Results
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£29.95Ochills (Cornet Solo with Brass Band - Score and Parts)
Ochills was inspired by the composer during a stay in Alloa, Scotland. His room looked out on the Ochills and one morning, taking a sheet of manuscript paper, he traced the shape of the hills across the stave, and then added the notes in a rhythmic pattern.Duration: 2.45
Estimated dispatch 7-14 working days
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£54.99Vivo Per Lei (Brass Band - Score and Parts) - Stalman, Wim
A passionate desire for Andrea Bocelli's voice has spread across the world like wildfire for Andrea Bocelli possesses a truly remarkable voice. A voice as palpably powerful, as it is almost ethereal. Vivo Per Lei (I live for Her) tells of a passion so great that it is felt in every action, every moment of the day. This excellent arrangement will bring a moment of tender passion to any concert.Duration: 4:30
Estimated dispatch 7-14 working days
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£76.99Animal Kingdom - William Vean
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition.
Estimated dispatch 5-14 working days
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£60.99Fanfare in Iubilo - Thomas Doss - Brian Johnson
The power of this bright fanfare reflects the optimism, joy and commitment to tradition that the people of the Italian town of Schlanders have deep within their souls. The golden trumpets from the valleys of South Tyrol echo across the mountains on both sides of the Austrian-Italian border and help to convey the composer's message: just as the sun shines on all parts of the world, music knows no boundaries. This message echoes throughout this brilliant fanfare.
Estimated dispatch 5-14 working days
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£67.78Armistice at Flanders Fields (Brass Band) Dwayne Bloomfield
This poignant and powerful work for brass band by Dwayne Bloomfield describes the day peace was announced to end World War I. The piece was written in 2023 to be played by bands around the world to mark Armistice Day.The composer writes:'Unless you were there, it's impossible to imagine what it must have been like the day peace was announced ending World War I. The feelings soldiers experienced, who after years of fighting and suffering, to know it was over and they would return home to see family and loved ones again. This piece tries to tell their story.The work begins by approaching the front, distant artillery and battle sounds heard while the carnage and loss of lives was already known to the world. The band builds as we enter the thick of battle, the death and destruction, the conditions faced and the loss of hope of ever surviving. The next section, in 7/8 time, reflects the two sides fighting - both sides attacking and defending with mostly little result, but for the loss of more lives. Two euphoniums then depict the news and hope of peace talks. However, fighting did continue right up to the very end and on the last day there would be another 2,738 casualties.The Canadians were still battling to capture the town of Mons that morning. A song is sung in reflection of the estimated 5.5 million allied soldiers who lost their lives during World War I, then a clock ticks down the final minutes. The last three known casualties are depicted with French soldier Augustin Trebuchon, killed at 10:45am by a single shot as he rushed down the trenches to spread the news of coming peace; Canadian George Lawrence Price killed by a sniper round at 10:58am at the battle of Mons, and lastly a machine gun burst that killed American Henry Gunther, who is believed to have fallen on the 11th hour. Bells then toll ringing around the world announcing the end of the war.After years of war, it must have been jubilation for the families at home knowing their loved ones would be returning to them. The band builds with a hymn for peace as a final tribute to those who fought, before the piece resides with one of the most dreaded sounds at that time, the knock on the door from a telegram delivery boy or better known then as the Angels of Death. It wasn't just the 2,738 families from the casualties of the last day who would receive such a knock, but many more who expected their loved ones to be returning home would instead find out they were instead killed in the last weeks. So close.Driving around the battlefields today one comes across many intersections in the countryside which have cemetery signposts pointing in every direction. While the last post sounds in ceremonies today, this last bugle call instead depicts the horrors, devastation and death the soldiers faced during the war and right up the 11th hour of the 11th day of the 11th month, Armistice at Flanders Fields.'To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=ljfyVz3cMgkDuration: Approx. 15.00 minutesDifficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£45.19Illuminate - Brass Band (Andrew Wainwright)
