Results
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£14.95Mozart Variations - Euphonium Solo (Brass Band - Score Only) - Downie, Kenneth
The main theme of this music comes from Mozart's opera The Magic Flute, a very well-known melody which is sometimes associated with sacred words. It is a beautiful tune which lends itself to variation treatment including these very light-hearted examples. While working on this music, the composer had the idea of incorporating references to other well-known Mozart themes, again, with a rather tongue-in-cheek approach. The result is a high-spirited, flamboyant solo that will be fun to play and to listen to.
Estimated dispatch 7-14 working days
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£29.95In Christ Alone (Euphonium Solo with Brass Band - Score and Parts) - Phillips, Richard
The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.
Estimated dispatch 7-14 working days
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£14.95
In Christ Alone (Euphonium Solo with Brass Band - Score only) - Phillips, Richard
The popularity of this modern song is evidenced by the frequent use it enjoys during Sunday worship in many different denominational churches. The strength and solidity of the song is reflected in this triumphal arrangement, written at the request of Derick Kane and as a sequel to the earlier euphonium solo, 'There Will Be God'.
Estimated dispatch 7-14 working days
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£34.95
The Covenanters (Brass Band - Score and Parts) - Downie, Kenneth
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£17.50
The Covenanters (Brass Band - Score only) - Downie, Kenneth
In 1638, many members of the Presbyterian Church of Scotland signed a document called the National Covenant. By doing so, they were declaring that they acknowledged only Jesus Christ as the spiritual head of their church, and not any king or queen. This had become necessary because the Stuart kings believed in the Divine Right of Monarchs and saw themselves as head of the church. In the previous year, Charles I had forcibly introduced the Book of Common Prayer, invoking the wrath of the common people who faced the threat of torture, transportation or execution if they did not use the new liturgy and worship at their local church. The net result of this was that many met illegally in the countryside or in barns and large houses. These meetings became known as 'conventides' and many took place in the south-west of the country. Anyone caught attending was at risk of execution by the muskets of the dragoons who were employed in the area for that specific purpose. This music was written to honour the bravery and loyalty of these Christians to their faith, in the face of extreme danger, in the hope that it will inspire us also to be faithful. There are overtones of military threat, secrecy and solidarity. An old pentatonic tune is used, which the composer heard as a boy being sung to the words The Lord's My Shepherd.
Estimated dispatch 7-14 working days
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£134.99
Brass Cinema (Brass Band - Score and Parts)
Brass Cinema is a work containing many extremely descriptive melodies and atmospheres, inspired by the fascinating world of film music. It was commissioned by the Swiss Brass Band 13 Etoiles to celebrate their 30th anniversary and is a cinematic masterpiece that will be loved by both performers and audience alike. 18:00
Estimated dispatch 7-14 working days
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£44.99Cartoon Classics (Brass Band - Score and Parts) - Duncan, Andrew
In Cartoon Classics, Andrew Duncan has brought together four classic cartoon themes in one medley that will be a sure-fire hit with audiences everywhere. It features the Looney Tunes Theme (Merrily We Roll Along), The Pink Panther, The Flintstones and The Simpsons.Suitable for Advance Youth/3rd Section Bands and aboveDuration: 4.00
Estimated dispatch 7-14 working days
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£54.99
The Logical Song (Brass Band - Score and Parts)
The Logical Song was written by the lead singer of the famous British pop band Supertramp - a song about a happy, carefree child growing up to become a cynical adult. It was one of the group's biggest worldwide hits. Andr? Waignein's brass band arrangement will be a big hit with all Supertramp fans and may well attract many new fans! 03:40
Estimated dispatch 7-14 working days
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£14.99
The Logical Song (Brass Band - Score only)
The Logical Song was written by the lead singer of the famous British pop band Supertramp - a song about a happy, carefree child growing up to become a cynical adult. It was one of the group's biggest worldwide hits. Andr? Waignein's brass band arrangement will be a big hit with all Supertramp fans and may well attract many new fans! 03:40
Estimated dispatch 7-14 working days
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£76.99Animal Kingdom - William Vean
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition.
Estimated dispatch 5-14 working days
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