Volume II'

    Estimated delivery 5-7 days
  • £69.95

    Partita - Score and Parts - Philip Sparke

    Partita was written in 1989 to a commission from Eikanger/Bj?rsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.

    Estimated delivery 12-14 days
  • £34.95

    Partita - Score Only - Philip Sparke

    Partita was written in 1989 to a commission from Eikanger/Bj?rsvik Musikklag (Norway) who were European Champions at the time.There are three movements.1 The first movement is almost a miniature concerto for band. It opens with a relentless quaver passage in the basses, which builds until the whole band is involved. Horns and baritones are first to take centre-stage in close harmony and the euphoniums and basses follow them. These forces combine to introduce the cornets that have a 10-part fanfare to themselves before the trombones interrupt. The opening quaver figure returns, somewhat ominously, and, after the full band recalls previous material, brings the movement to a close.2. Starts with a cornet solo over a pulsating accompaniment after which the band builds to a noble tune on the trombones. The full band takes over and brings back the opening cornet tune with which the soloist, with the aid of a euphonium counter-melody, quietly ends the movement, leading directly into:3. A sparkling vivo, which opens with the fanfare-like figures throughout the band until a solo cornet, emerges with an acrobatic tune. The whole band takes this up until horns; baritones and trombones introduce an energetic second subject, which leads to a full band climax in the form of a jubilant chorale. This died away to reintroduce the opening fanfare against a new theme from the trombones, which eventually leads back to a recapitulation. We are then thrown headlong into a 12/8 presto, which hurtles to a coda, which recalls the opening themes.

    Estimated delivery 12-14 days
  • £29.95

    Joy, Peace and Happiness (Brass Band - Score and Parts) - Phillips, Richard

    An ideal concert opener (first or second half) where the idea is that the band appear on stage section by section starting with percussion followed by basses and so on!

    Estimated delivery 12-14 days
  • £14.95

    Joy, Peace and Happiness (Brass Band - Score only) - Phillips, Richard

    An ideal concert opener (first or second half) where the idea is that the band appear on stage section by section starting with percussion followed by basses and so on!

    Estimated delivery 12-14 days
  • £135.00

    Perihelion: Closer to the Sun (Brass Band - Score and Parts)

    Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships, held in Oslo, Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection, Cory went on to become European Champions for the fifth time.Cory MD Philip Harper had asked for a 'Concerto for Band' to fully exploit his outstanding band of virtuosi, and composer Philip Sparke created a one-movement work with contiguous sections, first featuring horns and flugel, then trombones followed by cornets and a slower central section for percussion and baritones, euphonium and basses.The piece is abstract in nature, without a specific programme, and the title merely reflects the fact that the piece was begun on January 2nd 2013, the day of Earth's perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow, both of which can be the result of bright sunshine. 19:15

    Estimated delivery 12-14 days

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  • £27.50

    Perihelion: Closer to the Sun (Brass Band - Score only)

    Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships, held in Oslo, Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection, Cory went on to become European Champions for the fifth time.Cory MD Philip Harper had asked for a 'Concerto for Band' to fully exploit his outstanding band of virtuosi, and composer Philip Sparke created a one-movement work with contiguous sections, first featuring horns and flugel, then trombones followed by cornets and a slower central section for percussion and baritones, euphonium and basses.The piece is abstract in nature, without a specific programme, and the title merely reflects the fact that the piece was begun on January 2nd 2013, the day of Earth's perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow, both of which can be the result of bright sunshine. 19:15

    Estimated delivery 12-14 days