Written for the Chicago Staff Band's tour of England in 2015, this exhilaratingwork was premiered at The Salvation Army's Boundless International Congress at London's O2 Arena to an audience of 20,000 people.The piece is structured as a through-composed triptych, weaving together the popularcontemporary worship songs Shine on Us (Michael W. Smith) and Speak, O Lord (Keith and Kristin Getty) with the historic Salvationist anthem The World for God (Evangeline Booth) to explore themes of light, guidance, and mission.The work opens with energy and rhythmic drive, centering on Shine on Us. A stark contrast follows in the meditative middle section. Here, the music explores the contemplative depths of Speak, O Lord, featuring the solo horn. The final section introduces a nostalgic and stirring reference to General Evangeline Booth's classic hymn, The World for God.The finale juxtaposes all three themes. As the disparate melodies intertwine and layer upon one another, the music builds to a triumphant climax - a representation of 'illumination' that celebrates a shared faith across generations.To view The International Staff Band performing the piece, please visit:www.youtube.com/watch?v=T5gVsBrdvioDuration: approx. 7 minutesIncludes score and full set of parts.Sheet music available exclusively from World of Brass - www.worldofbrass.comDifficulty Level: 2nd Section +Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£34.99Submerged... (Cornet Concerto No.2) - Jonathan Bates
'Submerged..' is a virtuoso concerto for Cornet composed as a response to the 'lost' Derbyshire villages of Ashopton & Derwent,. both of which were drowned in the early 1940's to make way for a new reservoir to aid the ever-increasing water demand from nearby. Sheffield and it's steel industry during World War 2. The work is through-composed but is defined by 3 clear main sections, 'The . Packhorse Bridge, Derwent', 'Ashopton Chapel' and 'Operation Chastise'. Much of the melodic and harmonic material throughout the. concerto is inspired by 3 contrasting sources; an original motif of towering block chords which opens the concerto, the famous opening. fragment of Eric Ball's 'High Peak' (1969) which was composed as a tribute to the district of Derbyshire where Ashopton & Derwent lie, . and finally Claude Debussy's haunting 'La Cath drale Engloutie' or 'The Sunken Cathedral', which was composed in 1910 around the legend of. the submerged cathedral of Ys. . I. Packhorse Bridge, Derwent (1925). One of the most striking features of the former village of Derwent was it's Packhorse Bridge, which spanned the River Derwent. adjacent to the Derwent Hall - a grand, picturesque Jacobean country house. In 1925, the renowned impressionist artist Stanley. Royle painted a striking image of the two in midwinter, with the partially frozen river sat quietly underneath the snow-topped. bridge in the foreground, while the old hall sits peacefully and dark in the background. The opening setion of this concerto paints. this picture in a quite schizophrenic manner; with frosty, shrill march-like material picturing the villagers crossing the narrow icy. bridge, combined with wild and frenzied waltz music of the grand hall and it's masquerade balls laying, for now, quietly mysterious. across the river. . II. Ashopton Chapel (1939). Ashopton was much the smaller and less-populated of the 2 'lost' villages, but still bore home to a Roman Catholic Chapel which was. the focal point of the village. The chapel - along with the rest of Ashopton - was drowned in 1943, but the final service to take place there. was held in 1939, with the final hymn being 'Day's Dying in the West'. This hymn forms a haunting coda to the 2nd section, with firstly the . piano leading the melody before an audio track containing an old recording of the hymn is accompanied by the sound of flowing water and . the rumble of storms as the village hypothetically disappears from existence with the hymn tune still echoing around the valley, before . subsiding into the growing roar of the engine of a Lancaster Bomber as it soars overhead towards Derwent to practise it's 'Dam-Buster' raid. . III. Operation Chastise (1943). The Derwent Reservoir lies adjacent to Ladybower Reservoir (of which Ashopton & Derwent were flooded to make way for) in the . Derbyshire High Peak, and during the 2nd World War was used as one of the central low-atitude practise areas of the 617 Squadron - more . commonly known affectionately as the 'Dambusters'. Before the destruction of Derwent, it's 'Packhorse Bridge' was dismantled stone by stone . and re-assembled upstream at Howden Dam to the north end of Derwent Reservoir. This is where the music begins, with a reconstruction of . the opening material before taking flight into a whirlwind tour of virtuosity from the soloist. .
