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£26.50
The King's Royal Rifles - Rimmer, W
Includes a full band set (no score)
In Stock: Estimated dispatch 1-3 working days
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£94.95An Age of Kings (Mezzo-Soprano Solo with Brass Band and optional choir - Score and Parts) - Gregson, Edward
The origins of this work date back to 1988, when I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for the throne, and they portray one of the most turbulent periods in the history of the British monarchy.Much of the music used in these productions was adapted into two large symphonic suites for wind band - The Sword and the Crown (1991) and The Kings Go Forth (1996). An Age of Kings is a new version for brass band incorporating music from both the symphonic suites for wind band. It was specially composed for a recording made by the Black Dyke Band, conducted by Nicholas Childs, in 2004.An Age of Kings is music on a large-scale canvas, scored for augmented brass band, with the addition of harp, piano, mezzo-soprano solo, male chorus, as well as two off-stage trumpets. The music is also organized on a large-scale structure, in three movements, which play without a break - "Church and State", "At the Welsh Court", and "Battle Music and Hymn of Thanksgiving".The first movement, "Church and State", opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but with the English army music returning in counterpoint. A brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). However, the mood changes dramatically once again, with the horrors of war being portrayed in the darkly-drawn Dies Irae and Dance of Death, leading to the final section of the first movement, a funeral march for Henry VI.The second movement, "At the Welsh Court", takes music from the Welsh Court in Henry IV part 1 with a simple Welsh folk tune sung by mezzo-soprano to the inevitable accompaniment of a harp. This love song is interrupted by distant fanfares, forewarning of battles to come. However, the folk song returns with variation in the musical fabric. The movement ends as it began with off-stage horn and gentle percussion.The final movement, "Battle Music and Hymn of Thanksgiving", starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonDuration - 22'00"Optional TTBB available separately.
Estimated dispatch 7-14 working days
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£34.95Kings Of Swing (Brass Band - Score and Parts) - Larsson, Kevin
The opening features a cornet, trombone and tuba trio, intended to be the three kings, as they swing their way to Bethlehem using the classic Christmas carol, 'We three kings of Orient are'.
Estimated dispatch 7-14 working days
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£17.50
Kings Of Swing (Brass Band - Score only) - Larsson, Kevin
The opening features a cornet, trombone and tuba trio, intended to be the three kings, as they swing their way to Bethlehem using the classic Christmas carol, 'We three kings of Orient are'.
Estimated dispatch 7-14 working days
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£60.99The King's Swing (Brass Band - Score and Parts) - Blanken, John
This lively work includes a jazzed-up version of the Dutch national anthem! Many jazz elements help this arrangement fly by like a whirlwind. Let your band simply swing with this fun piece.Duration: 4:00
Estimated dispatch 7-14 working days
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£54.99Drei Konige (Three Kings) (Brass Band - Score and Parts) - Cornelius, Peter - Beringen, Robert van
With his arrangement of Drei Knige, originally composed for voices, Robert van Beringen makes a welcome contribution to the Christmas repertoire for bands. In this work by the German composer Peter Cornelius (1824 - 1874) the medieval choral Wie schn leuchtet der Morgenstern comes to the fore as a counter melody.Duration: 2:10
Estimated dispatch 7-14 working days
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£35.00We Three Gypsy Kings (Brass Band - Score and Parts) - McKenzie, Jock
The arranger had a dream..... The three wise men were looking for the baby Jesus to give him their gifts. This was done somewhat in the manner of the scene of Monty Python's 'Life of Brian'. The search was not successful - Sir Alan Sugar ('The 'Apprentice') made an appearance ordering the three wise men to "get off my land". Meanwhile, the baby Jesus slept peacefully on, unaware of the nearby disturbance. Bizarrely, this dream sequence was played out at high speed, as in the closing scene from each episode of 'The Benny Hill Show' of the 1970s. This arrangement attempts to portray this comical caper. Duration: 4.00
Estimated dispatch 7-14 working days
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£154.99The Divine Right - Philip Harper
At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013
Estimated dispatch 5-14 working days
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£118.99Lions of Legends - Thierry Deleruyelle
This work was commissioned by Eurofestival. Ever since antiquity, mankind has been fascinated by the lion: symbolising courage, strength and temperance. Many have made use of the lion to represent themselves in symbols and emblems. In five movements the composer describes both the history of the lion throughout centuries, as well as the characteristics. A challenging idea to turn into music! The final movement 'King of Kings' is extremely spectacular. A great choice for thematic concerts or as a main piece in your concert or contest.
Estimated dispatch 5-14 working days
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£54.99Soldiers Song - Patrick Millstone
As long as we can remember, trumpets and percussion have been the instruments most closely associated with the army and its soldiers. Just think of the medieval herald who publicly proclaimed all the king's important announcements. This work opens with a festive fanfare which immediately calls for your attention. No tidings of disaster, but a festive parade of soldiers passing by while whistling merrily. This idea was the composer's starting point when writing this cheerful little piece.
Estimated dispatch 5-14 working days
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