In Stock: Estimated dispatch 1-3 working days
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£41.42A Carol Rhapsody (Brass Band) Geoffrey Nobes
Capture the mystery, wonder, and joy of the festive season with A Carol Rhapsody (Geoffrey Nobes). This dynamic and brilliantly orchestrated medley weaves together a selection of much-loved Christmas carols, balancing timeless audience favorites with beautiful, lesser-known melodies. Perfect as a centerpiece or finale for your festive concert, this rhapsody provides an engaging musical journey that highlights the full tonal palette of your band.Thoughtfully scored with accessible range demands, standard time signatures, and comfortable keys, A Carol Rhapsody is exceptionally approachable. It serves as an ideal performance piece for 4th Section bands and above, as well as Youth and Training Bands looking for a rich, full-sounding festive work. Higher-section bands will also appreciate its quick rehearsal turn-around during a busy Christmas season.The Musical JourneyAtmospheric Opening: The piece begins with an evocative introduction, featuring subtle echoes of Coventry Carol and Hark, the Herald Angels Sing.Rhythmic & Bright: The tempo shifts into a lively rendition of the old French folk carol O Leave Your Sheep, cleverly interwoven with motifs from Joy to the World and the sweeping refrain of Angels from the Realms of Glory.A Lush, Lyrical Heart: The centerpiece of the work is an extended, beautifully textured setting of another French folk carol, Whence Is That Goodly Fragrance. This section serves as a wonderful showcase, passing the melody throughout various sections of the ensemble in turn.Triumphant Finale: The pacing accelerates into a joyful romp through the traditional English carol I Saw Three Ships Come Sailing in. Excitement builds through a series of key changes, weaving several themes together before culminating in a triumphant Glory to the New-born King - complete with the ringing bells of Ding, Dong! Merrily on High echoing across the band.To view a rolling score video of this piece please visit www.youtube.com/watch?v=hYehd0CGaA8Duration: approx. 6.30 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£41.42UKRAINE2022 (Brass Band) Joe Galuszka
This highly descriptive work for brass band by Joe Galuszka is in four parts:I. Declaration of WarII. Hymn for the Children and Women of BuchaIII. ResistanceIV. Hope for the FutureThe composer writes:'On the 24th of February 2022, the geopolitical landscape as we knew it changed, when the Russian Federation invaded Ukraine in a Declaration of War, and what was masked by the Kremlin as a 'special military operation'. Now regarded to be the most significant escalation of the Russo-Ukrainian War of 2014 since the annexation of Crimea, millions of Ukrainians fled the country and many millions were displaced, the after-effects of the conflict sent shockwaves through the world - leading to a global food crisis, humanitarian crisis and a refugee crisis.As the conflict began to ripple through Ukraine, missiles and airstrikes would cause destruction across the country including its capital, Kiev, and ground invasions would follow from multiple directions. With some of the most atrocious acts of bloodshed in Mariupol, and Bucha, many women and children would stand to lose their lives. Hymn for the Children and Women of Bucha takes us to the early moments of the war where families were ripped apart and many innocent lives were lost.As all men aged 18-60 would be signalled into military service through a call for martial law by the Ukrainian president Volodymyr Zelenskyy, Resistance reminds us of the relentless tenacity of the Ukrainian people in standing up for what they believed was right, for their country, their Motherland, and for their people. As the combat rages on, numerous examples of Ukrainian inner strength and resistance can be found every day, as the pressure of Russian troops continues to bombard the lives and welfare of the Ukrainian people.The piece ends with Hope for the Future, and with it, a beacon of hope that we will one day see a future where the bloodshed will end, where fallen land is liberated, and where peace can return once more to the people of Ukraine. In her poem 'Spring in War-Time' from 1917, Sara Teasdale's words ring true again in this war, when she writes,The sun turns north, the days grow long,Later the evening star grows bright-How can the daylight linger on. For men to fight. Still fight?In this, we hope. That the conflict, soon, one day will end. And normality can return for the people of Ukraine.To listen to an audio demo of the work please visit https://on.soundcloud.com/dw53U9KZFUadvPYLADuration: Approx. 6.00 minutesDifficulty Level: 1st Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.89Away in a Manger (Brass Band) Murray arr. Fendall Hill
This unique arrangement by Fendall Hill of Away in a Manger brings together two beloved melodies of the cherished Christmas carol, seamlessly intertwining the popular American setting known as "Mueller" with the gentle strains of "Cradle Song", the tune favoured across Britain, Ireland, and the British Commonwealth.First introduced to American audiences by James R. Murray in Dainty Songs for Little Lads and Lasses (1887), the Mueller melody - often mistakenly attributed to Martin Luther - has become the most recognised version of the carol in the United States. Complementing this is the lyrical Cradle Song, composed by William J. Kirkpatrick and published in Around the World with Christmas (1895), offering a tender counterpoint to Murray's setting.To view a rolling score video featuring Sovereign Brass's CD recording please visit: www.youtube.com/watch?v=58r_xRY7OM0Difficulty Level: 4th Section +PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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